sheepfilms
I'd rather be in outer space šø

ā
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RMH
Lint Roller? I Barely Know Her

Discoholic šŖ©
dirt enthusiast
AnasAbdin

shark vs the universe

⣠Chile in a Photography ā£

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DEAR READER

Andulka
will byers stan first human second
styofa doing anything
Jules of Nature
Alisa U Zemlji Chuda
d e v o n
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@r0bobitch
Me this weekend
Love when Iām drunk enough to feel all my teeth in my skull. They feel so fragile <3
thinking about how the backrooms went from a post on 4chan, a site pretty much dedicated to misogynist radicalization, to a big screen story about male loneliness.
Clark started as a regular guy, but he literally turned into a monster by the end. the same type of cycles we see in the alt right pipeline map onto the cycles of hurt and hurting that Clark experiences in his decline. he falls deeper and deeper into a fascinating maze as it slowly morphs into something that only twistedly resembles the original. he's following the American dream. It's a false promise that slowly corrupts him and turns him into an agent of his own destruction. He is already a ways into his decline by the start of the movie.
i really love the motif of windows in Backrooms. maryās book being called āthe window withinā. the curtains in her office always being drawn. the shot of her behind glass in her own home during the gathering at her house. clark looking through the window into his own house. him being unable to see kat through the glass she can see him through. the window in maryās motherās house. the windows in the hospital her mother is brought to that only look out to another building. the drawing that mary finds of captain clark reaching someone up towards a window. the fale window in clarkās āhomeā in the backrooms that just looks out to more of the same empty space. the window in the interrogation room thatās too high to see out of (and thus to determine if itās real). the fact that the backrooms lacks any windows to a true āoutside spaceā, and how terrifying that makes it. there is no window within. or, at least, not one that any of them can find
the backrooms movie made me realize that my deepest fear isn't monsters or labyrinths or even death. it's failure.
seeing clark divorced, struggling with money, no friends, sitting and drinking and festering in his own self pity brought tears to my eyes faster than anything ever had before.
I saw him out off breath hopping around on the peg leg with the pirate impression talking about how you don't even need credit to buy from him and I was so close to sobbing it wasn't even funny. putting on a face when you're breaking down inside with no hope is terrifying to me.
I was so sad during the kitchen table scene because everything Mary said was true, he was lost now. It's like seeing someone you wished would succeed just give up and fall asleep in their grave.
Clark is gonna stick with me for a long time.
what a guy
The way that The Backrooms (2026) had a reoccurring motif about windows.
The therapy tape about how the window was never locked is played several times, and that is meant reflect Maryās memory of the window being taped up with newspapers. Lighting everything in a yellow sheen akin to the Backrooms, but even then she was reaching for it. Striving for it. But her mother scolded her, wanting to get rid of windows. No outside view. No looking out.
The Complex struggled with windows. It can do corridors, it can do doorways and doors of various sizes. But when we do the transition through the floors, the first thing that decomposes into nothing is the window. First itās nicked over behind. Then it just becomes a wall. Same with the store replica at the very end. The glass doorways and windows are there but pointless.
The scene towards the end of the chase sequence the Captain Clark picks up the camera. To Kat, itās a window, and sheās shouting from the outside, begging Clark to open it. But to Clark, there is no window, only wall. He might not consciously know it, but Heās already conceded to how things work inside, and that mean windows arenāt really there.
Thereās probably more to this metaphor that Iām missing but I just think itās super interesting
happy michael or something. idk i wanted to draw
ive been really wanting to draw and post oc yuri or whatever but school is such a chore
I fell.exe
"I like it in here"
Okay. But its going to consume you.
"We don't have to change"
Okay. But it's going to consume you.
Eventually you have to leave. Eventually you have to run. And its painful and it's so much harder than staying in the comfort of what you know. In that house that stopped being a home years ago. Living memories you've replayed so many times over and over that the details are warping and becoming hollowed out corpses.
And it will consume you when you least expect it. You'll rot right there along with the building foundations and distort right along with your memories.
You'll have to run eventually, even if that's not how you're wired.
The window was never locked.
Reblogging this manually. Op doesn't want credit for fear of being terminated.
The way she sprained her ankle so she could have a limp like clark?
The way she ended up in an asylum, eyes empty, like her mom?
Ohhhh mary...
something I haven't seen people mention about The Hunger Games trilogy and movies is how it genuinely revolutionized the Minecraft server scene
More than that, it literally changed how the current games industry works.
Minecraft Hunger Games directly repopularised the concept of battle royales, leading to games like Pubg gaining traction. This then led to Fortnite and its battle royale mode, which in turn popularised the concept of battle passes to maintain player engagement. Battle passes are ubiquitous in multiplayer games now, to a lot of people chagrin.
Butterfly effects man
For a little I felt like we missed Clarkās spiral and thatās why the change felt so sudden but in the same scene that Clark shows this āsuddenā violent part of himself he says āI donāt want to changeā.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didnāt need one. He was already there.
Yeah ok the Backrooms movie is actually worth the hype. Like if you enjoyed the KanePixels series this is a perfect feature movie adaptation. While also being good for people who arenāt familiar
10/10
itās been ten years
its been 12 years
13 years
14 years
15 years
16 years
Loss is a dancing queen, young and sweet, only 17