by dcstep
KIROKAZE
almost home
Mike Driver
Jules of Nature

if i look back, i am lost
macklin celebrini has autism
sheepfilms
Not today Justin
Alisa U Zemlji Chuda
Monterey Bay Aquarium

PR's Tumblrdome

JVL

JBB: An Artblog!
Cosimo Galluzzi

Kiana Khansmith

Kaledo Art
Lint Roller? I Barely Know Her
Xuebing Du
RMH
d e v o n
seen from Canada

seen from India

seen from United States
seen from Tunisia
seen from Brazil

seen from T1
seen from Kyrgyzstan

seen from United States

seen from United States
seen from Ukraine
seen from Algeria

seen from Singapore

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from Germany
seen from United States
@racquelleiscontent
by dcstep
https://iglovequotes.net/
On some shit, obviously.
https://iglovequotes.net/
https://iglovequotes.net/
Harry Potter and the Order of the Phoenix
The Little Mermaid (1989), dir. Ron Clements & John Musker
Cockpit of the Millenium Falcon over the years
Crossroads (2002) Dir. Tamra Davis
Pink Floyd’s THE WALL (1979). (I posted some animation art from it recently.)
This is me at McDonalds 😂
Sabrina the Teenage Witch (1996 — 2003)
Hercules is the most visually creative of the Disney Reneissance films. If not any Disney film ever.
The three Fates sharing an eye.
Hades’ flaming hair.
The various designs of the mythological monsters and titans.
The diverse faces and body types of all the minor characters.
It’s a very visually engaging movie.
How could I forget the Underworld
And the opening sequence
Y’all need to get off Walter Disney’s cock
Jeez, I just said the movie looks nice. No need to get antsy.
Also like, pretty sure WD didn’t make that movie. It was the effort of various animators who sometimes get overlooked because we don’t see them WORKING on it for so many days, just the two hour long result.
Pretty sure that Walt Disney didn’t work on Hercules since it came out decades after he died.
Fun fact! The reason Hercules has such a unique style is because Musker and Clements brought illustrater Gerald Scarfe (famous for his work on Pink Floyd’s The Wall) to be the conceptual character artist. His original character designs are wild
Hey kids, did you know that you can be critical of a company and acknowledge how shitty it is in its business practices, and appreciate that it produces a lot of good art, much of which is created by artists and animators who have nothing whatsoever to do with the aforementioned shitty business practices?
Fucking wild that you can do that.
women’s march 2019
http://iglovequotes.net/