can we talk about how it’s only after barbie stands in her box and recognizes she doesn’t belong there that she starts to feel inadequate about herself? she tries to put herself back into the confines of men’s expectations (namely those of the owners of the barbie company), tries to force herself to be what she is “supposed” to be, but those expectations and restraints of behavior (the plastic zip ties) which before might’ve felt secure and stabilizing become constricting and entrapping. she panics and escapes, but once she’s run from what everyone expects her to be and has “achieved” the goal of freedom from the oppressive force that is male control, she feels aimless and like her purpose has been stripped from her. what is she without the uncomfortable, difficult, at times impossible standards that had defined her previously? sure, they were terrible, but first she could be defined by those clear-cut (if contradictory and impossible) standards of her character, and then could be defined by the struggle to escape them, and now she is left without any source of externally-imposed identity. the other barbies retain some of their enforced characters, becoming presidents and doctors and lawyers etc, but with nothing else to latch onto that feels familiar to her, she defines herself as a failure — an inadequate, underachieving person with no “reason” to exist. she isn’t pretty (she thinks), isn’t accomplished in a traditional sense, has no easily reference-able title, she just is.
this is why the ending scene is so powerful to me. barbie sees a montage of the lives of people who just are. who exist, in their own right, without necessitating a justification for their existence. women don’t have to explain to men or to themselves why they have a right to exist, or a right to their lives or their confidence. they don’t have to justify living. they can just be, however they choose, enjoying the mundane or the extraordinary in equal measure of happiness, and that is beautiful. barbie sees the mundane, sees the unexplained and the unjustified, and she learns to see it as it is — beautiful, because it is.














