Better get your kids vaccinated so they don't catch
these hands
Stop fucking reblogging this
taylor price
Peter Solarz
"I'm Dorothy Gale from Kansas"
Today's Document

★

Origami Around
Stranger Things
Alisa U Zemlji Chuda
dirt enthusiast

pixel skylines
YOU ARE THE REASON

Kaledo Art
Acquired Stardust
occasionally subtle

JVL
wallacepolsom
Three Goblin Art
h
KIROKAZE

❣ Chile in a Photography ❣
seen from Hungary

seen from United States

seen from United States
seen from United States
seen from United States
seen from Ireland
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seen from United States

seen from Malaysia

seen from Malaysia

seen from United Kingdom

seen from Italy

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seen from Malaysia
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@phandom111
Better get your kids vaccinated so they don't catch
these hands
Stop fucking reblogging this
Here’s some screenshots of our favorite Sassy Boi
Happy Name Day, Virgil!
My love for him is out of control at this point.
Reblog if you agree pansexuality is real and support pansexual people
Phil holding a succulent in 24?
How can I resist with a succulent is involved!!
Palette template
Requests are closed now, thank you!
edit: the one about abuse
👍done and gone, I don't want to disrespect their wishes.
since the op took that down you should probably take down your last reblog.
Thanks for telling me, I did.
Wow it sure would be GREAT if a cute BOY wrapped his LOVING and SUPPORTIVE ARMS around me as I NAPPED
dan calling himself a bitch is gay culture
dan calling phil a bitch is gay culture
Gender neutral options for addressing a crowd
Guys, gals, and non binary pals
Ladies, gentlemen, and variations thereof
Folks
Distinguished guests
Members of the jury
Comrades
Fellow Americans
Citizens of the solar system
All y’all
My dudes
Those who must be stopped
Persons of the audience
Brain owners
Sentient beings of the audience
Bitches
People with PHDs and people without PHDs
All you who got dressed up for no reason
You people
Humans
Lovable idiots
Ladies, germs, and non binary worms
Mouth breathers
Everyone except (insert name here)
“Members of the jury” works best if you are not, in fact, addressing a jury.
These are facts.
Not an Editing “Tip.”
(Just a tool that might help clean up your writing and create a faster paced reading experience.)
Removing excess words. If you don’t need particular words, why keep them?
Another crashing wave sends me into a sprawl, and I’m forced to use my tides a few more times to distance myself from the rocks.
I should drop down as deep[er] as I can manage [and] use the reef for cover.
I can’t tear my eyes away until he disappears fully from view.
A burst of lightning shows the outline[s] of the cliff side.
A loud thud from the port window makes me jump, drawing my full attention. -> I jump at a loud thud from the port window.
Showing instead of telling. Making the reader feel what the protagonist feels is almost always better than telling them the protagonist is undergoing something.
I can’t believe the sight I see. -> My lungs catch painfully, a shocked squeak rising out.
Everything is slick and wet. -> The slick metal offers no hold for my wet hands. I clench my fingers until the ridges bite into my scales, shark teeth holding me in place. Agonizing.
Removing passive voice. Active voice is more engaging and should be always be used unless you have a specific reason not to use it for that sentence.
The rock is a muddled, dark brown, and I almost miss him amid the lofty coastline. -> I almost miss him against the muddled, dark brown rock, his body tiny amid the lofty coastline.
Her voice is strained and furious. -> Fury strains her voice.
The wound is closed again, but before it closed, enough blood seeped out that I now feel woozy and off kilter. -> The wound closed while I slept, but enough blood seeped out that my head still spin, my limbs heavy.
Always remember though: you have to do what works best for that particular moment. Some scenes require different strokes than others. Use your best judgement, and take pride in your personal writing style.
Hey! Do you have any advice for writing about really young children and babies?
TIPS ON HOW TO WRITE YOUNG CHILDREN AND BABIES
Babies (Ages 0-1)
Babies usually learn how to sit up at 4 to 7 months, to crawl at about 7 to 10 months, to stand up at 9 to 10 months, and to walk at 9 to 12 months. Babies can learn to talk as early as 6 months, though they only start to form two to four word sentences from 18 months to 2 years old.
Babies are cute little bundles of joy that lighten up the entire household, though they do have their moments.
My biggest pet peeve about people who write babies into their stories is that they only concentrate on the cons. The baby is always crying and annoying the characters, who make snide remarks about how they wish it would shut up.
The writers set it up so that the baby sounds like more of a burden than anything else, and unless your other characters don’t want the baby and feel like it is a burden, then I highly suggest you switch it up and describe the happy moments that the characters have with their babies, too.
They don’t just cry because they’re hungry or need to have their diaper changed.
Contrary to popular belief, whenever a baby cries it does not mean that it needs to be fed or that it has pooped itself. Babies cry over all sorts of things because they literally have no other way to communicate when they’re unhappy.
They cry when they’re tired.
They cry when they’re left alone. (Separation anxiety is very prevalent in babies, who feel afraid and unsafe whenever their guardians are not with them
They cry when they’re frustrated and can’t do the things that their parents and siblings can do.
They cry when they’re scared.
They cry when they are left with the parent that isn’t their favorite. (This usually happens to dads when the babies are left in their care)
This may sound annoying, but babies are just trying to make it known that they’re unhappy. They can’t say “Hey, I’m upset, can you help me?” so their only other option is to cry. Since they’re young, these things that are happening to them are the WORST things they’ve ever experienced. When a baby throws a fit over a broken toy or separation anxiety, that’s probably because it’s the scariest and most heartbreaking thing that has ever happened to them!
They need constant love, care, and attention.
This is literally a young human person. They’re just as aware and alert as you and I, and they need constant stimulation to keep happy. Parents really have it cut out for them; they have to raise this little human larva into a fully grown homo sapien that will function well in society, and in order to do that they have to provide a lot of TLC to make sure the baby’s mind develops correctly.
A lot of parents in stories don’t do this; they only give their baby attention when it’s crying and I can’t help but think: that’s not??? How it works????
Things that parents do for their children to help them develop:
Read books
Sing songs
Play with toys with them
Play games like peek-a-boo and patty cake
Put on music
Put on educational TV and movies (Though they shouldn’t do this too often!)
Simply be around them
Parents should not leave the baby alone for extended periods of time.
This is a given. Babies can get themselves into a lot of trouble: They can roll of couches, touch hot or sharp objects, and eat things that they shouldn’t. Babies have to be under constant supervision, and it gets me really annoyed when characters in stories leave their child unattended for a long time.
Babies need a lot of equipment, which can include:
- Crib
- Bib
- Pacifier/Binky
- Bottle and formula (If parents don’t breastfeed)
**FYI babies on formula or breast milk need to be burped after they’re fed because they swallow air and can have gas buildup within their stomach and intestines. Some babies need to be burped a lot, while others don’t; it all depends on the baby, though bottle fed babies tend to swallow more air than breastfed ones.**
- Blankets and mats to lie on
- Toys (LOTS of them!)
- High chair
- Baby friendly food (for older babies that are off formula, which occurs after the sixth month mark), which can include actual baby food, Cheerios, fruit that is cut into small pieces, animal crackers, and anything that can be eaten with fingers that can’t be choked on.
The parents, if they’re caring ones, are always thinking about the baby.
This is especially if they’re first time parents. Babies are a BIG DEAL, and they become the most important things in their parents’ lives. They’re always thinking about the baby and can tend to worry a LOT when they’re separated from them. They take many precautions, such as baby-proofing the house, to keep their little ones safe, and most parents would take a bullet for their baby.
If the parents in your story don’t fret over their baby at least once, then you’re writing baby parents wrong.
Toddlers (Ages 2-5)
Many important milestones in a human’s life happen during these critical years. They start forming complete sentences and developing social skills. They learn that to get what they want they don’t just have to cry; they can communicate in other ways, though sometimes they take to crying if they don’t get their way.
Toddlers can be marginally more worrisome than babies; they’re mobile now, so they can now reach higher and move around faster than their younger counterparts. Their crying no longer is cute, but rather more annoying now that they’re older and are starting to develop their personalities, and there’s a reason why they’re called “The terrible twos”
Toddlers are just like upgraded babies that need most of the things babies do but can now communicate, walk, and eat real food.
However, the most important thing writers should know: TODDLERS ARE NOT SAGES
They should not be spouting deep, philosophical life lessons at every turn; that aspect of children that’s been developed in books, about how they “know things” just because they’re young and innocent, is completely false. One or two meaningful lines should be fine, but remember that they’re still kids; they like talking about dinosaurs, superheroes, princesses, animals, and trucks, and 98% of their dialogue should merely be them being a kid.
Hope this helped!
Characteristics to make your OC more original without the classic “red hair, pale skin, different coloured eyes”
Webbed fingers
One toe/finger missing or adding one
Scars! Give them memories
Body mods - even though it sounds pretentious, it’s seldomly used bc of that reason. Give them piercings, gauges, tattoos, implants etc etc
Make them LGBT+. Not to make them “special” but to make them normal. Not everyone is cishet on this planet, make your story a realistic mirror of reality.
A small illness that shows at inconvenient times. Anaemia, a slightly crooked spine, you name it.
Naturally dark undereyes
Crooked/yellow teeth - it’s natural for some people no matter how much they brush em. Also healthcare isn’t affordable everywhere
Flat feet
Instead of a resting bitch face - a resting sad face. Or thinking face. “Wow, what are you thinking about?” “Uh.. that my lucky charms this morning may have already expired last week.”
Knowledge about really weird things! Architecture in the 20th century, the army, submarines, contemporary art
Little habits: chasing pigeons, greeting the news reporter back when he says “good evening” (these are more for younger characters), having to scratch the other side of their face if theyve scratched one side already
Having pets: bunnies, geckos, spiders, snakes, mice, rats, birds, chinchillas, fish, frogs, turtles
Give them a name with a special meaning, maybe even relevant for the story. But for the love of god leave the spelling as it is. Dont make maikayleighah out of mikayla.
Also, names like, skye, skylynn, raine etc do give off a certain :/ vibe
Make them religious!
Make them break gender rules
Note that you can still do whatever you want to and even if your OC is a ginger named ginger then thats totally fine - its your story. These are just preferences of mine
I hope this helped! Feel free to add on
5/7/2018: Hey, aspiring fantasy writers!
Having trouble deciding what role is best to give your character(s)? Well then, here is a collection of medieval-fantasy type jobs (both historical and fictional) in alphabetical order that can help you choose the right one.
Abbot; Abbess
Academic/Professor
Actor
Adventurer
Adviser
Alchemist
Alienist
Almoner
Animal trainer
Antiquarian
Apothecary
Arbalest
Arcanist
Archer
Architect
Armorer
Artificer
Artist
Assassin
Astrologer
Auctioneer
Author, Nonfiction
Bailiff
Baker; Baxter
Bandit (Outlaw, Thug, Highwayman, Plunderer, Marauder)
Banker
Barbarian
Barber
Bard
Barkeeper
Bathhouse Attendant
Beast Tamer
Beastmaster
Beggar
Berserker
Bishop
Blacksmith
Bladesmith
Bodyguard
Bookbinder
Bounty Hunter
Brewer; Brewster
Broker
Butcher
Butler
Candlemaker
Captain
Cardinal
Caregiver
Carpenter
Carriage driver
Carter (Carrier)
Cataphract
Chainsmith
Chamberlain
Chandler
Chaplain
Chariot racer
Cheesemaker
Chimneysweep
City guard
Cleric
Clerk
Cobbler
Confectioner
Constable; Marshal
Convict
Cook; Pastry chef
Cooper (barrels/buckets)
Copyist/Scribe
Cordwainer (Shoemaker)
Crusader
Dancer
Deacon
Dentist
Deprived
Detective
Diplomat
Diva
Dockworker
Doctor
Dog trainer
Domestic Servants
Dragonrider
Dressmaker
Druid
Duelist
Dyer
Embroiderer
Emperor/Empress
Enforcer of Laws against Rich Clothes
Engineer
Escapist
Explorer
Falconer
Farmer
Farrier (horse shoes)
Fighter
Fighting Clerics
Fisherman
Fishmonger
Flagellant
Fletcher
Florist
Footman
Friar
Furniture maker
Gardener
Gladiator/arena fighter
Glazier
Goldsmith
Gong Farmer
Grave Robber
Gravedigger
Guardian
Guru
Hack driver
Harbormaster
Hatter
Hay seller
Headsman; Hangman
Healer; Midwife
Hellion
Herald
Herbalist
Hermit
Hero
Houndmaster
Housewife
Hunter
Illuminator
Illusionist
Importer; Exporter
Innkeeper
Inquisitor
Interpreter
Inventor
Investigator
Jester or Fool
Jeweler
Judge
King
Knife thrower
Knight
Lady’s maid
Lawyer
Leper
Locksmith
Logger
Loremaster
Mage
Magician
Maid
Man-at-Arms
Mapmaker (Cartographer)
Mason
Master of Ceremonies
Mayor
Medium
Mercenary
Merchant
Messenger
Miller
Miner
Minstrel; Jongleur
Money Changer
Monk, Nun
Musician
Necromancer
Noble
Noblewoman
Nurse
Nursemaid/wetnurse
Occultist
Official
Oracle
Page
Painter
Paladin
Papermaker
Parchment and Ink Seller
Pardoner
Parson
Peasant
Peddler
Philosopher
Pilgrim
Pirate
Playwright
Poet
Polymath
Pontiff
Pope
Porter
Potioneer
Potter
Priest
Prince
Princess
Prisoner (hard labor)
Produce vendor
Prophet
Prostitute; Courtesan
Provost
Pyromancer
Queen
Ranger
Rat catcher
Ringmaster
Rogue
Ropemaker
Saddler (Yo mama!)
Sage
Sailor
Salt seller
Salter or Daysalter
Schoolmaster; Teacher
Sculptor
Sentinel
Seraph
Serf
Servant (laundry, kitchen, cleaner)
Shaman
Sheriff
Shieldmaiden
Shipwright
Shopowner
Silversmith
Skald
Slave
Slave trader
Smelter
Smuggler
Sniper
Soldier
Sorcerer/Sorceress
Spinster; Spinner
Spy
Squire
Stable hand
Stablemaster
Stained-Glass Artist
Steward
Stonemason
Street Cleaner
Strongman (or woman)
Summoner
Surgeon
Swashbuckler
Sweet maker
Tailor
Tanner (leather)
Taxman
Templar
Thatcher (thatched roofs)
Thief
Thrall
Torturer
Town Crier
Toymaker
Trapper
Traveling Merchant
Treasure hunter
Trickster
Troubadour
Tutor
Undertaker
Vestal
Viking
Wagoneer
Walker or Fuller
Wanderer
Warlock
Warlord
Warrior
Weapons instructor
Weaver; Webster (fabric, rugs, baskets)
Wheelwright
Wisewoman
Witch/Wizard
Witch Hunter
Wood-carver
Wool-carder
Yeoman
If there are more you want to add to the list, feel free to reblog and share your suggestions. The more the merrier!
(Note: Some jobs listed here are probably the same as certain others but with a different title.)
quick tips for writing sexual tension
- eye contact. lots n lots of eye contact.
- other characters having to clear their throats, shake people, etc. to get A* and B* to pay attention
- lip biting.
- A* and B* looking at each other real quick, then looking away.
- almost kissing but being interupted
- normal coupley teasing
- coupley teasing that goes rly far
- friendly teasing that becomes awkward, tense, or sexual
- more eye contact
- lots of small touches
feel free to add to this!
Dos And Don’ts Of Dialogue
Dialogue: either you’re great at it, or it’s your worse nightmare. Writing dialogue can be difficult, confusing, and frustrating. Here are some tips to clear the air when it comes to dialogue!
DON’T overuse dialogue tags
From the very beginning, writers are often told not to overuse “said”. While this is sound advice, it can create the false notion that “said” is never to be used. This simply isn’t true!
Stay away from repeating creative dialogue tags one after another, especially if it’s redundant. For example, if there’s an exclamation point after a sentence, you don’t need to say that the character exclaimed or yelled.
Often, a dialogue tag isn’t even needed. Just end the dialogue without a tag.
DO use “said”
Repeat after me: IT IS OKAY TO USE “SAID”!
I’m guilty of this one as well. The urge to not use “said” too often becomes a habit of never using it and replacing it with unnecessary dialogue tags.
Just use said! It will make your writing seem far more mature than if you used something like “growled” or “stated”.
DON’T go on tangents
Dialogue should be realistic. If you have a character that is known for going off on tangents, then by all means do so. If you’re going on a tangent to seem “artistic”, you might want to cut it off there.
My biggest pet peeve with modern young adult literature is that writers try to combing their need to prove they can write beautiful prose with dialogue. Don’t. In the end, it’s just unrealistic and a cheap way of trying to show your talent. Leave the long-winded metaphors for your narration, please.
DO use unique speech
Everyone speaks differently. This could mean accents, slang, catchphrases, or misused words. Include this in your dialogue!
Colorful dialogue creates colorful characters, and allows the reader to be able to easily distinguish who is speaking (without dialogue tags!).
DON’T overuse phonetics
Though accents can be a great way to create colorful dialogue, phonetically spelling every word according to the character’s accent can get annoying fast. Stick to spelling out the most important words. After a while, the reader should be able to read that character’s dialogue with their accent in mind anyway.
DO show, not tell
Every writer has received this advice at one point or another, but with good reason. Dialogue is the best way to put “show, don’t tell” into practice. However, writers often think that dialogue itself counts as showing. Though dialogue is a better tool than description in these instances, it doesn’t completely serve as a way to show on its own.
Telling: “Hey, calm down. You look nervous.”
Showing: “Hey, calm down. You haven’t stopped tapping your foot since we got here.”
DON’T repeat names too often
I too fall into the trap of constantly clarifying who is speaking. When you’re writing, it feels natural to say things like “’How are you doing, Jim?’ ‘I’m doing well, Pam.’”, but the reality is that no one speaks like that, especially to people they’re close to.
Most of the time, you should use names in dialogue tags and greetings. Otherwise, use names sparingly.
small writing exercises
make up an origin and meaning of a name
write a family history going back centuries
pick a character and make them ramble about their favorite thing
make up a fable, pretend it’s as famous as the Grimm fairytales. how does this fable affect the world and what would people reference from it? (i love this one because it can be as crazy and silly as you want)
make a commercial for something that really shouldn’t be sold at all. try to convince people to buy it.
ACRONYMS. but, like, try to have it make sense
make a poem about your story/something in your story
rewrite a classic but put your own twist on it
make up a detailed recipe
make a monologue with a plot twist or punchline in the end
create a ridiculously detailed timeline for a character
childhood memory (real one or make it up!)
improv rap lyrics
the story behind an inside joke
make up a mythical creature
pretend to be a commentary youtuber and pick a topic
the what if? pick a story and create an alternate ending to it
pick one scenario and several characters. how different are the reactions based on their personalities?