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@practperfection
☂ PRACTPERFECTION : a roleplay and writing blog for disney’s mary poppins from the film of the same name. portrayal is mostly film based, but writer has a very expanded headcanon available on the carrd. very crossover friendly! written by jenn, she / her, 21+.
CARRD. MEMES / PROMPTS.
MUSE FLAWS
As I expected. None. Practically perfect in every way.
[ PARROT UMBRELLA , SUDDENLY COMING TO LIFE, SQUAWKS ] : PFAH ! IF ONLY. SHE’S A RIGHT VAIN ONE, SHE IS ! LOOK. SEE HERE.
HOW DARE YOU TALK ABOUT SAVING YOUR DAUGHTER WHEN YOU’VE MURDERED MINE! I WILL DEVOUR YOU.
independent lady dimitrescu roleplay blog. written by morgan. info. mobile info.
* ☂ • maleficent + mary poppins.
a refined, expressionless maleficent sears underneath the woman’s capacity to extend her perception. the way her hand clasps around the sceptre is as if she’s hanging onto it for a crutch. ❝ your… intuition is quite nauseating. ❞
an arched left brow; a tilt of her head ; mary poppins glances sidelong the other. she’s giving away just as much, which is to say, none at all ━━ this woman is a FAIRY, no doubt ; mary is certain she knows which one, too ; one of the most powerful ones of the age. maleficent.
❝ IS IT? ❞ there is a FLASH of something behind mary’s blue - violet gaze with the question. ❝ Well, I must say I’ve always fancied myself a rather pleasant company. A tonic, if you will. If one has nothing to hide. ❞
if there is an insinuation in such a statement, mary poppins does not linger upon it. surely it will permeate in said company. mary clears her throat, instead ; a staccato, commanding sound, and takes one swift step forward toward the other. INTRODUCTIONS WERE IN ORDER, surely. they are only proper, after all.
❝ MARY POPPINS. Glad to meet you. ❞ she holds her hand toward the other. ❝ You ARE Maleficent? ❞
mary poppins just going thru life with her vague tactics like “is it REALLY gaslighting if i manipulated them into being better people?”
@cfmycwn said : “ i’m doing it exactly like you told me to, and i’m still not getting it right. ”
❝ Oh, hardly. You’re not doing it exactly like I told you otherwise you’d have done it by now. ❞ mary poppins all but rolls her eyes, sighs, a bit dramatically, and then moves forward ━━ must she do everything ? oh, yes, she must. placing one hand very gently on the small of alice’s back, the other resting upon her arm, straightening it, she demonstrates what she means.
❝ First of all, your posture is dreadful. Stand up straight please, don’t slouch. How do you expect your reflection to hear you if you’re not even speaking to it properly? ❞ mary adjusts alice’s posture as she speaks, pushing between her shoulder blades, gently albeit firmly. once alice follows suit, mary lifts her own neck, clearing her throat.
❝ Now: speak loudly and very clearly. Say: ‘ reflect, don’t recollect. ’ ❞
mary opens one eye to make sure alice is listening. she taps her softly on the leg with her umbrella. ❝ Go on now ━━ very clearly. Into the mirror. ❞
mentor/mentee vibes (because ur worth it–)
aka i really love the energy of this dynamic, but unfortunately this whole effort turned into me typing down actual dialogue that happened in my car while my poor father tried to teach me how to drive. but they make for fun threads! bon appetit!
from the mentor.
“ you’re doing it wrong. ”
“ would you like me to show you how to do it? ”
“ that… that’s not how you do it. ”
“ maybe this mentoring stuff requires patience that i don’t have. ”
“ keep doing it like that, and you’ll end up hurting yourself. ”
“ correct me if i’m wrong, but that’s not how i showed you to do it, is it? ”
“ okay, alright, look at me. you looking? do it exactly like i’m doing it. ”
“ move your feet, come on, you’ve got to move if you don’t want to end up flat on your ass again! ”
“ look… it’s progress, yeah? you’re better than you were before. ”
“ don’t beat yourself up; it’s a tricky move, nobody gets it right the first time. ”
“ okay, let’s… let’s try a different tactic. ”
“ you’re overthinking it. don’t think; just be in the moment. ”
“ stop, stop… alright. looking back on what you’ve just done, what do you think i’m going to say? ”
“ there’s definitely plenty of room for improvement. ”
“ ah… god, okay, don’t cry… it’s not as bad as it looks, you’re really not as bad at this as you think! ”
“ we’ll get there together. ”
“ okay. time for a break, yeah? let’s stop for now, catch a breath, we can come back to it later. ”
“ you obviously don’t enjoy any of this; why do you want me to teach you so badly? ”
“ i could teach you, if you’d like? ”
“ come on, like i showed you, remember? ”
“ feet apart, hands up; anticipate your opponent’s movements! ”
“ alright… don’t think about getting hit. this isn’t a fight. it’s a dance. you move in response and in anticipation of your opponent. ”
“ who the hell taught you to do that?! ”
“ that wasn’t terrible! you didn’t butcher it this time! ”
“ wake up. wake up, come on, up and at ‘em. you said you wanted to learn, so come on. up you get! ”
“ that was good! hell, that was brilliant! you knocked me off my feet! good job! ”
“ you need to stop worrying about hurting me. you gonna apologize and pay the hospital bills of whatever bad guy you go against next time? ”
“ i’m proud of you. ”
“ you’re doing great! “
from the mentee
“ can you teach me how to do that? “
“ i did it! “
“ okay, there’s no need to be dramatic, i wasn’t that bad! “
“ i AM trying. “
“ oh god, oh, i’m so sorry! did i hurt you? “
“ i need your help with this. okay? i can’t do this alone. “
“ you’re the expert, right? “
“ i’ve seen you fight; i wanna be as good as you! “
“ people’s lives are at stake if i lose. their blood’s gonna be on my hands, and it’ll be on yours, too, if you don’t help me. “
“ quit yelling at me, i’m trying my best! “
“ i’m doing it exactly like you told me to, and i’m still not getting it right. “
“ i don’t need a break! i need to keep going until i get this right! “
“ show me how you did it. “
“ i don’t know how. and you do. all i’m asking is for a few hours of training… please? “
“ that’s it. i quit! “
“ you’re a terrible teacher, you know that? “
“ you said you’d teach me. and i’m here to learn. so let’s go already. “
“ what’s the point?! i’m useless at this! “
“ this is pointless, i’m never going to be ready! “
* ☂ • open starter for mutuals.
❝ When you’re always right, there is hardly a need to make sense, you see. ON THE CONTRARY, one should find themselves unrelentingly critical of how many seem to have such warped definitions of sense! Anything makes sense if you will it to. ❞
i’m trying to think of a good way to put this into words, but ... a really, really important part of mary’s character is that regardless of how pretty she is, how proper she is, and how your character might feel about her practices in general... she just kind of commands respect and a likability no matter who she’s talking to? i obviously don’t want to tell anyone’s muse how to respond to her, and there will be obvious exceptions, but i just... i think mary wouldn’t really even bother with interacting with certain beings that wouldn’t show her any respect or, at the very least, wouldn’t respond to her with a certain sense of, like, “oh, okay, you know what, you’re right.” she is incredibly witty and good at getting her way without the other person even realizing it. so i ask that you take this into consideration when your muse is opposite her. ppl just. they like her.
* ☂ • for fred weasley, the elder of the two weasley & weasley founders.
a purposeful clearing of her throat ; mary poppins COMMANDS attention. she’s carrying her bird umbrella at her side ; a flowered, berry hat upon her pined - up hair -- there is certainly no mistaking who this is -- at least, not within the wizarding community. the only divergence from her usual appearance, however, seems to be a squeaky and rather delighted pink pygmy puff, darting up and down mary’s head in a mad frenzy ; to and from her left and right shoulders. she is paying it no mind.
❝ You ARE Fred Weasley, are you not? ❞
mary poppins seems to make a statement, even though she’s seemingly asking a question ; her tone is so clear and without a hint of hesitation it may as well have been. she’s addressing the red-haired man before her. this must be fred, she knows ; he’s the older one, and the one usually around the shop at this time. the pygmy puff, now upon the top of her hat, adds its own SQUEAK, as if it, too, has a question about the identity of the twin before it.
* ☂ • mary poppins + the blue fairy, woman of fate herself.
@practperfection asked:
❛ Did I miss anything? ❜ ( hi again, fiery-mun 😊 )
“Everything and yet nothing. Nothing of note but everything at once. People have fallen in love. Children are discovering snowflakes. Someone has cried. Someone has achieved what they have been wishing for. It’s all significant and yet insignificant at once.” The fairy brings her wand to her side and lets out a soft, dreamy sigh. “After a million years, it doesn’t get old. Well, not for me. You’re going to get bored with me around.”
it’s a LOVELY clear night, and, from the rooftops of london, the stars are shimmering and bright ; unusually so, for being london, one might assume. but funnily enough, it was london that homed the buildings tall enough to see the stars. AFTER ALL, mary poppins knows one simply has to stand upon the chimney tops, look up and out, and wait, and there they are, luminous and bright. one will always have a view spectacular in london, unlike any other ━━ and it’s only just atop the chimney. humans of the day - to - day rarely took the time for such trifles (unfortunately for them, such an easy tonic for their heads), and that was why she was, so often, granted the time alone up here to think. humans didn’t always know about the stars ; they never bothered with the chimneys. not unless one’s work called for it, of course. wasn’t it funny, how the stars were so close by, truly so within reach, after all?
mary poppins is sitting, delicately and postured, both legs draped over the edge of the chimney, the same way in which she might ride a horse. she’s just finished powdering her nose with a bit of rouge ; she closes up her tiny compact mirror as the BLUE FAIRY finishes her statement, having been warmed, and feeling familiar, by every word. the divine woman speaks a truth so certain. it’s refreshing to hear such reason. mary poppins smiles, pleasantly, yet without beaming. it’s unassuming and moonlit. and, when it’s her turn, mary poppins speaks, her full attention now upon the fairy. a beautiful being ; her wings shimmer with the same frequency as the star that homes her. mary knows it well. she visits with it often. but it’s been a spell since she has seen the lady in blue, full figured and voice of bells, before her, in this form. it’s always a pleasure.
❝ On the contrary, ❞ mary replies to the blue fairy’s last statement, her sharp and clean english diction certain and curt in its answer. i never get bored of you. ❝ Things always seem bright when you’re around. ❞
ugly mobile post but, watching Harry Potter 2 and it made me realize such a funny headcanon about my hp verse! Mary Poppins is so worried about Jane and Michael hanging around the fireplace in the banks home because she knows that she’s used floo powder recently in it, and there are definitely remnants of it in there lmao
* ☂ • mary poppins + the little mermaid·.
@practperfection· ·liked for a one liner starter with Child!Ariel
“I’ve brought you treasure”
TREASURE? hmm. mary poppins suddenly expects the worst, but she does not falter. if she’s pleased at all, it’s not apparent ━━ not behind her raised brow, her neutral, unrevealing mouth, and her somewhat stern expression. mary poppins lowers her chin to look at the little ( quite literally ) mermaid.
❝ Here, ❞ mary motions to the edge of the sandy island she’s standing upon, without missing a beat, where a flat, well - sized rock juts out ; perfect for ariel to rest upon. ❝ You may come around and show me. ❞
for reasons ~*very unknown*~ to me (lol), mary poppins seems to always have romantic chemistry explicitly with... like... toons? or at the very least muses who are quite unusual to be paired with someone like her. she would probably have chemistry with spiritual / mythological beings too. and they are always female
* ☂ • giselle + mary poppins.
❝ I can’t say I’ve had the privilege. ❞ a soft, subtle smile ; blue - on - violet, and from the eyes, tugs at the corners of MARY POPPINS’ lips. she’s enjoying giselle’s company as it is. what’s another to the mix, really?
❝ I suppose you might be keen to remedy that? One can hardly be expected to get on with another without a proper introduction first and foremost. ❞
* ☂ • HEADCANON ( harry potter verse ) : andrew the animagus.
Mary’s friend Andrew, the little dog in the sweater near the Banks’ home in the film, is actually a registered Animagus by the name of Andrew Davies (as in Roger Davies, the Ravenclaw that had attended Hogwarts in the 1980s). Andrew was one of Mary’s closest friends and housemates during her time at school. The two were both prefects of Ravenclaw house, and actually held a friendly rivalry, both being highly gifted students. Andrew often watched out for Mary after graduation, and, though he did not always approve of her practicing magic around Muggles, kept a close eye on both her and the families she was working with.
