Marcelo Gomes and Paloma Herrera in workwithinwork (ABT)
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@perfectarabesque
Marcelo Gomes and Paloma Herrera in workwithinwork (ABT)
preparation for the new season!
Lali Kandelaki as Kitri, and Yonen Takano as Basilio, in Don Quixote (State Ballet of Georgia, 2017)
Karina Gonzalez rehearsing La Bayadère with ballet mistress Fiona Tonkin (Houston Ballet/The Australian Ballet, 2014)
Celine Gittens and Brandon Lawrence, “The Nutcracker” (Birmingham Royal Ballet)
Dmitri Gudanov as Albrecht in Giselle (Bolshoi Ballet, 2011)
Te quiero comentar dos cosas que el día de hoy he aprendido 1.que se puede ser feliz con tan poquito y 2. que si tenemos ganas de un abrazo solo tenemos que pedirlo, y si queremos dar uno solo darlo y ya. todo tan simple como eso
Alina Cojocaru and Johan Kobborg in Manon, from The Royal Ballet Tour of Japan in 2013. © Kiyonori Hasegawa.
Cojocaru moves with lightness and delicacy. But she never uses her formidable technique in a showy manner. There is always a reason behind an arabesque, a tiny stabbing movement of the foot on the ground, or a swirl of movement around her partner’s body. She too works to develop a persona for the character she is playing. Her Manon is all sweetness and light, playful and charming.
Ekaterine Surmava as Giselle in Giselle (State Ballet of Georgia, 2015)
Jerome Robbins, John Kriza, Michael Kidd, Janet Reed, and Muriel Bentley in Fancy Free (ABT, 1944)
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