Edward Steichen Japanese Vase ca. 1940 color print, dye imbibition process 24.0 x 18.3 cm. George Eastman Museum

titsay
cherry valley forever

oozey mess

Andulka

@theartofmadeline
Lint Roller? I Barely Know Her

Love Begins
Three Goblin Art

⁂
d e v o n
he wasn't even looking at me and he found me

roma★

Origami Around
2025 on Tumblr: Trends That Defined the Year

Kaledo Art

tannertan36
Cosmic Funnies

Product Placement
Claire Keane
Alisa U Zemlji Chuda
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Edward Steichen Japanese Vase ca. 1940 color print, dye imbibition process 24.0 x 18.3 cm. George Eastman Museum
source : @cheminer-poesie-cressant
.
réseaux sociaux
.
on papillonne toujours plus dans l’abondance
l’infini n’est qu’un subterfuge pour nous distraire de la vie
se poser est devenu une chimère que nous ne rejoignons plus
.
© Pierre Cressant
(mardi 24 décembre 2024)
via
the world is very big but in practice i think it’s very small because no matter where you go it generally consists directly of a single room, or street, or clearing, & there is nothing you can do about that
2023. 102 x 72 cm. Graphite on paper.
“Symbol of the universal spirit of nature.” A key to physic, and the occult sciences. 1814. Internet Archive
Pino Tovaglia, Envelope for «Pirelli» – Rivista d'informazione e di tecnica , No. 5, September-October 1967
Pino Tovaglia, Cover (sketch, collage on cardboard) for «Pirelli» – Rivista d'informazione e di tecnica , No. 5, September-October 1967
Robert Motherwell - Roth-Handle
Space Boat Poster.
A dramatic vignette in Linda Cochran’s garden: from the front, pale pink Phlomis purpurea, globular flowers of Allium ‘Globemaster’, russet tones of a fading Euphorbia characias subsp. wulfenii ‘Lambrook Gold’, and tall spikes of foxtail lily (Eremurus). Photographs by Terry Moyemont
ginkgo, a patinated bronze side chair designed by claude lalanne in 1996
Second attempt at the demolition of the Franzschacht, Eschweiler Bergwerksverein, Alsdorf, 1995