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Passion. Coaching
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With Gabrielle Union, The Guardian, and others leaving X In the wake of these exits, more users are engaging in debates about the role of AI in society, politics, and the future of online platforms. Are you still using X (formally known as Twitter)?
In a significant shift for the social media landscape, actress Gabrielle Union, the renowned British newspaper The Guardian and others have announced their departure from X (formerly Twitter), citing ethical and creative concerns with the platformâs recent changes. This move has sparked intense discussion about the direction X is heading and the implications for its users.
Gabrielle Unionâs Exit
Union declared the âend of an eraâ in a heartfelt message, sharing her decision to leave the platform due to its new terms of service and a perceived loss of integrity in its environment. She emphasized her commitment to spaces that value inclusivity and authenticity, directing her followers to connect with her on other platforms like Instagram, Threads, and TikTok. Her announcement resonated deeply with many of her fans, raising questions about Xâs ability to retain users who prioritize ethical engagement.
The Guardianâs Stand
The Guardian also left X, criticizing the platformâs declining standards in content moderation and user safety. The newspaper stated that it no longer finds X to be a safe and trustworthy place for meaningful journalism and audience interaction. This decision aligns with concerns about the platformâs new terms, which give X permission to use user-generated content for AI training, potentially infringing on creative and personal rights.
Concerns About AI and Content Ownership
Xâs new terms of service, which took effect on November 15, allow the company to use user dataâincluding photos and creative contentâfor training AI models. This change has sparked backlash among artists, creators, and privacy advocates. Many users worry that their work and personal information might be exploited, with little recourse given Xâs legal stipulations favoring Texas courts. These policies have fueled broader debates about the ethics of AI and the rights of users in digital spaces.
đ€ Who should be held accountable for racist AI content?
Previously, we talked about the rise of short-form AI avatars styled to look like Black women often voiceless, sexualized, and designed to mimic OnlyFans-style content.
As disturbing as that is, an even more dangerous trend is growing: long-form scripted videos built with AI tools that act out violent racial stereotypes and fantasies.
In the slides featured here, youâll see anonymous accounts using AI to mimic the likeness, tone, and voice of Black people and insert them into racist, animalistic, or politically manipulative scenarios. These videos are gaining traction across platforms, spreading quickly and becoming harder to trace.
This is not just content. This is racism performed through simulation. This is race play disguised as entertainment.
And as AI tools become more realistic and accessible, this hate is being created faster and more anonymously than ever.
These videos are built on data and that data is already biased.
Tools like Google Genie, Runway, and others are trained on content scraped from the internet, filled with racially charged imagery and stereotypes. AI doesnât remove bias, it amplifies it.
AI is now not just reflecting racism, but performing it, with no accountability.
Who is creating this?
Who is watching it?
And what does it say that this is whatâs being automated and amplified?
Barack and Michelle Obama address those split rumors on Michelleâs IMO podcast where he cheekily joked, âShe took me back!â đïžđ
Theyâve been married since 1992, and Michelle shared, âThere hasnât been one moment in our marriage where I thought about quitting my man.â
Itâs refreshing to see this power couple blend humor, honesty, and unwavering unity after 33 years together.
đ„ Michelle Obamaâs IMO podcast, July 16, 2025 on Apple & Spotify
âAll the girls Iâve been following for years on Tumblr really are the ones who have been pushing the culture forward. People still use screen caps Sharifa (@afirahs) would make from shows like Martin and a Different World from like years ago. Same with all the music videos her and Bri (@brimalandro) posted. Bri and Selina (@surra-de-bunda) both use to scan so much content from old mainly music magazines. I see them pop up all over IG. Zaina (@larrydavid420) has been on every major pop divaâs mood board. Random stylist have been eating from her aesthetics forever now. All of Raevinâs (@sheabutterbitch) Tumblr text posts get stolen regularly by the love and light girls on Twitter. As black women in fashion we donât get as much recognition as we should even though our culture is the one that has everyoneâs attention.â
â Rashida RenĂ©e in The Impact of Black Girls on Fashion & The Internet
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