
No title available
noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver

No title available
d e v o n
KIROKAZE
🪼
let's talk about Bridgerton tea, my ask is open

pixel skylines
RMH

#extradirty
he wasn't even looking at me and he found me
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@pvcparty
(via https://soundcloud.com/heathswedger/heath-swedger-kawaii-2-kurabu-mix-4-pvc?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
Zac Woods Launch Party performance
(via https://soundcloud.com/sunshower92/pvcthru?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
Body games - Sunshower & Heath Swedger 1.) Hi, could you tell those of us who don’t know Body Games what you’re all about?
Jack (Sunshower): Body Games is a collaboration that was birthed out of a disdain for macho, conservative and tiresome Techno and House nights that dominate clubbing in Glasgow. There is a tendency with those sorts of nights to neglect the value that club-aesthetics have on an individual's perception. It’s like ignoring a crucial sense that needs to be stimulated in order to achieve euphoria. We both come from different backgrounds in terms of our musical interests, but our goal is the same - take what we love about music, and intensify it.
Connor (Heath Swedger): I couldn’t agree more with Jack on that. When we first started meeting up to talk about joining forces, there was a lot of talk of this anti-macho aesthetic that we had and wanted to play up to with our music. We want to avoid taking ourselves too seriously cause where’s the fun in that? As much as I grew up in this scene, on dark rooms filled with sweaty techno-lads and I still enjoy that environment from time to time; there’s something that makes that experience better somewhere like Berlin than in Glasgow and I think that extra layer of atmosphere is what we are trying to synthesise with the Body Games stuff. It’s all about freedom to be whoever or whatever you want to be in a space that is designed for your expression and that’s why I’m super excited to be involved in PVC!
TL;DR: We’re just 2 cute guys making even cuter music!! 2.) What is your process of making music?
J: I make music under several stupid names. Mainly, I take an Hip-Hop/Vaporwave/Nightcore/Juke ethic of production and then rework and enhance already v. strange Italo-Disco, Hi-NRG & J-Pop. With other projects I make more ambient midi-synth pieces, trying again to deconstruct the very polished style of contemporary production and then build up something more individual and rigid, but at the same time very sporadic and free.
C: As I mentioned before, I started in the chin-scratchy techno scene with all the genre nerds and hardware geeks. I’ve spent a lot of time sat in front of an array of machines or a computer screen trying to convert bleeps and bloops into something meaningful with varying degrees of success. With my rebirth as Heath Swedger, I’m trying to step away from that so this is me coming out into the world, all oiled up and covered in glitter, just wanting to stop worrying and have a nice time. So for me the process behind Body Games is to have a laugh, play some tunes I got on free DL from soundcloud & post some dumb stuff on the internet. 3.) What has been your best memory of the Vic Bar?
J: Seeing MWX and Hush at Maxi Dance Pool & getting to play at Shoot Your Shot. So much exceptional talent playing and performing some really quite strange and wonderful things!
C: I have tons to be honest. I arrived in Glasgow in 2010 so I caught the end of the good old days before the closure. My first fully crystalised memory of the Vic Bar is actually being accidentally knocked the fuck out by the lead singer of Washington hardcore band Coke Bust when I saw them there and waking up in a heap on the floor under the merch table. Most of my memories involve a little less accidental violence than that though and favourites include Bunty’s 90s Hip-Hop Thursdays, which were a religious pilgrimage in first year, and the fact that nobody thought I could make a disco ball out of CDs for the Subcity Radio 20th Birthday Party and I did and it looked amazing and they can all fuck off.
October Poster. Courtesy of Tara Masterson Hally
(via https://soundcloud.com/dressinred/dress-in-pvc?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
Deep Brandy Album Cuts
"Sophie, could you tell us a little bit about yourself?
I've been djing for a year and a half now off the back of my Subcity show, although I've yet to mix on the radio. My setup (Traktor, trackpad, sync button) is ridiculously simple and means I'm constantly zig-zagging between total impostor syndrome and proudly identifying as a fake laptop dj to defy the purists. Searching for Jersey remixes of all of my favourite songs is my equivalent of crate-digging."
"Deep Brandy Album Cuts is a pretty dope name. How did you come up with it?
All credit to Solange on that one! She tweeted this* in response to a reductive and context-free review of Brandy's terminally underrated 'Two Eleven', igniting a conversation about cultural ownership which continues to this day (one that, as a white DJ playing black music, it's vital I pay attention to). I remember mentally bookmarking the turn of phrase - one year later, when I finally plucked up the courage to apply for a Subcity show, I realised what it could be used for. Stubborn and shallow perceptions of rap and r&b as guilty pleasure genres remain, and 'deep brandy album cuts' crystallises my frustrations with those who are unwilling to engage with these incredible genres except when through a lens (held at arms-length) of nostalgia.
To be honest the name is a bit of a misnomer as I've done 30 shows now and I've still only ever played one Brandy track on air. Sorry Moesha!"
* https://twitter.com/solangeknowles/status/287600058776567808
"Your show on Subcity is on a serious party tip, what are your go to party tracks?
Full disclosure: this track premiered on a website I write for, but I was smitten with it long before it made its way to Truants HQ when I first heard it in Bok Bok's Fader mix. It's the Florentino remix of Maejor's 'Get You Alone'**, which trims the fat from the original while giving it a percussive Carnaval bounce.
I'm also still obsessed with GBM's Set Good riddim****, especially Tian Winter's version. It's rare to hear soca at 100bpm. Just like the Afrobeats remix of 'Freak of the Week' (where a ton of Ghanaian and Nigerian pop stars jumped on the Krept & Konan feat. Jeremih banger, which in turn samples the legendary Playground Riddim), there's a real melting pot of Caribbean, West African and The R&B Republic of Mustard styles going on in this beat."
** https://soundcloud.com/truants/exclusive-maejor-ft-jeremih
**** https://www.youtube.com/watch?v=AQPbCyp1xns
Revival Remedy
(via https://soundcloud.com/sophie-elizabeth-reilly/haterade?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
(via https://soundcloud.com/sycophantasy/drowning-in-windex-for-pvc?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)