Night scene (2023) | acrylic and charcoal on unstretched canvas
Mike Driver
2025 on Tumblr: Trends That Defined the Year

JVL
Misplaced Lens Cap

pixel skylines
TVSTRANGERTHINGS

#extradirty
Lint Roller? I Barely Know Her
d e v o n

Origami Around

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NASA
EXPECTATIONS
Cosmic Funnies

Andulka

blake kathryn
cherry valley forever
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Product Placement

❣ Chile in a Photography ❣

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@phenomenologically
Night scene (2023) | acrylic and charcoal on unstretched canvas
making dinner for my son, brain going You think cooking is a cute job, eh? Like Mommy in the kitchen? Well, Mommy never had to face the dinner rush when the orders come flooding in, and every dish is different and none are simple, and all of the different cooking times, but must arrive at the customer's table at exactly the same time, hot and perfect! Every second counts, you CANNOT be MOMMY!
Ceiling painted by Camillo Mantovano, Palazzo Grimaldi Venice. 1560
Deborah Bell
By What Light Do We Really See?, 2012-2014
Oil on paper.
Holland Cunningham - Tiny House Dream, 2024 - Oil on board
F.I. Buslaev “Essay on archeology and history of art”
Alenka Sottler illustrates BAMBI by Austrian writer Felix Salten.
Alenka Sottler (b. 1958, Slovenia) was born into a creative family and began her art practice early on, as a child by the side of her father, an academic sculptor. Later she pursued her formal university education in Painting at the Academy of Fine Arts in Ljubljana, at both graduate and postgraduate levels.
Award winning illustrator, artist, deep thinker.
Alenka describes her technique:
"Essential for my creative process is the ability to use extreme simplification, which opens up surprising worlds and a space for creative play. I am lead by the joy of discovering the new, a respect for the material and its nature.
I produce seemingly extremely complex visual forms in an astoundingly simple manner. In my drawings I behave like someone who partakes in nature’s processes. I find an interesting abstract structure. I grasp its visual essence and its hidden logic. I add to it with its own laws of growth.
For example: What a beautiful trace a metal comb makes if you pull it across some fresh black paint on white paper. I understand that the strong impression is created by the multitude of parallel thin black and white lines, which wind across the surface of the paper. In this abstract space I see the scene. Using a brush, that creates the same fine lines in black or white paint, I add to the structure..., which then grows into a new organism—an illustration, and eventually into a book, perhaps. I begin from any kind of structure—see my letter illustrations for instance. In this process, I am influenced by the concept of evo-devo evolutionary developmental biology which is concerned with the formation of organisms. Recent discoveries bring to the visual world totally new dimensions and relationships between the large and the small. I see the world as a universe of giant forms, constructed from an endless amount of repetitious identical particles, rebuilt with the same meticulousness as the large ones, and I draw these through my illustration."
0watts.com/I-see-the-world-as-a-universe-of-giant-forms?
Donna Summer photographed by Fin Costello from a photoshoot in 1976.
“I remember an incident from my own childhood, when a very close friend of mine and I, we were walking down the street. We were discussing whether God existed. And she said he did not. And I said he did. But then she said she had proof. She said, ‘I had been praying for two years for blue eyes, and he never gave me any.’ So, I just remember turning around and looking at her. She was very, very Black. And she was very, very, very, very beautiful. How painful. Can you imagine that kind of pain? About that, about color? So, I wanted to say you know, this kind of racism hurts. This is not lynchings, and murders, and drownings. This is interior pain. So deep. For an 11 year-old girl to believe that if she only had some characteristic of the white world, she would be okay. [Black girls] surrendered completely to the master narrative. I mean the whole notion of what is ugliness, what is worthlessness. She got it from her family, she got it from school, she got it from the movies — she got it everywhere; it’s white male life. The master narrative is whatever ideological script that is being imposed by the people in authority on everybody else. The master fiction, history, it has a certain point of view. So, when these little girls see that the most prized gift that they can get at Christmastime is this little white doll, that’s the master narrative speaking: “This is beautiful. This is lovely, and you’re not it.”
Toni Morrison on what inspired her to write her first novel, The Bluest Eye.
someone get peter claffey a stylist or AT LEAST a tailor because this is horrendous
nametag that reads perpetual squanderer
literallly crying over an app rn wtf
just gardened for 30 min, how many bug bites did I get?
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studio baby jail est 2026
The Great Mosque of Samarra during fog, Samarra, Iraq