Invictus by W.E. Henley. Written in 1875 while in the hospital undergoing tubercolosis treatment. Published in 1888

Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
★
todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
No title available
Show & Tell
hello vonnie

Love Begins
No title available
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS
seen from Russia
seen from Belgium

seen from Russia
seen from Libya

seen from Italy

seen from Iraq
seen from United States
seen from United Kingdom
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Italy
seen from Spain
seen from Ukraine

seen from United States

seen from United States

seen from Canada
@pocketsizedpoetry
Invictus by W.E. Henley. Written in 1875 while in the hospital undergoing tubercolosis treatment. Published in 1888
XVI.
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
Heart of thorns, B. Barton
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
The Moon by Percy Bysshe Shelley
Oh, come to me in dreams my love! by Mary Wollstonecraft Shelley
Hollow City by Ransom Riggs
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
He wishes his Beloved were Dead, by William Butler Yeats
XX.
from Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
The Sick Rose, by William Blake
‘‘ While the rose exists as a beautiful natural object that has become infected by a worm, it also exists as a literary rose, the conventional symbol of love. The image of the worm resonates with the Biblical serpent and also suggests a phallus. Worms are quintessentially earthbound, and symbolize death and decay. The “bed” into which the worm creeps denotes both the natural flowerbed and also the lovers’ bed. The rose is sick, and the poem implies that love is sick as well. Yet the rose is unaware of its sickness. Of course, an actual rose could not know anything about its own condition, and so the emphasis falls on the allegorical suggestion that it is love that does not recognize its own ailing state. This results partly from the insidious secrecy with which the “worm” performs its work of corruption—not only is it invisible, it enters the bed at night. This secrecy indeed constitutes part of the infection itself. The “crimson joy” of the rose connotes both sexual pleasure and shame, thus joining the two concepts in a way that Blake thought was perverted and unhealthy. The rose’s joyful attitude toward love is tainted by the aura of shame and secrecy that our culture attaches to love.’‘ (Sparknotes).
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
Mary by William Blake
XVI.
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
Adonaïs : An Elegy on the Death of John Keats. A pastoral elegy written by Percy Bysshe Shelley in 1821
La Belle Dame sans Merci, A Ballad
By John Keats