Obsessed

I don’t do anything with my life except romanticize and decay with indecision.

[enchantedbook]

'Foxfires at the Changing Tree' by Utagawa Hiroshige, 1857.

[aaaangel444]

[neckkiss]

La jalousie

[kostisfokas]

Kostis Fokas 

Abstract bodies 2019

[whosnatalia]

Teuta Matoshi Duriqi // Haute Couture - Spring 2018

[rohie-deactivated20191102]

i need to stop talking to men at 3 am i be saying shit like “we’re soulmates” like GOD someone stop me

[brutalite]

nipples poking through a shirt are an accessory we should all learn to appreciate 

[60s-heartshaped-chevrolet]

☆Lana Del Rey☆

behind the scenes for British Vogue

[glowdetails]

details @ alexis mabille fall 19 couture

[themaninthegreenshirt]

Tim Davies and Celia Hammond [1962] by Terence Donovan

[strawberryinstantoatmeal-deacti]

i remember being like 11 and asking my dad why he hunts and kills deer and he said “because i think theyre beautiful” and that’s just. that’s just what men are like

[assyrianjalebi]

The Great Gatsby (2013)

[die-rosastrasse]

Alexandre-Jean Dubois-Drahonet

French, 1791-1834

Female nude, 1831 (detail)

[distantvoices]

Florence via @isabelle.de.vries on Instagram

[be-artistic-deactivated20230306]

[kdramafeed]

[loukessler]

The Concept of Non-Photography:

Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.

He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”