Four seasons in the life of a Finnish island
Show & Tell
One Nice Bug Per Day
Peter Solarz
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Product Placement

@theartofmadeline
Cosimo Galluzzi
Keni
AnasAbdin

Origami Around
Three Goblin Art

❣ Chile in a Photography ❣
d e v o n

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JVL
Stranger Things
"I'm Dorothy Gale from Kansas"

Love Begins
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@ponyboypotter
Four seasons in the life of a Finnish island
Maps to the Stars, Marina Font
The beginning of Lydia Davis’s story, “New Year’s Resolution,” from The Collected Stories of Lydia Davis
She talked about it with The Paris Review:
INTERVIEWER
Your reading in Zen Buddhism informs many of your stories—for example, “New Year’s Resolution.”
DAVIS
“My New Year’s resolution is to learn to see myself as nothing.” I had fun with that one because, you know, “nothing,” according to that discipline, is a good thing, but according to my upbringing and Freud and family dynamics, “nothing” is a big problem. So that story is about two disciplines colliding and the poor head caught in the middle saying, Uh, wait a minute . . .
Listen to her read the whole thing here.
(Thanks to Maud.)
Submission Friday:
‘Selfportrait’
by Viktória Bach
csendes.tumblr.com
Gravity Gauge
Artist Hank Schmidt travels to scenic locations only to paint the pattern on his own shirt.
New Oil-Based Cityscapes Set at Dawn and Dusk by Jeremy Mann
Nubes, montaña, olas.
Paper landscapes made from tearing regular paper sheets. Love the texture and shapes created by layers.
I love this interpretation of Paula McCartney’s Constructed Landscape assignment. Proving we need the most minimal of material to create the impression of depth, to render a compelling landscape.
How do you ignite creativity? #LifesBigQuestions
Copies of copies of copies. I love the absurdity of children’s stories. Clockwise from top left: Half Magic by Edward Eager, Harriet the Spy by Louise Fitzhugh, Island of the Aunts by Eva Ibbotson, and George’s Marvelous Medicine by Roald Dahl.
I maybe broke the rules a bit with this art assignment, but I kinda like how this one turned out as a gif. The line is from Neil Gaiman’s novel The Ocean at the End of the Lane. I don’t want to spoil the book for anyone because it is quite an experience (spoiler alert? I can’t tell whether this needs one), but I will say that this image invokes a sense of loss and absence for me, and that the looping nature of the format holds meaning in the context of the quote.