What is the Use of Ornament in Contemporary Art and Architecture?
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@printmakestory
What is the Use of Ornament in Contemporary Art and Architecture?
Victor Hugo, Three-Quarter View - Auguste Rodin, drypoint, 1885.
Source: http://www.metmuseum.org/toah/works-of-art/16.37.2
A Mule and a Plow - Bernarda Bryson Shahn, undated. Lithograph on paper.
Fall Summit 2 - Michael Cina & Sonnenzimmer, 2011, 5 color screenprint.
Source: http://www.sonnenzimmer.com/memory/fall-summit/
Jordan Crane
screenprints! Jordan's work at http://whatthingsdo.com/authors/jordan-crane/
Gun - Andy Warhol, acrylic and silkscreen ink on linen, 1981.
Of screenprinting, Warhol said, "It was all so simple, quick, and chancy. I was thrilled with it."
source: http://www.warhol.org/collection/art/work/1998-1-275/
Keep Your Fire Escapes Clear - Library of Congress says "attributed to Muller", screenprint, 1936 or 37, for the New York Federal Art Project, WPA
The Dream and Lie of Franco, second sheet - Pablo Picasso, etching & aquatint, 1937.
Work With Care - Robert Muchley, 1936/37, woodcut for the Pennsylvania WPA Federal Art Project.
Source: http://postersforthepeople.com/work-with-care-muchley.html
Work With Care - Robert Muchley, woodcut, 1936/37, for the Pennsylvania WPA Federal Art Project.
Aquatinta-Dusting in the box
Sweet homemade rosin box!
Turning Out the Light - John Sloan, 1905, etching.
Woman Bathing - Mary Cassat, 1890-91. Drypoint, aquatint. Printed in color from three plates, fourth and final state.
Source: http://www.metmuseum.org/collections/search-the-collections/337064
The Sleep of Reason Produces Monsters - Francisco Goya, c. 1799. Etching, drypoint, aquatint, burin.
The wikipedia page for this work: http://en.wikipedia.org/wiki/The_Sleep_of_Reason_Produces_Monsters
suchaniceprint:
Mamma Andersson
Abandoned,
2008
Color spit bite and sugar lift aquatints with aquatint and soft ground etching
Image Size:
24¼
x
36
“
Paper Size:
33¼
x
44
“
Edition Size:
40
Publisher:
Crown Point Press
Printer:
Emily York
Richard Diebenkorn. Color Etching.
Green - 1986
The Last Judgment series - Warrington Colescott, color etching, soft ground etching, aquatint, relief, 1987.
Source: http://www.nationalacademy.org/