Although Izumi considered herself Japanese first and foremost, her mother had been the one to do all the cooking in their family home. Until she'd left, anyway. Izumi doubted she would have developed much taste for spice even if she'd been raised on mostly Japanese food, but after a childhood eating Swedish cuisine for every dinner, she never had a chance. It was now that she was starting to branch out, which was just as well. Her dad wasn't much of a cook, and she'd had enough bullying over her weird foreign lunches in middle school to last a lifetime.
Thinking as she was of food, hoping that it would arrive quickly and negate the need for conversation, Izumi was entirely unprepared for Ibuki's excited response. "Ehehe..." came her weak laugh. "That's r-right, I am her, so..." This was getting dangerously close to a normal live performance, and she wasn't any good at those. Still, with Ibuki looking at her like that, neither did Izumi want to let her down. "I guess I can do one m-more."
After adjusting the settings again, Izumi plugged her phone into one of the speakers. Other bands' music was one thing, but when it came to BAKEMONO originals, she usually had the stems with her. Nakamura-san had given her versions of all the old albums with the lead guitars cut out, both so she could practice without distraction, and so she could develop her own parts if she wanted to deviate from the studio versions in future live performances.
As if. It had taken Nakamura-san, as the the bass player and composer TENGU, and Akiyama-san as the singer, rhythm guitarist, and primary lyricist YUREI some time to become the legends they were now regarded as. She knew that both of them didn't consider BAKEMONO as really starting until the 90s, lovingly deriding their 80s output as "cheesy Loudness rip-offs." Akiyama-san had mentioned off-hand that, had it not been for RYUU-san, those early albums would never have generated enough interest to keep the band going.
There was no way anyone would measure up to RYUU-san, and it would be the height of arrogance to try to improve on his work. So many metal guitarists of the 80s just picked some famous guitarist to emulate, but while someone could hear the influences of Rhodes, Van Halen, and Malmsteen on RYUU-san, Izumi would think it'd be crazy to call him anything other than a true original. "This is Midnight Time Rider," she murmured in a small voice, starting the leadless version of a fan-favorite BAKEMONO track from the early 90s and then accompanying it herself, exactly as RYUU-san had laid it down over thirty years ago.
There was joy in playing this music, but discouraging thoughts, too. The band had gone through a lot of guitarists since RYUU-san quit, and each time another one left, Izumi knew the fans were silently hoping that RYUU-san would come back. No matter how good she was, wasn't it the case that she'd always be a disappointment to them for that reason alone? Once the song was over, she packed up her guitar before Ibuki could ask her to play something else, suddenly not feeling in the mood to keep playing in front of someone else. "I th-think it's okay," she mumbled. "I don't want to keep imposing myself, s-senpai, so that's all the music for today, I think."