
izzy's playlists!
Sweet Seals For You, Always
Cosimo Galluzzi

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n

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Stranger Things

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ellievsbear

shark vs the universe

Origami Around
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ojovivo

blake kathryn
Show & Tell

oozey mess
we're not kids anymore.

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he wasn't even looking at me and he found me
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@ppalaciostorres
Aunque los amantes se pierdan el amor no lo hará
Las rosas son el misterio de la donación de la belleza, su belleza también está en nosotros.
En las acuarelas encontramos la fugacidad de la belleza del mundo
Solo basta un abrazo #lost #stay #encuentros
Esta pintura siempre me ha sorprendido, en particular, y dejando toda consideración de las personas representadas en ella, es porque Kokoschka dio forma a como el espacio se deforma y curva por el peso de una relación. Los hilos que unen dos personas, muchas veces invisibles, se pueden evidenciar en esta obra. Alma refleja la calma y el reposo, Oskar la tensión y la solidez de un dolmen, pero en torno a ambos el espacio ocurre, son por un momento, y gracias a la pintura, para siempre, el centro de un universo.
Christmas by Grandma Moses (ca. 1955).
Que bella obra...
Llegó el Sol, la luz, la iluminación......el astro rey está entre nosotros.
Encuentros y desencuentros
Aveces las personas encuentran a otras, desde cualquier punto de vista este momento transforma al otro, enriquece la vida, le da un espesor no pensado. El otro es un texto más en nuestra infinita suma de citas y referencias , sin el otro no podemos ser.
Los desencuentros, deseados o no deseados por uno o ambas partes suponen finalmente un nuevo espacio de encuentro y agenciamiento de la persona frente a un otro no presente. La presencia no es lo relevante, es la virtualización de una figura que en ausencia inventamos, como un espectro habita en nuestro diario vivir o cada vez que nos recordamos, cómo queremos, de esa presencia. Traer al pensamiento a alguien es inventar ese alguien de retazos de la experiencia, pero como los hilos de la memoria y el afecto son delgados, puede que suceda que la realidad esté lejos de esa invención.
Finalmente, necesitamos inventarnos personas también, así tenemos dónde proyectar nuestra imagen y apetencias respecto del otro. Esas personas, que se invocan de vez en cuando, necesitan ser traídas a través del afecto y amor, ya que su presencia debe ser hecha a la luz y no en la oscuridad.
"Todos queremos que nos encuentren"
Un día más, te extraño.....
No hay momento más difícil que el inicio del silencio
Una flor, un atardecer...
Women Authors: Fanny Kemble and Katherine Milhous
This week, we will be highlighting four women authors from our collection in honor of their birthdays. These authors wrote on a range of subjects, from gardening to slavery, and show the many different areas in which the Rare Book and Manuscript Library holds important histories.
Fanny Kemble was born on this day in 1809 into a prominent British theater family and went on to become an accomplished actress, poet, and travel writer. Much of her writing was memoir, with editions of her letters and journals being published, though she did additionally write original poetry and play scripts. Her best known work was Journal of a Residence on a Georgian Plantation in 1838-1839, an account of her time living with her husband on his plantation in Darien, Georgia, and observing the poor treatment of the enslaved people. The work is considered abolitionist and anti-slavery, despite the fact that it still articulates racist prejudice against the enslaved people Kemble observed.
This book from our collection is a set of her poems published in 1883. This edition contains a manuscript letter written by Kemble to a Mr. Eckersall thanking him for hosting her in Oxford. It additionally contains a manuscript of a poem that is “as yet unpublished.” [Poems, by Frances Anne Kemble. 821 K31P1883]
Also born on this day in 1894 was Katherine Milhous, an American artist and writer best known for her picture books. Milhous was the child of printers in Philadelphia and was raised Quaker. After attending the Pennsylvania Academy of the Fine Arts and the Pennsylvania Museum School of Industrial Art, she studied art overseas for a year in 1934. When she returned to Philadelphia, she worked for the Philadelphia Federal Arts Project, which created posters to promote Pennsylvania and was part of the Works Progress Administration. Milhous’ designs were heavily influenced by the artistic style of the Pennsylvania Dutch, such as the traditional art of the hex signs which decorate Pennsylvania barns. These posters led to Milhous’ literary career; she was hired as a designer at Charles Scribner’s & Sons when Alice Dalgliesh, the head of the Children’s Book division, saw her posters at an exhibition. Dalgliesh and Milhous collaborated on many children’s books, while Milhous also wrote and illustrated many on her own.
This book is The Egg Tree, a picture book that tells the story of a grandmother and her grandchildren decorating Easter eggs with traditional Pennsylvania Dutch designs. The book was awarded the Caldecott Medal in 1951, which is one of the most prestigious awards a children’s book can receive. It is awarded specifically to the illustrator of a children’s book. [The Egg Tree, by Katherine Milhous. SE.M59E]
El verde y el azul siempre serán sinónimo de vida...
“Pago el bien con el bien y el mal con el bien”
Las búsquedas nos hacen perder el miedo #tao #aceptacion