Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 × 13 1/4 × 6 1/2 in. (43.5 × 33.7 × 16.5 cm). Whitney Museum of Ameri
NASA

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hello vonnie
Jules of Nature
Cosimo Galluzzi
Misplaced Lens Cap
dirt enthusiast
Stranger Things
noise dept.
wallacepolsom

izzy's playlists!
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h
ojovivo
trying on a metaphor

oozey mess
Three Goblin Art
we're not kids anymore.
Today's Document

seen from Spain

seen from United States
seen from United States

seen from United States
seen from Poland

seen from Saudi Arabia
seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from Israel
seen from Mexico
seen from United States

seen from Netherlands
seen from Türkiye

seen from United Kingdom
seen from Italy

seen from United States
@pppots
Russell Barnett Aitken
The Hitchhiker
1938
Russell Barnett Aitken, The Hitchhiker, 1938. Ceramic, overall: 17 1/8 × 13 1/4 × 6 1/2 in. (43.5 × 33.7 × 16.5 cm). Whitney Museum of Ameri
Made in Cortona by Giulio Lucarini using a local ancient glazing technique.
Mai-Thu Perret
A Magnetizer II, 2019
glazed ceramic
24 7/8 x 24 7/8 x 16 1/2 inches
(63 x 63 x 42 cm)
Cathy C. Lu, “Peach”
KATHY BUTTERLY
Bold Green, 2019 Clay, glaze
10 x 8 ¾ x 9 ¼ in. 25.4 x 22.2 x 23.5 cm
http://turiheisselberg.dk/projects/balustre-series
Toshiko Takaezu
Jar with Simulated Basket Weave
Qing dynasty (1644–1911)
China
Small Cup
Jin dynasty, (1115–1234), 13th century
Isa Melsheimer Walherz 2018 Ceramic, glaze 80 x 120 x 80 cm
Ceramic life-sized heart of a blue whale.
Martin Dörr
Fett auf Bürostühlen
120 x 60 x 50 cm; Anzahl variabel Atelierhaus Geleitsstraße, Offenbach am Main, 2014
via Ilja Karilampi:
Gilbert & George
#ditto #berlin https://www.instagram.com/p/BnqooPvhIaA/?utm_source=ig_tumblr_share&igshid=1825r668oihm6
Fun fact: did you know that standard gallery climates came about during WWII when artworks were stored in slate caves and found years later to still be in good shape!!
Now as SFMOMA moves toward becoming a sustainable building, we’ve had to take creative approaches to protect the artwork with safe climates — while still going green! CONTINUE READING→
I think that is Robert Arneson’s “A Nuclear War Head” (1983)