No title available
Misplaced Lens Cap
Not today Justin
Monterey Bay Aquarium

if i look back, i am lost
official daine visual archive
NASA

Jar Jar Binks Fan Club
RMH

Andulka
Keni

shark vs the universe
Cosimo Galluzzi
hello vonnie

PR's Tumblrdome
TMBGareOK. The Official They Might Be Giants tumblr
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day

gracie abrams

Discoholic 🪩

seen from Japan
seen from Türkiye
seen from Malaysia
seen from United States

seen from Germany
seen from United States

seen from Indonesia
seen from Germany
seen from Mexico

seen from United States
seen from United States
seen from China

seen from United Kingdom
seen from Singapore
seen from United States
seen from United States

seen from France
seen from United States

seen from Türkiye
seen from Vietnam
@prillka
Albuquerque, New Mexico, 1968
Henry Wessel, Jr.
dream by the sea; big sur, california
instagram - twitter - website
Nataliya
Blanca Soler
Dennis Stock, Pacific Grove, 1972.
From “California: the golden coast” by Philip L Fradkin, 1974. https://www.instagram.com/p/CYhUVmwN3x2/?utm_medium=tumblr
Pablo Picasso with Bob, the family’s Pyrenean Mountain dog at Boisgeloup 1930
He owned many breeds over the years, including terriers, poodles, a Boxer, a Great Pyrenees, a German Shepherd and Afghan Hounds. The best known of his pet dogs is Lump the dachshund. The relationship between artist and dog was described as a ‘love affair’ and Lump appears in a number of Picasso’s paintings. He lived with Picasso until a week before the artist’s death in 1973.
Pablo loved to surround himself with birds and animals. In general they were exempt from the suspicion with which he regarded his other friends Françoise Gilot
Florilège des Amours de Ronsard, Henri Matisse, 1948, Art Institute of Chicago: Prints and Drawings
Print and Drawing Club Fund Size: 205 × 230 mm (image); 383 × 281 mm (sheet) Medium: Lithograph in sanguine on cream wove Japanese vellum
https://www.artic.edu/artworks/230936/
subliming.jpg
L'Après-Midi d'un Faune: Le Faune lll, plate seventeen from Poesies de Mallarmé, Henri Matisse, 1932, Art Institute of Chicago: Prints and Drawings
Matisse’s first livre d’artiste (artist’s book), Poems of Stéphane Mallarmé (Poésies de Stéphane Mallarmé) was the second publication produced by Albert Skira. The first was Pablo Picasso’s illustrations for Ovid’s Metamorphoses (Les Métamorphoses), published the year before. Both series use the simple power of the etched line to suggest volume and movement. In the case of Matisse, he avoided heavy shading so as not to detract from the ethereality of Mallarmé’s poetry. While inspired by the poems, Matisse’s prints stand alone as works of art and call upon some of his most iconic imagery: flowers, nudes, and portraits. Lt. Col. A. Peter Dewey Memorial Size: 304 × 240 mm (image); 332 × 251 mm (sheet, plate mark not visible) Medium: Etching in black on ivory laid Japanese vellum
https://www.artic.edu/artworks/159018/
by @ashermossofficial
juliakuzmenko via instagram
@vanellimelli
zoras_daughter