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Designed by Hector Guimard, French, 1867–1942; made by Fonderies de Saint-Dizier, Saint-Dizier, France; Balustrade, 1905 cast iron; 16 5/8 x 34 x 1 ¼ inches; Saint Louis Art Museum, Richard Brumbaugh

[zegalba]

Paintings by Micah Ofstedahl

[2001hz]

Katsuya Terada, zenbu (1999)

[duxuebing]

Photography by Xuebing Du

Instagram: xuebing.du

[zer0rei]

[randomobject]

#425random

@rndmobj

[earthboundstarblind-deactivated]

Glass models from the Cornell Collection of Blaschka Invertebrate Models

[seapuke]

[kitchen-light]

Poet Claire Hong shares a memory of Louise Glück on Twitter/X

[ortut]

Gary Justis Modern 3, 2011 Baroque 2, 2011 (Monoprint)

[plastiboo]

[gonetocroatoan]

Sneha Solanki  ‘The Lovers’

Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.

[steelb1ues]

[ID: Two computers facing each other, connected to one another, on rectangular platforms. The room is backlit in red. End ID.]

[graphics-cafe]

l%ve

[graphic-resign]

Baroque: Yuganda Mousou PS1 SLPM 86328 NTSC-J

[ai-clothingdaily]

9262010-8hq

[twerklina]

[memorypassage]

[ph418c]