Alfredo Valenzuela Puelma (Chilean, 1856-1909) - La modelo pelirroja
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
đ
EXPECTATIONS
Not today Justin
No title available
almost home

No title available
đ©” avery cochrane đ©”
Lint Roller? I Barely Know Her
Phantogram Three
The Stonewall Inn

@theartofmadeline

shark vs the universe
Sade Olutola
I'd rather be in outer space đž
taylor price

pixel skylines

gracie abrams
seen from United States

seen from Australia

seen from United States

seen from United Kingdom
seen from Argentina
seen from Mauritania
seen from United States

seen from Russia

seen from United States

seen from United States

seen from Australia
seen from Vietnam
seen from Indonesia

seen from Canada

seen from Malaysia
seen from United States

seen from Canada
seen from United States

seen from Russia

seen from United States
@pictureframewomen
Alfredo Valenzuela Puelma (Chilean, 1856-1909) - La modelo pelirroja
Kees van Dongen - La femme au collant vert (1905)
John Dawson Watson: In the Shallows, 1869
The Japanese Parasol - William John Hennessy
1890
Portrait of a Girl With a Book by Ivan Loboda, 1976
Stanislaw Wyspianski
"Talking on the Phone" by Ivan Kharkevich-Khrapovitsky (1985)
Alfonso Simonetti - The Letter (1870)
John Singer Sargent (American,1856-1925)
A sketch of Polly Barnard for âCloveâ, 1885
Pencil on paper
I am a museum girl. above everything I am a museum girl
Stillness - Greta Gerell
Swedish, 1898 - 1982
oil on cardboard panel , 43 x 33 cm.
Glauco Cambon - The Blue Veil (1907)
James Sant (British, 1820â1916) - The moonlit beauty
Portrait of Urania, British School of the 19th century.
Oh my goodness, that pearl necklace!
Jean-Léon GérÎme ( 1824-1904) Femme circassienne voilée: Veiled circassian beauty
Source: christieâs.com
This is a painting of Jacek Malczewski called simply âDeathâ and itâs my favourite personification of death in any medium.Â
Sheâs not creepy or scary, or sexy, or abstract. She is this thick woman with worn hands, dressed as normal, with a non-stylised scythe and pins in her hair: like a farmerâs wife that just came form the field and rests against the wall, catching some sun. She is not creeping about the dying one holding her scythe over their head, she is just there, calmly waiting her turn.Â
This painting always fills me with peace and optimism when I think about death. She is just there, outside the window, in no hurry at all, sensible and down to earth. I can live with that.
7-30 by Yizheng Ke ~Â https://kyz.artstation.com/projects/xJaDy1Â