be like Mhairi

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be like Mhairi
When a white feminist says something along the lines of “everyone cares about racism because men suffer from it, but no one cares about misogyny because it only affects women” I know that it’s time for me to peace the fuck out.
white women and the imperial ‘we’
The Night Came Slowly, by Kate Chopin
I am losing my interest in human beings; in the significance of their lives and their actions. Some one has said it is better to study one man than ten books. I want neither books nor men; they make me suffer. Can one of them talk to me like the night – the Summer night? Like the stars or the caressing wind?
The night came slowly, softly, as I lay out there under the maple tree. It came creeping, creeping stealthily out of the valley, thinking I did not notice. And the outlines of trees and foliage nearby blended in one black mass and the night came stealing out from them, too, and from the east and west, until the only light was in the sky, filtering through the maple leaves and a star looking down through every cranny.
The night is solemn and it means mystery.
Human shapes flitted by like intangible things. Some stole up like little mice to peep at me. I did not mind. My whole being was abandoned to the soothing and penetrating charm of the night.
The katydids began their slumber song: they are at it yet. How wise they are. They do not chatter like people. They tell me only: “sleep, sleep, sleep.” The wind rippled the maple leaves like little warm love thrills.
Why do fools cumber the Earth! It was a man’s voice that broke the necromancer’s spell. A man came to-day with his “Bible Class.” He is detestable with his red cheeks and bold eyes and coarse manner and speech. What does he know of Christ? Shall I ask a young fool who was born yesterday and will die tomorrow to tell me things of Christ? I would rather ask the stars: they have seen him.
has anyone rewritten the scene in 1984 where winston smith is forced to say 2+2=5 but instead he is forced to say penises are female
“Do you remember,” [O'Brien] went on, “writing in your diary, ‘Freedom is the freedom to say that penises are male sexual organs?”
“Yes,” said Winston.
O’Brien held up his left hand towards Winston, and pointed at his crotch.
“What are penises, Winston?”
“Male.”
“And if trans activists say that penises aren’t male but female — what are they?”
“Male.”
The word ended in a gasp of pain. The needle of the dial had shot up to fifty-five. The sweat had sprung out all over Winston’s body. The air tore into his lungs and issued again in deep groans which even by clenching his teeth he could not stop. O’Brien watched him. He drew back the lever. This time the pain was only slightly eased.
“What are penises, Winston?”
“Male.”
The needle went up to sixty.
“What are penises, Winston?”
“Male! Male! What else can I say? Male!”
The needle must have risen again, but he did not look at it. The heavy, stern face and hallucinations of biology books filled his vision. A male sexual organ appeared before his inner eye like an urechis unicinctus, weird, blurry, and seeming to vibrate, but unmistakably male.
“What are penises, Winston?”
“Male! Stop it, stop it! How can you go on? Male! Male!”
“What are penises, Winston?”
“Female! Female! Female!”
“No, Winston, that is no use. You are lying. You still think they are male organs. What are penises, please?”
“Male! Female! Male! Anything you like. Only stop it, stop harassing me!”
Abruptly he was sitting up with O’Brien’s arm round his shoulders. He had perhaps lost consciousness for a few seconds. The bonds that had held his body down were loosened. He felt very cold, he was shaking uncontrollably, his teeth were chattering, the tears were rolling down his cheeks. For a moment he clung to O’Brien like a baby, curiously comforted by the heavy arm round his shoulders. He had the feeling that the trans activist was his protector, that the pain was something that came from outside, from some other source, and that it was O’Brien who would save him from it.
“You are a slow learner, Winston,” said O’Brien gently.
“How can I help it?” he blubbered. “How can I help seeing what is in front of my eyes? Penises are male.”
“Sometimes, Winston, sometimes they are female. Sometimes sexual dimorphism doesn’t exist. Sometimes they are just a feeling. You must try harder. It is not easy to become a submissive supporter of identity politics.”
(via https://www.youtube.com/watch?v=qsCgrrrPHF0)
don’t confuse accents and language barriers with lack of intelligence
Charlotte Bracegirdle, Hands, 2007, Acrylic on print, 45.5 x 61cm
Fatima Ronquillo
Kosuke Ajiro, 2015
no one can take your vitality from you.
Liana Jegers
Untitled Sketch
Edouard Boubat
Scenery of the Alakai Swamp, Kauai
Regarding Susan Sontag Trailer
World’s largest natural sound archive now fully digital and fully online.
“In terms of speed and the breadth of material now accessible to anyone in the world, this is really revolutionary,” says audio curator Greg Budney, describing a major milestone just achieved by the Macaulay Library archive at the Cornell Lab of Ornithology. All archived analog recordings in the collection, going back to 1929, have now been digitized and can be heard at www.MacaulayLibrary.org
“This is one of the greatest research and conservation resources at the Cornell Lab,” said Budney. “And through its digitization we’ve swung the doors open on it in a way that wasn’t possible 10 or 20 years ago.”
It took archivists a dozen years to complete the monumental task. The collection contains nearly 150,000 digital audio recordings equaling more than 10 terabytes of data with a total run time of 7,513 hours. About 9,000 species are represented. There’s an emphasis on birds, but the collection also includes sounds of whales, elephants, frogs, primates and more.
“Our audio collection is the largest and the oldest in the world,” explained Macaulay Library director Mike Webster. “Now, it’s also the most accessible. We’re working to improve search functions and create tools people can use to collect recordings and upload them directly to the archive. Our goal is to make the Macaulay Library as useful as possible for the broadest audience possible.”
The recordings are used by researchers studying many questions, as well as by birders trying to fine-tune their sound ID skills. The recordings are also used in museum exhibits, movies and commercial products such as smartphone apps.
“Now that we’ve digitized the previously archived analog recordings, the archival team is focusing on new material from amateur and professional recordists from around the world to really, truly build the collection,” Budney said. “Plus, it’s just plain fun to listen to these sounds. Have you heard the sound of a walrus underwater? It’s an amazing sound."
Sample some fascinating Macaulay Library sounds:
Earliest recording: Cornell Lab founder Arthur Allen was a pioneer in sound recording. On a spring day in 1929 he recorded this Song Sparrow sounding much as they do today Youngest bird: This clip from 1966 records the sounds of an Ostrich chick while it is still inside the egg – and the researchers as they watch Liveliest wake-up call: A dawn chorus in tropical Queensland, Australia is bursting at the seams with warbles, squeals, whistles, booms and hoots Best candidate to appear on a John Coltrane record: The indri, a lemur with a voice that is part moan, part jazz clarinet Most spines tingled: The incomparable voice of a Common Loon on an Adirondacks lake in 1992 Most erratic construction project: the staccato hammering sounds of a walrus under water Most likely to be mistaken for aliens arriving: Birds-of-paradise make some amazing sounds – here’s the UFO-sound of a Curl-crested Manucode in New Guinea
Undercover Spring/Summer 2000
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