Klaus Groh, "If I Had a Mind", 1971. For this book Klaus Groh invited concept-art artists to edit and make up their own pages.“You are not obliged to take that insult for granted, choose the important ideas, the rest throw away.”
"I'm Dorothy Gale from Kansas"

izzy's playlists!
Monterey Bay Aquarium
RMH
2025 on Tumblr: Trends That Defined the Year

No title available

祝日 / Permanent Vacation
Cosimo Galluzzi

JBB: An Artblog!
KIROKAZE
$LAYYYTER

Kiana Khansmith
he wasn't even looking at me and he found me
No title available

❣ Chile in a Photography ❣
cherry valley forever

Love Begins

oozey mess
Peter Solarz
tumblr dot com
seen from United States

seen from United States
seen from China
seen from United Kingdom

seen from United States

seen from United States

seen from United States
seen from United States
seen from Australia
seen from United States

seen from United States

seen from Germany

seen from United States

seen from Singapore

seen from United States

seen from United Kingdom
seen from United States

seen from Italy
seen from United States
seen from United States
@processus-plus
Klaus Groh, "If I Had a Mind", 1971. For this book Klaus Groh invited concept-art artists to edit and make up their own pages.“You are not obliged to take that insult for granted, choose the important ideas, the rest throw away.”
"Exquisite Corpse Recipe Book" Clare Flynn
Superscript² "RNDMBKS²" 2009
Sophie Calle "Take Care of Yourself" exhibition & book, 2007
In this remarkable artist's book, French conceptual artist/provocateur Sophie Calle presents 107 outside interpretations of a 'break-up' e-mail she received from her lover the day he ended their affair. All of the interpreters of Calle's break-up letter were women, and each was asked to analyse the document according to her profession – so that a writer comments on its style, a justice issues judgment, a lawyer defends Calle's ex-lover, a psychoanalyst studies his psychology, a mediator tries to find a path towards reconciliation, a proofreader provides a literal edit of the text, etc. In addition, Calle asked a variety of performers, including Nathalie Dessay, Laurie Anderson and Jeanne Moreau, among others, to act the letter out. She filmed the singers and actresses and photographed the other contributors, so that each printed interpretation stands alongside at least one riveting image of its author, and some are also accompanied by digital documentation.
Job, Roel & Gradus Wouters "Alfabet" 2008
Roel Wouters: “abcdefghijklmnopqrstuvwxyz is a video about the joy of drawing letters that stars my son, Gradus, and my brother, Job – who are both ambitious concerning letters,”
"THE BLIND CAN WRITE BLOCK LETTERS IN A 'PEN-IN' TEMPLET, THESE 'PEN-IN' CHARACTERS CAN BE READ ELECTRONICALLY" Design: Aad J. van Toorn, around 1971
Norm & Jürg Lehni "Sign Generator" 2003
"I Saw the Devil", a Longform Google Poem by Majestic Hue
https://twitter.com/Majestic_hue
Carsten Holler "Aquarium" 1996
Antoanetta Marinov "Fünf Betrachter" 2011
On the day her exhibition opens in Basel, Antoanetta Marinov walks around the city and approaches people to hire them as spectators for the opening. In her text piece Fünf Betrachter (Five Spectators) Marinov reconstructs the moment of agreement between artist and pedestrian. She does so by reconstructing the questions which she asked. The process of searching for a sentence and/or forming a sentence is visualized through variations of questions.
Max Leiß "Ausgabe#" Magazines, since 2011
Ausgabe# has been released since June 2011 as a personal magazine by the artist Max Leiß. Each of the issues includes various graphical elements like prints, photographs, copies or text fragments, which document the artistic work process. These elements build up an increasing inventory of forms that can be used as a vocabulary for the following issues. By this Ausgabe# is a visuell thinking- and experimental field, which aim is to order, connect and recombine ideas and thoughts.
Since 2013 A# has continued as a cooperative process between its initiator Max Leiß and invited guests. Each issue contains contributions by various artists, as well as portraits and interviews. Thus, A# becomes a dialogue that takes place on a visual, sensitive and textual level.
S.M.S. (Shit Must Stop) #4, 1968
CONTENT:
Robert Stanley: Cover Design, black and white abstract painting, 11 x 14 1/2 inches Arman: Tortured Color, paint tube in plexiglass vice Paul Bergtold: Concept Bergtold, pink tissue folio containing two Xerox compositions, 11 x 8 1/2 inches John Cage: Diary: How to Improve the World (You Will Only Make Matters Worse) continued 1968, 20 page booklet with silkscreen on Mylar cover, 7 1/2 x 5 1/2 inches Hollis Frampton: Phenakistiscope, paper disc with photographs, 7 inches in diameter On Kawara: 100 Year Calendar, calendar printed on single sheet of oil cloth Roy Lichtenstein: Folded Hat, vinyl hat construction, 7 1/4 x 14 inches Lil Picard: Burned Bow Tie, burned bow tie, 7 x 3 1/2 inches Domenico Rotella: 6 Prison Poems, collection of poems written on cigarette packs and a postcard, 9 1/2 x 6 1/2 inches (variable) Robert Watts: Permanent Parking Decal, sticker, 6 3/4 x 6 3/4 inches Princess Winifred: Asylum Manuscripts, compositions on five brown paper towels, 9 1/4 x 9 1/2 inches La Monte Young: Drift Study 4:37:40-5:09:50 5 VIII 68, cassette tape, 5 x 5 inches Marian Zazeela: Cover design and packaging for Young’s cassette, 5 x 5 inches
Ben Öztat "Knizak" 2010
Knizak aims to create situations and to redefine the dimensions of a book. The reader is invited to take the pages and to rearrange them on the table or in the entire room, which lets the reading space unfold in a new and literal way.
Fabio Milito, "Universal wrapping paper" 2010
Ji Yeo "Draw On Me", a participative performance, part of the "Beauty Recovery Room" project
Paul Sahre "The _____ of _____"
"plagiarized text #1" by bpNichol (+)