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if i look back, i am lost

JVL
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Peter Solarz
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Andulka
Aqua Utopia|海の底で記憶を紡ぐ
NASA

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KIROKAZE
DEAR READER
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blake kathryn
art blog(derogatory)
sheepfilms

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@pusateriwrites-blog
Excerpt From "The Trouble With Representation..."
A waiter approaches the table with the senator's usual drink, scotch straight up, and places it in front of him, pauses a minute before moving away. A menu is not brought to the table. Neither is water. The wait staff of the restaurant is used to Michael King's patronage over the years. He comes in at least three times a week, sits at the same table, and expects his usual drink to be brought to him upon arrival. Everything else he always asks for when he is ready, typically in a loud boisterous voice that carries across the restaurant for everyone to hear.
Senator Michael King has a commanding voice, one that draws attention whether he wants it to or not. He is fit, in good shape, always wearing black or grey tailored suites with carefully placed patches from his campaign supporters. On his left shoulder is a green and white house with Fannie Mae embroidered underneath and on the other side, Boeing's blue and white logo stands out against the black. On his lapel is American Airlines' red and blue double A and Time Warner is just below with its swirling blue and white eye. The rest of his suit is covered with local New Mexican businesses showing their support: Tom and Larry Law Group, Mama's Diner, The Resistance Gallery and others.
Thought of the Day July 12th
I hate titles. Some people are good at them, I'm just... Not. Well, sometimes I am. But often times I'm not. That's usually how I judge where one of my stories is at. If it's not good enough for me to be inspired to think of a good title, it isn't there yet.
I've never really understood my aversion to titles though. I'm a creative person, I should be able to think of a creative name for something.
Does anyone have advice for coming up with story titles? Or even just blog, article or paper titles?
There’s something to be said about being intentional with the blank page that sits directly in front of us. Maybe we won’t map out our entire book, but when we carefully make decisions about a scene before writing it, we have the potential to make it richer, fuller, and accomplish more.
1. Time & Date [This helps] keep the timing of events realistic. Usually falling in love, character growth, and other plot events take time.
2. Point of View (POV) Ask these questions: Whose POV would have the greatest impact for the scene? Whose POV haven’t I used lately? Whose POV can best move the plot along?
3. Setting [Unlike stage plays, stories are] not bound by financial or artistic constraints when deciding where to have our characters act out the scene. We can put them anywhere. We can add as much variety that we want. Rather than having half our scenes in the dining room or bedroom, we can move them all over the place and make things interesting for our characters (and thus our readers).
4. Sensory Details What sights, smells, tastes, textures, and sounds can bring the scene alive? What other details can help set the mood of the scene? Try to make those things unique to the particular setting as well as to the POV character who is acting out the scene.
5. Scene Goals We should be aiming to incorporate only those things into our stories that have a purpose, whether to move the plot along (related to the external, internal or romance plot), enhance our theme, build our characters, or foreshadow what’s to come.
I just hope that one day—preferably when we’re both blind drunk—we can talk about it.
J.D. Salinger (via ontelbaar)
The Truth In the Story
I still don't know how I feel about this story. Any feedback?
"Have you heard the legend about the Catawba?" says this kid with shaggy hair hanging in his eyes. He's across the bar from me and cups his beer in both hands when he takes a drink, like he's afraid the condensation will make him drop it.
"You know, the ones with the reservation on the edge of the woods," he continues. He smirks a he looks into the eyes of the long, brown-haired girl next to him. She's pretty. Her good-girl bangs make her eyes shine.
She leans toward him, her hand propped under her chin. "No, tell me."
He leans away from her, straightens out in his seat and looks at me. His lips stretch into a smile. It's wide, but I can't see his teeth. "It's pretty scary."
I snort and shake my head, look away, out the window and at the people passing by outside. The sun reflects off a man's watch and shines in my eyes. I flinch, blink, and turn. The bar is completely empty aside from the three of us since the bartender stepped out for a smoke. When I normally come to Ravens in the evenings the place is full of college students and vibrates with music and conversation, but they don't do that for the 2pm crowd, forcing me to endure listening to a boy who looks five years too young to be in here try to impress his girlfriend.
I look over at the collection of alcohol and glasses against the wall behind the bar. The mirror behind them reflects a distortion of my face back at me: a nose amplified and twisted by the edge of a Smirnoff bottle, my face only half visible because of a large bottle of Jack. The fun house mirror effects aren't enough to hide my blood shot eyes and three-day stubble, though.
"I love scary stories, " the girl says, drawing out the "o" to three syllables. I nearly choke on my Sam Adams as I roll my eyes in response.
"Well, if you're sure," he says and she pushes his arm gently. The boy drinks down the rest of his beer, takes a breath and begins.
"Long ago," he says, spreading his arms wide, "The Catawba people lived in the woods here in North Carolina."
"I already know that," the girl says.
"Shut up, it's part of the story."
The girl lets out a breath and crosses her arms. "Fine."
"So they lived in the woods, and in these woods there were good spirits and bad spirits. The good spirits lived in the trees and stuff, and protected everyone. And the bad spirits wanted to kill the good spirits so they could do whatever."
"How do you kill a spirit?" the girl interjects.
"Fuck if I know, will you just let me tell the story?" I stifle my laugh at their growing hostility with my beer and debate the odds of witnessing their breakup.
The boy doesn't give up on his story, though, and orders another drink as the bartender walks back in the door.
He slurps some down and goes on. "The Catawba people were afraid of the bad spirits, so the tribe's elders picked twenty warriors to protect the good spirits and everyone else in the forest."
I look up from my beer and over at the pair of them, my grip tight on my glass. The hair on the back of my neck stands up. Did he just say twenty?
"Because the warriors did as they were told, the good spirits made them live forever, so they could provide protection and the good spirits could just chill."
"That wasn't very scary," the girl says, turning away from the boy and leaning against the bar.
"They're still out in the woods! Right now!"
"Still stupid."
"Whatever."
I'm still staring at the pair of them, as though my brain is on pause and I just can't look away. I don't know where the boy heard that story from, but I want to. I don't move; it's like I'm glued to my seat by a mixture of wonder and fear. I stay like that until the boy turns, asking what the fuck my problem is. I stand, throw down some cash for my unfinished drink and leave. My collar is soaked through before I even get out the door, the hair on my neck dripping. My stomach rolls and I lean against the building, ready to vomit but nothing happens. After a few minutes, I wander down the street and around the corner to my apartment—a brownstone I share with my friend Matt.
My hands shake, jingling my keys, as I unlock the first door to the foyer, and the second to the apartment itself. Pressing my back to the cool, wood of the door, I close my eyes. The story the boy at the bar told echoes back at me, ringing louder and louder in my ears like a constant, growing drum beat. The tribe's elders picked twenty warriors to protect… twenty warriors. I slide down the door until I am sitting on the floor, hands over my ears.
I'm still sweating as I sit there, unmoving, even though the apartment is cool—the air conditioner winning the battle against the September heat. Slowly, the boy's words fade and I move to my feet. I take off my shirt, toss it on the couch, and get a glass of water to cool down. I laugh at myself for letting the boy's story freak me out. I tell myself, out loud, that I'm being ridiculous. There's no way it could be true, absolutely none. Even as I think it, though, images swirl around my head making me dizzy again: trees, men appearing from the shadows, a flash of silver. The boy from the bar isn't the only one with a story to tell, but I'm afraid of what mine might mean.
Four days ago, Friday, after work, Matt, me, and three of our friends left to go on a camping trip. With Labor Day being the following Monday, Matt thought it would be fun to have a three day party in the woods.
"C'mon man," he had said. "It'll be like the good old days, back in college."
"Dude, we're only twenty-five," I had replied, before relenting. Truth be told, it sounded like a stupid idea to me, but I chalked that up to never really being the outdoorsy type. Not since I was a kid at least.
When I was ten my dad dragged me, against my will, to a small lake in the eastern part of Oklahoma on an early Father's Day morning. Like a lot of lakes around there, the water was a cloudy brown with red-clay banks. My dad knelt down in the slimy clay in front of me and showed me how to bait and cast my line before letting me try. I pierced the flesh of the small, wiggling worm with the lure before attempting to cast the line into the deeper parts of the dull, murky water. I had been sure that I didn't want to eat anything that had spent its life in the mucky lake, but I tried anyway to humor him.
I took two steps into the shallow water, reared my right arm back and snapped it forward with all my might. The force of my cast made me stumble forward in the mud and my water-shoed feet couldn't find traction so I lost my balance and fell face-first into the water. I got a mouthful of it; it tasted like slime and fish. So, I wasn't looking forward to surviving on fresh fish during a three-day party weekend, while living in a tent. But, Matt promised we'd bring plenty of freeze-dry chili and mac n' cheese along with the beer and I was happy.
The drive from our apartment just off the North Carolina University campus to the Joyce Kilmer Memorial Forest took six hours, and the view got greener and greener the further west we drove on I40. By the time we got there it was nearly midnight and we had to pitch our tents and build a fire-pit while holding flashlights. The process was exhausting and took over an hour, but when we were done, Matt insisted we get the party started. So, we threw ourselves down around the fire, cracked open a few cans of the Bud Matt brought, and drank.
I'm not sure how much I had to drink that night; it's not one of the few things I actually remember. It was cold under all those tall oak trees, so I moved closer to the fire. The heat of it on my face was intense and felt like that gush of heat that comes from opening an oven. The smoke was blowing right at me, made my eyes burn, so I had to close them.
"Jack… Jack l-look at Chris," Matt said after stumbling over and falling down next to me. "Dude, look!"
Chris had managed to pass out on top of the still-full cases of beer. His chest rested on top of the Bud, his head on the Coors, his legs on the ground. The image was sharp for less than a minute, long enough for me to laugh, before it blurred, then doubled.
"Ima take a piss," I said.
I had to get to my feet toddler-style: my palms were flat on the ground, dirt and sticks made impressions that took hours to fade, I turned so that I was on my knees, used my hands to get from my knees to my feet on shaky legs, carefully removed my hands from the ground and stood up straight while holding my arms out to the side, ready to catch myself if I fell. I stumbled for the tree line, held onto one for support when I tripped over something I couldn’t see.
"Jack!" Matt said from behind me. "Whassa matter? Why you gotta go so far 'way?"
I ignored him and focused on navigating through both the real and imagined trees. I stopped a ways in, how far I'm not sure. I leaned back against a tree and giggled as my stream made a golden arch that glittered in the moonlight. And then, everything went black.
I woke up on the ground, and light was shining through the spaces between branches and leaves above me. When I sat up, my head spun but I managed not to vomit on the forest floor. Once on my feet, I realized I wasn't in our camp in the clearing anymore but surrounded by thick-trunked trees, alone.
"Matt?" I called. "Chris!" An icy-cold started in my chest and spread outward. Fear. "Matt? C'mon man this isn't funny." I shouted the names of my friends: Matt, Chris, Greg, Sean, until my voice cracked. I spun in a circle, tried to decide which way to go. No survival instincts kicked in, no voice in my head told me not to panic. I tore desperately through the forest, dodged trees, tripped on roots but I didn't find the camp. I didn't find anything, just more trees—knotted trunks and moss-covered branches.
I don't know how long it took for me to give up. Light was still streaming through to the forest floor. I propped myself against a tree—knees bent, arms wrapped around them—on an oversized, mossy tree root that jutted from the ground. My pale, skinny arms were covered in large, red welts the size of quarters and itched so badly I scratched them until the bled, while I focused on not crying. Men don't cry, my father had always said. Men are tough; they protect themselves and their women.
My father was always saying things like that. In his opinion, in the last twenty-five years I hadn't done anything worth being called a man, no matter how hard I had tried. After the failed fishing trip, he took me hunting the next Father's Day, when I was eleven, thinking we'd have better luck. He taught me how to use his Remington 798 Mauser bolt-action rifle: how to load it, how to hold and cradle it, how to use the scope and aim, when to pull the trigger. I could always hit the target when we were practicing, but when I was staring down a dear through the scope, crosshairs over its chest, I couldn't pull the trigger and would purposely make a noise to alert it and warn it away.
At first, my father chalked it up to being a beginner, but eventually he caught on to the deliberateness when I actually looked down and stepped on a twig that could have been easily avoided. He snatched the gun from my hands, not even bothering to turn on the safety and walked away from me, back toward the car. I followed behind him, not wanting to be left alone in the woods. When we got to his truck, he put the gun in the bed and turned to me.
"Dad, I'm so sor-"
"You'll never be a man if you don't try," he said. I felt so small as he leaned over me. His head blocked out the sun.
"I am trying!"
"You won't fish, you won't hunt. Sports don't interest you. Men are supposed to be tough, they're the protectors. You're just a little faggot."
"I'm not a faggot dad, I swear," I said and started to cry. He hit me then; the force of his palm stung and left a red mark on my cheek.
"Men don't cry. Do you hear me? Stop crying."
I nodded and swallowed. The tears slowed but I didn't wipe my eyes. I knew he wouldn't like that either, so I got in the truck and stayed silent the whole way home.
This time, I didn't have anyone to follow, though, so I stayed where I was. The forest was silent, there was absolutely no sound, and my horror movie obsession told me this was a bad sign, which didn't help with the whole crying thing. I shoved my left hand into my pocket and closed it around my pocketknife and I felt a bit safer. Take this everywhere, son, my father had told me the day he gave it to me—the morning of my eighth birthday. You never know when you might need it. My right hand was clenched in a fist. My nails bit into my skin, drew blood, and I closed my eyes, took long, deep breaths to calm myself down. They are looking for me, I thought to myself. Just stay where you are. They'll find you.
The snap of a twig broke the silence. Like when a teacher slams their hand down on your desk because you fell asleep in their class, my eyes opened and I fell sideways onto the ground. There was just enough light shining through the canopy of trees for me to see the human-like forms that moved toward me. I didn't get up, just watched as they unfolded themselves from the shadows. They were tall, over six feet, with skin the color of caramel. It was smooth, uninterrupted by blemishes or pores, and shone even in the limited light. They only had hair on their heads, which hung down their backs; their arms, legs and faces were bare.
I turned, looked, counted from where I was on the ground: twenty. I was surrounded. They were lean and muscular, and I was hung over and afraid. I stood up carefully, eyes locked on the man in front of me. He took a step forward and I moved back until I ran into the chest of another man. I jumped, stepped to the side, started to hyperventilate.
"No, it is alright," the man who had approached me, said. He reached toward me, continued, "My name is Adahy."
I moved away from him, I didn't want him to touch me. My hand was back in my pocket and around the knife as he continued to talk.
"I don't want to hurt you," he said. I didn't reply so he went on. "Are you hungry? We brought you food."
One of the other men passed him a bowl and he offered it to me. I could see the brown liquid inside. It had a few leaves floating on top and smelled like mushrooms.
"I'm not hungry," I said.
"You are," Adahy argued.
"I don't want your food," I said.
Adahy retracted his arms and handed the bowl back to his companion. The other men stayed silent.
"We can help you find your friends," Adahy said.
"I don't need your help," I said, and I didn't want it.
Men are the protectors. Are you a man? Well, are you? I had tried to so hard to be one. I played soccer in high school, but dad preferred football. I went into accounting in college, but dad wanted me to stay home and work in the garage with him. I drank beer with him, but dad thought my tastes were too delicate. I barbequed with him, but I couldn't light the fire right. I bought my first car, a silver BMW, but dad prefers trucks. I brought a girl home, but dad thought it was an act. Nothing had ever been good enough.
"Please," Adahy said and reached his hand out again.
"Don't touch me," I warned. I slid my knife to the edge of my jeans pocket.
"We're just trying to help," he said, touched my arm. His hand was light against my shoulder.
I took the knife from my pocket, peeled it open.
"You do not have to do that," Adahy said. He backed away but his voice remained steady, calm. "We are just trying to help you."
"Real men help themselves," I said and jammed the knife in his side. His eyes went wide, I think it was in surprise, and that was what finally gave me the courage to run. So I left the knife in him, and I ran.
I had told that story to Matt just after he found me Saturday evening an hour before the sun went down. He didn't believe me, thought I was bullshitting him and covering up for drunkenly getting lost in the woods for eighteen hours.
"Why would I make something like that up?" I had said.
"Why do people do anything they do, man? I don't know," Matt had said before he opened another beer.
Freewrite June 7th
I locked myself out of my apartment. Again. That's what I get for being responsible and actually taking out the trash... With my keys inside. And now they're gone forever.
I kick at the lower half of the door. All it does is vibrate a little in the jamb. I contemplate whether or not I'd rather kick it in or call the super and admit that my keys are gone. I decide to do neither and sit criss cross with my back against the door.
There's a tennis ball in my purse, left over from last week when I was house sitting for a friend with a German Shepherd who lives to fetch. I toss it at the wall, catch it as it flies back at my face. I have no roommate so there's no hope of someone letting me in eventually. No one has a spare set of keys to tide me over until I get my own. I'm just plain screwed.
So, I throw the ball against the wall, harder and harder until I fail to catch it when it bounces back and it hits me in the face. Right between the eyes. So now I have a headache. And a red circle on my face. And I'm locked out of my apartment with no hope of re-entrance until I stop feeling sorry for myself long enough to call someone for help. And my butt is numb from sitting here. Great. Just great.
My new set of keys costs me $200. For three keys. Whatever, at least I'm inside.
The Blue House
The house is made of a sky blue wood. From the front it looks pristine, but when you walk up the long narrow drive you see its rotting edges and the dents and scratches where numerous cars have scraped against its paneling. In the back a wooden deck rises off the ground. Its old, but my aunt Ruth and uncle Bill make sure it is taken care of year around so my grandmother does not get hurt on it. I climb the old steps of the two level deck. From the deck you can see over the fence that cages in the backyard. A long soccer field stretches where my cousins and I used to play baseball and tackle the turkey during the summer months. Past there is the park with the tire swing I used to spend hours on as a child. The old wooden toys are gone now, replaced with shiny plastic ones. A train shrieks by on the tracks that lie just beyond the park and as the horn sounds I scream along with it.
It is early morning. Silently as I can, I enter the house and look around for my grandmother. I cannot see her from where I am standing by the door. My eyes sweep around the room, across her desk and the stacks of papers that litter the office floor, to the smooth wooden table that sits in the corner of the kitchen and the couch that sits opposite it. My eyes linger on the couch for a long moment. It seems empty. My grandfather, who had been a permanent fixture on that couch for as long as I could remember, died last March. I am still not used to walking into the house and not being greeted by his booming laugh or one of his famously exaggerated and lengthy tales.
I look away from the couch so I do not drift into the sadness and tears that would accompany my memories. I examine the line of liquor bottles that sit along the wall. Vodka, Absinthe, Campari and Kahlua are a few of the ones I see but I know there are many more in the cabinet above. I open the fridge and take out a Sam Adams. My family has always been very open about alcohol and ever since my grandfather got me drunk on Christmas five years ago when I was fifteen my parents have not really cared if I drank without them.
On the stove sits my grandfather’s old cast iron skillet. I remember all the times he made me Italian sausage, pepper and onion eggs in that skillet for breakfast. I hated eggs and it was the only way to get me to eat them. Growing up in Oklahoma City, I thought of him as my big, Italian grandfather, my Pappa Leo, constantly arguing with my grandmother about whose recipe was the correct way to cook eggplant parmesan, Italian sausage, and of course, pasta sauce. Christmases began with an argument about what to make for the seven fishes feast and always ended with them arguing about how my grandfather did not eat the seven fishes and cooked up his own meal instead.
I pop off the bottle cap from my beer and walk into the dining room and look around the room, still looking for my grandmother. She is not in this room either. The long dining room table still has the green tablecloth on it from the last time I was here, which was months ago in January. I tiptoe through the room and into the living room and sit alone on the couch, assuming my grandmother is upstairs taking a nap. Sudoku sits on the coffee table. I remember trying to play the old piano that was so out of tune that the keys that actually worked sounded more like a harpsichord, taking naps under the dining room table during family events, playing helicopter with my cousin Noah until the day he accidentally slammed my head against the grandfather clock and of course playing pool in the basement with the rest of the grandchildren.
This house was my favorite place to go when I was younger. I was excited the years we got to go up to Chicago for Christmas so we could stay with Gramma Sue and Pappa Leo instead of staying at home in Oklahoma with my mom’s family. I always had more family here and there was more space to play as well. Now that I am older though, the house seems smaller. It does not hold as many secrets for me as it used to and not its walls no longer sing with laughter. I am an only child, so when I was home I was usually alone, but at my grandmother’s house someone was always here to play with and to talk to, but now all of the grandkids have grown up. When I moved to Chicago, the rest of my thirteen cousins moved away to do the same thing. We became less close and more involved in petty family dramas. It is a shame that that had to happen, but it is a part of growing up I guess.
A thump sounds above my head and I quickly put down the book of Sudoku. My grandmother is awake. Instantly the house comes alive. Hearing her creaking footsteps across on the floor above me makes me remember when the house was filled with so many people you could barely move. Running from room to room as a child, squeezing between peoples legs to get by. The room becomes brighter as the sun comes out and it shines across the floor as my grandmother begins to descend the stairs. She is the glue of the family, the only reason people come over here anymore. She is the only person that still cares about this old house. Her children grew up here and the grandkids played here, but we have our own homes, our own places of comfort and fun. She treats this house with love and takes care of it as best she can.
Excerpt From "Shock Collar"
There is movement following the muttered curse, the shuffling of papers and the sound of wood against metal as his shaking hands fail to maintain hold of his equipment and he drops it.
A buzzing sound interrupts the silence once again, and Chris's hands slam down on the table, palms flat, as the thick silver metal collar around his neck sends seventy-five amps of electricity through his body. His head knocks back and forth, his unkempt gray hair flopping down onto his forehead. He gurgles, but doesn't manage to say anything for the five seconds his body flails in his chair. This time, when it stops, he keeps the profanity to himself. His shaky hands pick up the wood-handled rubber stamp and press it down onto the stack of official documents in front of him, smearing "VOID" across each one in red ink.
Advice For New Writers (And Old Ones)
Submitting stories to literary journals can be a scary thing. No matter how confident you are in your writing, there is always that fear that someone will tear your writing apart. It's a hard thing to hear no matter how long you've been at this, but how you handle it is always key to how long you will last in this field, whether by trade or by passion.
Even in my short time on the editing side of the publishing field I have seen my fair share of nasty responses to rejections. Authors will write back saying I don't know what I'm missing, that I'll regret my decision, that I don't know what I'm doing, that I don't publish good stories anyway. I never typically respond to these emails, there is no point, really. But I wonder if writers know what they're doing when they write these.
I'm a writer too, in fact I'm a writer first, always, so I understand just how much of yourself goes into a story. I understand how hard and long you work; I know how much of your heart goes into each word choice, each sentence and paragraph. I get how disappointing it is to hear no when you think what you have is golden. But if you can't handle that no, if you can't accept rejection gracefully, you will not last long writing. You will get 10 times more no's than yes', no matter who you are. And that is actually a generous estimate. It's more like 100 times for most people.
So what's my advice to new writers? Actually, just to writers in general no matter how old or experienced. If you wouldn't say it to your boss? To your mom, dad, grandmother, someone, anyone, you respect? Don't say it to an editor. You wouldn't email a potential employer yelling at them for not choosing to hire you for a job, you don't ever email an editor questioning a decision. Just because a publisher tells you no does not mean your story sucks. Sometimes it is subpar, sometimes it's just bad, but sometimes it's just not the kind of thing that journal publishes. Sometimes it just doesn't fit or it really isn't what they're looking for.
And you know what? If that no really does piss you off? Fuck it and send it somewhere else. But keep your mouth shut and handle it with grace.
Thought Of The Day
I will never cease to be amazed by books. Seriously. Just think about it: thousands of people read the same book but in each one’s mind the characters look different and the setting changes and we’re all reading the same thing but it’s so unique to each of us. That is insanely cool.