[primadiary]

welcome to my blog ୧ ‧₊˚ ⋅ ☆

[zegalba]

Perfect Blue (1997) dir. Satoshi Kon

[gekidan-inu-curry]

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Bird cage art from the Yukashita Exhibition (2016)

In the first image you can see Manpukuron illustrations from Maaya Sakamoto’s  monthly column in Newtype magazine!

[funfettified]

bunnies by the bay ☆ wee ittybit bunny

[zegalba]

[cinematicjourney]

Perfect Blue (1997) | dir. Satoshi Kon

[roo]

[sofubis]

子猫と猫ハウス (epoch)

[bakwaaas]

one day I woke up and realised all the waiting and yearning was actually me living my life and it’s happening right now and it’s still good even if it’s not perfect and there is no moment when all your dreams get fulfilled and everything makes sense. like… this is it. this is life. you’ll waste away your youth waiting for some imagined future if you don’t love life for what it is now and make the most of it

[sugar-cafe]

https://www.instagram.com/annko_0/

[centifolias]

[fy-fruits]

Unofumi, 19y/o, KINJI & student

[transgender-history]

Leslie Feinberg on trans exclusion in feminist spaces.

“We’re in danger of losing what the entire second wave of feminism, what the entire second wave of women’s liberation was built on, and that was ‘Biology is not destiny’. ‘One is not born a woman,’ Simone de Beauvoir said, ‘one becomes one’. Now there’s some place where transsexual women and other women intersect. Biological determinism has been used for centuries as a weapon against women, in order to justify a second-class and oppressed status. How on Earth, then, are you going to pick up the weapon of biological determinism and use it to liberate yourself? It’s a reactionary tool.”

From TransSisters: The Journal of Transsexual Feminism, issue 7, volume 1. 1995.

[mangadore]

[mangadore]

[janerraava-inactive]

Alexa King 2016

[2001hz]

Yoshitoshi ABe (1998)