you have to consciously unlearn racism and continue to watch for it because it will come out without realizing. because so much of society is structured around it. shrugging and going "i dont care" or "i dont know how else to say it" means you are okay with being racist and hurting other people with how much you dont give a shit about them.
Some more Look Outside character exploration animations; walk cycles for Jeanne and Audrey, a transformation sequence for Leigh and some camera work for Lyle. Process notes under the cut.
Jeanne - very fascinated by her trunk; it’s a gorgeous sprite, but it’s hard to tell exactly what’s going on with it, so of course I had to try to lay it all out logically. Heavy, lumbering gait on four (five?) legs that I could probably make a little clumsier looking… ah well. Animating the severed necks would be an exercise in weight and auxiliary movement that I don’t quite have the energy for yet.
Audrey - Much like Cabinet Man before her, Audrey’s combination of precise, geometric form moved by organic components makes her a bit of a pain to animate, but fun nontheless. I like how her sprite gives her stompy feet… she must be kinda top-heavy, so I wonder if I should have made her list side-to-side more? Eh, perhaps a future goal. I gave her toe beans because… it just felt right.
Leigh - The sprites for this game aren’t exactly the most consistant, so it took a while to figure out exactly what was going on with The Grinning Beast. I did want to animate a transformation sequence though, so I did my best with the available information. Hopefully this doesn’t count as nsfw… it’s cartoon logic ok
Lyle - Lyle’s camera and suite of eyes are definitely able to move around his chest (neck, technically) Once again, the sprites aren’t quite consistant, but you can see the camera clearly pointing head-on with his eyes rearranged to accomodate it when you peek at him, as opposed to carried upright on his “shoulder” during his bossfight. I thought that was really neat, so I wanted to conceptualize how his eyes would make way for the aparatus. Five pairs make for ten in all, as well as the aparatus’ three partners (view finders, perhaps?) I neglected the bellows for the eyes for simplicity’s sake (once again, cabinet man problem) but I tried to give them all a little extra personality to make up for it.
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