i forgot to send in an ask when this initially happened but last month i went to disney channel nite at disneyland and i got to meet p&f + perry at a phineas & ferb dance party đđ & i had your blog on my mind the whole time
that's so cute, i love that big perry mascot. lovable rectangle. thank u for the message <3
Thank you for your hard work on the expo 88 au... I feel like I could have been there, even though its real life equivalent existed long before I was born... You have a real knack for getting people in a time, a place, a feeling...
this is really nice to hear. thank you. i felt enchanted learning about the time and place and i'm happy to share just a little bit of that feeling in my art. <3
also this is the work i did to ensure the moon was in the correct place in the sky relative to the characters on that night in that scene. i think i got it right but idk, maybe a moon expert knows better
hey, i didn't intend to but i wrote a little scene set in my expo 88 au. a getting together. hopefully legible to someone who doesn't have much knowledge of the au, i don't know if i succeeded at that. but i wanted to get it out.
heinz the ponytailed 22 year old and perry the backflipping platypus heartthrob in facepaint. can they make it work?? this is the fic description.
rated T for tipsy, and tongue. 4950 words
1988/6/23
Itâs a night at the park. Theyâre both worn out from a week of Expo explorations up the street, so they decide to stay local, beers and bar food at the Galaxy, bad Australian disco thumping into the late hours after the park shuts its gates. Heinz and Perry ping pong off each other in the crowded space, riding waves of dance and conversation. Most of the Fun Park crew have changed back into their street clothes but a few are still wearing bicolor server outfits, or hanging half in and out of them.
A restaurant girl with her pink-purple sleeves tied in a belt appears, right as Heinz and Perry reconvene. Her hairâs spilling out across her shoulders and the rest of herâs spilling out of a tight white tee, and Heinz is too dumbstruck at the sight to mind her tugging Perry away for a dance. He flashes him an apologetic grin.
Which is fine, Heinz thinks, tipping back his 5th can of Fosterâs. He loves these nights where the dance floor heats and the night air cools outside, in Brisbaneâs weak excuse for winter. They were fun nights the month he worked at Expo, ducking out of his shifts early for drinks at the Festhaus, slapdash cocktails on the upper decks of the boardwalk, boys and girls hanging over the bannisters in confetti colored polos.
And the nights are even better now with Perry, the first friend heâs made in years, met in six days, which feels impossible, precarious. The nights are better than they were with those replaceable pavilion girls, even if Perryâs not as much of a party fiend, too smart for it, or (heâd never say) too short. Even if a certain melancholy hits as he watches Perry dancing, bouncing on bare duckfeet as that girl tugs his arms back and forth.
Heinz hates mapping the weird topographies of his sadness. When he tries he feels out the shapes of tall trees, his brother, Charlene. Beer helps fuzz the edges, even this weak stuff. He shakes the can. They call it âpissâ. Sounds about right.
When Heinz emerges later from the gentâs he gets a face of bleached frizzy hair.
âOh my god, Iâm sorry, was I blocking it?â the girl laughs, turning. âOh hey, rollercoaster Heinz. Hans?â
âHeinz,â he says, âAnd youâre good. Uh.â Itâs the girl who works the ice cream booth, who fills the cones he brings to Perry, he tried committing her name to memory the other day. Coney? Creamy? âHey, have you seen Perry around?â
âPerry?â Her face is entirely blank for a beat, then âWait, the platypus? Oh my god, you missed it,â back to laughing, pink and pitchy like she sucked down a balloon. âDonna kissed him. On the beak and everything. I think it was serious too, like not kidding. That girlâs off her rocker, love her.â
The beer buzzes loud in Heinzâs ears. âWow,â he says. âWhere is he?â
She turns away without answer, or maybe Heinz does, the order of events doesnât matter as he shoves through the room, scans the crowd, leaning forward on his sneaker toes to maximum teetering height. Itâs not much help for finding a guy who comes up to his knee.
Laughter barks in his ears and Kylie Minogue sings lucky lucky lucky and heâs nowhere to be found amid the crush of all these sunburnt legs, he must be on the circumference, or over by the tables or the bar, or outside with that girl. And he looks over and sees an animal standing by the exit but itâs the wrong one, brown, too tall.
Heinz hurries over to the door and steps over its tail but it nabs him, long fingers hooked in his sleeve, and Heinz spins around with a snarled âWhat gives?â when he notices Perry, down there with the other one, the wombat. He sinks to his knees, he grabs Perryâs arm. Perry tips a questioning smile at him.
âI heard you were.â
Perryâs over here chatting with his coworkers, thatâs it, he looks utterly unmussed, save for his chalk-fluffed hair, tinged seaweed by the stubborn yellow pigment. That ice cream girl mustâve been confused. âHeard you hit it off with that girl,â Heinz says, making a smile out of his dumb gaping mouth, jiggling him by the sleeve.
The wombat elbows Perry. He gestures something in that Australian sign language. Perry snorts, smiles down at his feet and shakes Heinzâs hand off his arm. He lets it drop.
The gestures become a three-way conversation and Heinz sinks back on his heels, puts an extra foot between him and this impenetrable scene. Perryâs placing his paw on the wombatâs back and ushering him toward the exit, and the kangaroo goes too, and they bat marsupial hisses back and forth with big swings of their paws. And Heinz canât remember whoâs the girl and whoâs the boy, as the pair of them wave goodbye and Perry waves back from the doorway. Do they live at the same zoo? Is that where they go home to?
Perry's standing in front of him all of a sudden, out of focus. His chirr is a sweet and balanced sound like middle C. Heinz blinks him clear. Heâs still got most of the blue paint on his bill that he wears for his mascot job, rich phthalocyanin, like Heinz used to buy for art class back at university. But facepaint doesnât look funny on Perry. He looks somehow parental, older, giving Heinz a patient look as he waits for him to settle.
âOr maybe it didnât work out,â he pronounces. âThatâs too bad. But I hope you had a fun time here, tonight. Hope youâre alright.â
Perry surveys the room, grabs Heinzâs arm and has him knee-shuffle closer to the wall, out of traffic. Heâs such a sheepdog. No wonder heâs got that animal troupe so tight on their beats. That dumb stage show for babies is gonna pull some Tonys, with the way Perryâs choreographing it. Or whatever shiny trophy they give you in Australia.
Perry scribbles something in the notepad from his jacket and pushes it into Heinzâs chest. He takes it.
Yeah, that girl kissed me.
The whole crowd went âOoh.â
Very soap opera. I think
I bowed, like a
pre-Victorian dandy,
and walked over here.
What can you say?
Besides âno thanks.â
When he looks up Perryâs smiling, shrugging.
âWell,â says Heinz. Thatâs crazy. They gotta ban that girl from the premises. Heinz suddenly believes very earnestly in the indispensability of an HR department, in a way he never has before. âWhat can you say?â
Perry bumps the notepad into him again. Heinz didnât even notice that it left his hands. Itâs flipped to a mostly blank page.
Letâs take a walk.
Heinz follows him out in the doorwayâs rectangle of light. Gold flakes spark in his hair. Perry builds to a gallop and flaps out the arms of his coat, spins in the breeze like a drunk little pinwheel. Heinz gulps the air into his lungs, as the door shuts in a black curtain sweep. Itâs chilly and he needs it. Perry does too. He had his own share of Fosterâs.
âFull of the piss?â he asks.
Perry makes an amazing noise when he laughs, it burbles out of his throat in high gasps. Heinz knows for sure heâs sloshed because thereâs a snort here and there. He shuts his eyes to make the dark darker: sensory deprivation, just him and the auditory treat of Perry laughing because of him.
âI know thatâs what you guys say over here, when you drink. Youâre just making fun of me âcause Iâm foreign.â
Perry chirps. Heinz knows a yes when he hears one.
He saunters in his direction, hopes he doesnât trip on him. âYou okay getting home like this?â he asks, because heâs drunk and forgets that Perryâs lodging here at the park, in that crummy utility room with the cots and the janitorâs sink. He remembers this fact by the time he reaches Perry, bumps him with the toe of his sneaker, which is good, because Perry canât correct him in the dark. His paw finds Heinzâs sock, then the rolled cuff of his jean which he tugs like a pullcord, and the two-foot tall shape of him leads Heinz away from the club.
The sky is spangled and glows a little brighter toward the river, where the city lights pollute. Most of the park is off by midnight, save a few orb lights warmly luring the way to the exit. Park management doesnât want drunk clubbers getting wandersome. That or theyâre cheap.
Palm leaves make jagged shadow shapes, the ones they plant in islands for the daytime guests to sit around. To the left the tracks of the Centrifuge cut black ribbons out of the sky. Heinz stares as they walk past and the stars blink in and out of view.
He wants to ask if Perryâs taking them anywhere in particular. The dorm where some of the animal performers sleep is by the entrance, at the other end of the park. But it feels stupid to ask. This is just a walk, right? Just Heinz alone with Perry and the shuff-shuff of his jacket, walking slow with nowhere to go and nothing open. No donuts and lemonade to buy for him, like he does all workday long so he can earn some chitchat as they while away the hours. Itâs a change. The park is changed, with all the lights flipped off. Feels ominous.
The great shadowed awning of the kiddy area looms up on their right, dark and menacing as a bear cave, though as they pass it Heinz thinks he hears giggles, low-voiced murmurings that peak into feminine shrieks. His cheeks heat and he catches up with Perry.
âCan you see better than me?â he asks, to cover the ambient sounds. Perry grumbles an âI dunno.â
âHm,â says Heinz. âI donât think your eyes glow in the dark, like other animals. You see them in the woods at night, the eyes. If youâre dumb enough to be out there. Theyâre attached to a cat if youâre lucky. A pack of SpitzenwĂślfe if youâre not.â
Heinz takes long stretching strides past Perry, to survey his face, check for spots of luminance. Heâs all shadow, looking steadily up at Heinz, easier to see now that his own eyes are adjusting.
âMaybe your eyes are boring too. Like mine and other humansâ. Not that I think your eyes look boring, theyâre actually quite striking, I wanted to tell you. But. I was always jealous, of animal eyes. Seeing in the dark, all the things that are seeing you.
âBut I guess it could be a curse too, in its own way, glowing eyes. If youâre trying to hide.â
A few times each minute the Expoâs Skyneedle sweeps an eerie beam through the air, which starkens the rollercoaster shadows. It keeps spinning all night, as the parties die down. Ostentatious, and oddly reassuring, the steady pulse of this six-month festival, this Frankensteined-together ecosystem in which Heinz and Perry have linked up, from a half a world apart.
âActually,â says Heinz. âI hope you can see better than me. They donât clean up the park till morning, right? Thereâs probably globs of ice cream lying around. Both pre and post digestion. Watch your step.â
Up until now Perryâs feet have made a rhythmic pitter-patter for Heinz to follow. It stops. He emits an adorable yecckhh. Heinz cracks up.
âAw come on,â he laughs, reaching down to grab Perryâs shoulder, give him another shake, sincere this time. âIâm sure it isnât that bad out here. I trust your navigation. That said, I can give you a piggyback.â
Maybe itâs the beer, or the dark, that gets Perry to take him up on this. Heinz feels like a million bucks with Perryâs arms around his neck, the soft skin of his bill brushing the shell of his ear. He could skip from one end of the park to the other. But he keeps his steps steady, to provide a luxury transport experience.
More rowdy stragglers, probably their coworkers, are coming their direction from the darkened Star Terrace. So Heinz veers off path, between the rides. He feels a secondhand indignance, for Perryâs voiceless sake, at the sea of loudmouths that wade around them all day every day. Thereâs not much opportunity for Perry to get a word in, except when he writes it down and Heinz takes the time to read it. He wants to be the one loudmouth on Perryâs side, his chatty witchâs familiar, like a parrot or something. Heâs only known this little guy a week but he swears heâd duke it out for him, if the opportunity arose. He kinda wants it to. The beer makes him heroic.
But tonight he steers them away from any big drunken brawls and takes them to the lawn under the coaster. Itâs fresh turf dotted by tropical trees, and in the middle a decorative lake. A white lip of cement defines its shape, curving Calder-esque in long meanders, high and wide enough to sit on. Wide enough to stand on, too, if Heinz trusted his balance. Instead he walks them in a path around the pond, its surface still, a copy of the starry sky.
âYou could probably make good money,â he says to the platypus on his back. âDiving in there for wallets. Luxury hats, too, handbags, Ray-Bans. We tell them to take âem off before the ride but, you know. You could quit your day job.â Heinz treads carefully through the grass. Perryâs bill is notched under his chin, at that pulse point under where the bone sticks out. âBut I hope you donât. Not yet. I think weâve got a good thing here.â
âHey,â he says, stopping in place once theyâre halfway around.
The moonâs hanging over the park entrance, so low, yellow like a peeled apple. Or maybe like one of those apples that are already yellow, the skin. Half-eaten. Its bruises are upside down from what Heinz remembers growing up, in the mountains way up north. It spooked him the first time he saw it, to learn that not even his night sky is sacred, it can change. But itâs the only moon Perryâs ever known. That endears it to Heinz.
âYou wanna sit?â
He slings his legs over the white cement wall by the lake. Perry hops off of him, paws in his shirt to keep him upright, leaning into his shoulder. Heinz gets a swoony sensation. Good thing heâs sitting down.
âKinda spooky out here,â he says. âAll these giant structures at night. I wish I could turn on the lawn lights.â The utility keyâs in his locker, not worth the hike. âI havenât figured out all the switches yet.â
Out of the black lake grow steel blue cylinders, holding up the ride. Theyâre barely lit up by the World Expo, a block behind their backs. Like tall winter trees. âYou could almost convince yourself youâre in nature,â he says, and grows quiet. There are insect noises around them, in fact, crickets, warm enough in June here that they can live year-round. The mosquitoes in the summer will be hell. But odder is the low, percussive rattle, that starts up slow and shakes old memories through Heinz. âIs that a woodpecker?â
Perryâs shadow shakes its head. He moves his paws to his bill, makes a noise that sounds impressively like a ribbit. âThatâs a cane toad?â Heinz asks, amazed. âHowâd he get in here? You know weâre not supposed to talk about those. Thereâs no cane toads at Expo. I thought you got the memo, Perry.â
Theyâre everywhere in the country and nowhere in Expoâs glistening view of the future. Loud, annoying, not supposed to be here. Heinz relates.
âBut I guess that guyâs making it work. I could find him if I had my flashlight, like the cat eyes. I kinda miss the flashlight now, whenever I donât have it.â Itâs work issue, back in the locker with his keys. âIt spoils you. You never know when you need a light. Oh, come to think of it.â
He pulls the pack and the lighter from his jeans and taps out a cig. âEin Glimmstängel,â he tells Perry with it in his teeth, educational.
The lighter fire singes his vision before he can reveal any toads with it, but he gets his fill of Perry as he lights up, all his colors, the fur tufting out of his unclosed coat, the humorless expression that he wears so well. He reaches out his paw. Heinz considers it, as he sucks in his first drag in too many hours, lets it tingle through. He hands it over.
âSo you do smoke,â Heinz admires as the ember glows red on Perryâs face, beads in his low-lidded eyes. Itâs funny seeing the stick in his bill, between his tiny fingers. Perry breathes out a jet of smoke and flicks his hand, sends the cigarette out into the water.
Heinz takes a moment. âHey,â he says, offended. âLittering!â
Heâs only got two left, but he accepts Perryâs divine punishment and wedges his butt in closer, as the moon gets eaten up by buildings in between the beams.
âI saw glowing eyes a lot,â he says. âGrowing up. My parents liked me out of the house. But the woods can feel like safety, once you get used to them.â He shuffles on his ankles, legs folded underneath him. âThe trees block out the wind, when itâs cold, and most of the rain. You canât hear the crying babies and dogs back in town, if you go in deep enough.
âAnd I knew for sure it was safe, since my father wasnât out there hunting.â
Perryâs paw on his knee brings him back and shuts him up. Heâs told Perry a little but not a lot, about Drusselstein and his 22 years there. He canât say too much.
âAnd thatâs the story of why I moved out. You know itâs really not fair like this, in the dark, since you canât interrupt. You canât chip in with your pen. Just give me a karate chop to stop me rambling.â
Perry rubs a circle into the denim of his thigh. Thatâs not a chop. His palm is so small but its warmth carries through, and Heinz resists a drunken urge to cover it with his.
âIt was mostly cats out there, at least,â he says. âStrays from the town, I think they mixed with the mountain cats. Theyâre supposed to be solitary, but Iâd sneak out scraps to feed them. There was one I remember who got closer and closer, always hanging out by the same tree. One night she walked all the way up to me and ate out of my hand. I touched the top of her head.â
Again Heinz has to hold himself back, not put his hand on Perry now of all times. As though heâs a feral stray he lured with food. Instead of his new coworker, drinking buddy, dance floor competition. He thinks of that girl with the tee.
âIt felt rare, that she let me do that. I donât think I saw her again.â
Weight sinks into his thigh as Perryâs knee joins his paw. Heinz struggles to interpret the sensation that must be, confusingly, Perry clambering onto his leg. Thereâs an effortful hitch in his throat at the attempt to keep steady â his paw grips Heinzâs linen shirt, a finger poked through the buttons.
It would take a mythological degree of will to keep his hands off Perry now, this tipsy-topsy little animal. So there they go, unbidden, wrapping around his haunches.
âHey careful,â he says like an instruction, âdonât take a dive.â And with an obedience Heinz didnât anticipate Perry winds his tail around his knee, curled firm, anchoring himself.
For the second time tonight Heinz goes loopy from the shock of being held on to, being something anyone would want to anchor to. Like heâs stable. Heinz hasnât been stable all his life.
But he can try to act like it, for Perry. Whoâs intoxicated and probably cold, swaying into him. He has to say whateverâs right. Whatever the right thing is to say.
âDid you like that girl?â
Perry kisses him.
If this is a drunk kiss Heinz wouldnât know, he fits his mouth so confidently to his, which adds credence to Perry having better eyes than him.
âOh,â Heinz says against his bill. Perry responds with a louder growl, vibrational, as he surges forward.
His bill presses into Heinzâs lips with such insistence, soft as beaten leather. Heinz shouldâve worn chapstick. He trails his tongue along his own lips without thinking, and it finds the line of Perryâs mouth, which parts, welcomes him in with a hum.
So heâs thought about kissing. Itâs been on his mind since he heard about Perry with that girl tonight. And the day before that, when some teens of dubious age tried grabbing Perry off the mascot float and security stepped in. And 12 days before that, when he first laid eyes on Perry at the daily âOut of Another World!â show on the park stage, and it clicked in an instant why this guy had so much fanfare. And for the first time in all his 22 years he was sure of his next career move.
But guys donât really â and Queensland guys especially donât â and do animals even â
Perry climbs higher up his lap and the fist dug into his shirt tugs, and Heinz is wedged deeper into Perry, his mouth, his spread hind legs, and dizziness whips around his ears.
And his ass isnât balanced on the wall. He realizes this a millisecond late. He slams down a hand and finds air, empty, then vertical cement. His nails scrabble as he plunges sideways into the water, Perry going with him.
The water surface is black and unknowable above, to Heinzâs staring eyes. He breaks up, gasping, and the first thing he knows is Perryâs laughter. It cuts through Heinzâs panic in high peals.
âNo way,â Heinz coughs. Heâs shellshocked, maybe cracked on the head from the poolâs cement floor. âThere is no way that happened. That. I canât believe.â He doesnât know which thing he means. Both of them.
Perry wades over to Heinz from wherever he landed and finds him with outstretched paws. He falls forward, shaking with giggles, his forehead pressed into his shoulder.
âI didnât know for sure if you were â I mean I hoped you were, but I didnât. I had no way of knowing, Perry, unless I asked, and you canât just ask, thatâs.â Babbling, babbling. He cups a hand around Perryâs back, grips his wet coat, as hysteria rocks through his tiny frame.
The pool is as filled as a motel tub, nothing more. But it was deep enough to soak them through. Perry leans back with a last trailing sound, a sigh. Heinz gets the sense heâs being looked at. His own eyes are blown open, desperate to see this guy, hungry. Perryâs an oilslick mystery, his fur is drenched wet as the pool and it gleams with smeared stars, and if Heinz canât see him he wants to be touching him, on top of him.
He slopes, stalks forward on his palms, accordingly. When his nose meets bill Perry splashes underneath him and skims beyond reach, tail tip whipping his chin.
âOh come on,â Heinz complains, wading forward in his waterlogged jeans. Whyâs he always got him on his knees? âDonât start swimming around in here. The purses, Perry. The aspirin, the condoms.â He tackles, and gets Perryâs leg and tail. One flat foot presses his cheek. âItâs unromantic,â he mutters into his belly.
The foot slides down his face to his neck, hooks around. Fingers sink into his hair, rake back through it to the nape. Heinz shivers. His long badboy hair is grouped in a tie that he hopes looks cool, or cute, whatever combo does the trick. Perryâs claw pops it open. He shifts down, underneath where Heinz has him weakly pinned, rubs their faces together. Heinzâs breath comes out choppily on Perryâs mouth. His eyes close. Perry grabs his shirt.
WIth some hidden deep core strength Perry yanks, flips Heinz around in the water. His head spins from drink and the air is knocked out of him, on the pool floor, and before he can sit all the way back up Perryâs pushing his back against the wall. âOh my god,â he gasps out. âWho taught you all these acrobatics? Please give me a lessââ
Perryâs wet hands slide down his neck, where his shirt buttons sag low and open. They venture out to grip the collarbones, and he presses back in for a kiss. Droplets trickle down Heinzâs chest. His short-term memory is wiped. He kisses back.
Heinz was never one to waste much time on lips. Heâs too impatient to go inside of someone, test the strength of their tongue with his. But Perryâs anatomy demands more languorous investigation. His bill, broad and soft, pulsing with his warmth, is so different from anything heâs felt. In the daytime shifts crossing paths with Perry heâd wonder at its texture, go all hot and gooey watching him eat ice cream with that secretive pink tongue.
Heinz sucks on the tip of Perryâs bill and he keens. Some crazy sensitivity there. A taste plays waxy on his tongue â the facepaint. He laps it off with the brackish water and licks down to the bare skin of his lip. Perry moans at being sucked clean and accepts the intrusion of Heinzâs tongue, forcing him to share the bitter flavor. Heinz can only imagine how ruined his bill looks. Can only imagine the blue thatâs smudged on his own lips, cheeks, neck.
âGod youâre a funny little thing,â he breathes against Perryâs mouth.
And when Perry makes a dubious trill Heinz tests him further, draws the blade of his teeth in a line along his bill, then presses, indents the supple flesh. Perryâs voice heightens to a squeal and his hands fist wet in Heinzâs shirt, his body arcs, coarsing the cloth over Heinzâs hard nipples. But he doesnât pull away, Heinz notices, as he softens his bite and sucks an apology into the skin.
The chilled air attacks wherever he isnât pressed skintight to Perry so he bundles him tight, tugs him higher so he can reach him with a kiss. Perryâs head tips obligingly, gives him an angle that works. Heinz finds his little tongue. Itâs grainy, pulls against his own. He slides against it, hums, learns more noises he can earn from Perryâs throat. His hand rucks through the fur of his head, grainy too from the chalk, all these textures that grip.
Experimentation fades to gentler kissing, wet sounds smacking in the dead park, water lapping into Heinzâs elbows. He can keep this up all night, hasnât had a makeout session this ravenous since his teenage days. And sure, jealousy burns when he wonders who else has sucked Perryâs tongue, but his ego floats him past it. Heâs good at kissing. The proofâs in his lap.
Perry is debauched when Heinz detaches, drooling with a fucked stare he can dimly see as the Skyneedle sweeps overhead. He pecks, chastely, the tip of his bill. It squishes very slightly at the press.
âMan. This is what I came here for.â
Perry sags in his arms, sinks down on his haunches. Heâs sitting on a part of Heinz's thigh that doesn't offer him any deniability. Perry just spreads his rump more heavily on top of it and Heinz laughs, hoarse, like heâs sick with a fever. Heâs really, really glad this park doesnât have a functional HR department.
âNot that I thought Iâd actually get it. Touching you,â he breathes into the top of Perryâs head. âI didnât even know if Iâd get to talk to you. And itâs only, what. Our sixth date?â A 14-hour date each day, since he transferred here. He pets the drying fur of Perryâs neck.
âI hope I wasnât too rough.â
Itâs Perryâs turn to laugh. The sound grinds slow and deep in his animal throat.
âYouâre so small, you know, and an hour ago I didnât even know if you were into.â Men? Me? Teeth sinking into his skin? âWhen you took me out of the club, and . . . Wait, was this your plan? To get me lost in the dark and kiss me? Perry,â he says, stunned to be the target of premeditated desire. âThatâs why you threw away my cig. You jerk,â he says, mouthing into his fur.
They do their best to dry out on the grass, Perry shaking water off his tail and Heinz wringing it from his hair. Itâs viscerally uncomfortable, wet denim hugging around Heinzâs thighs, an unresolved tightness in his crotch, shoes squelching. Their payback for indulging in an interspecies bacchanal. Completely worth it, Heinz thinks.
But theyâre eager to flee the scene. Itâs lost its magic, the moon long gone from sight. Perryâs wet feet pad after Heinz until they reach the asphalt, and he clings to Heinzâs leg with an entreating chirp.
âYeah, get on up here,â he says, hoisting and cradling him in his arms as they stroll toward the exit lights. He plants a final kiss on Perryâs head. Heâs gonna look like such a wreck, sitting on the uptown train.
i need u to know tht at first i was impressed and enchanted by the expo au and the ability to take an old ass park and convert it into yaoi AND THEN i read the caption to one of your drawings that goes âheinz chooses perry and his short life spawn over charlen and a normal lifeâ and jsbsien i am obsessed yes, 23yo heinz as awkward and lost as he is having fun (and lost of sex) with this platypus that absolutely rocks his world (and!! loves him!!) and it will not last long but those will be amazing years to look backâŚi know the bit of being on facebook groups years later might be a joke but the implications of that oh my goddd
it's. an AU i haven't posted a good summary of yet but would like to. sometime. i just keep hashing out more and more details with @push-and-hold . but in short, it's an au where heinz and perry both meet working at the 1988 Brisbane World Expo Fun Park, where heinz is 22 and works with the rides and perry is 10 and works as one of the park's performing mascots "shuttle t. platypus". these are real world places and things which is why the au has been so much fun, doing all this research, digging up rare snapshots of the park from old people's facebook accounts and vintage vhs transfers. also it's basically all i've drawn or written since 2026 started. i'm having fun
people credit echidnas as the other egglaying mammal(s) and like yes it is true that they produce eggs. but they keep the egg in a marsupial-style pouch on their tummy. which is kind of cheating, imo. only platypuses keep it real with warm nest, warm tummy, warm egg. that's what i'm talking about
people just say things about platypuses. it really gives me vertigo. like the first time i saw the "no stomach" thing it was some fanart where ferb is saying this as a platypus fact. and i thought it was funny because i thought the joke was that ferb was disseminating MORE incorrect platypus facts, like that time he said they're the only egglaying mammal. and it was funny. then i learned people really say this about platypuses. and i had to dig in the literature just to un-gaslight myself
is this post about giraffes by any chance. because platypus tongues are a couple inches long and they are pink. but this post does provide a great description of giraffe tongues
i really really like how earnestly and realistically you portray the interspecies part of perry and heinz relationship. i just think its amiss not to when its like. one of themost interesting parts. i have absolutely no ulterior motives or human x nonhuman fetish
thatâs the whole draw for me!! human and a little mute animal, ostensibly this vulnerable little victim but instead perryâs the unquestioned perpetual victor, the dom, utterly adored by the human who is theoretically out to kill him but worships the ground he walks on. pnf may be a goofy cartoon but they were cooking with these ingredients which is why iâm still here. thanks for the ask, really, i continue to be very invested in exploring the parameters of perryâs animalness, including in the new au iâve been workshopping with pushandhold (older perry, younger heinz.) it just keeps giving and, same, iâm not really interested in a perry who is no longer an animal, thatâs everything that makes him fun and interesting and empathetic and hot (AND heinz by connection, it's so important that heinz is the secretly normal weirdo who's in love with a tiny mammal.) itâs awesome to also fetishize it though, lmao, the interspecies kink is what gives it kick for me. but then again i need all of my ships to be fucking nasty all the time. what can i say, they are Very Compatible. <3