Pokémon games intro → Gold/Silver
$LAYYYTER
Cosimo Galluzzi

Janaina Medeiros
occasionally subtle

@theartofmadeline
NASA

#extradirty

shark vs the universe

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
Xuebing Du
Sweet Seals For You, Always

⁂
Mike Driver
One Nice Bug Per Day
DEAR READER
Claire Keane
RMH
will byers stan first human second

seen from United States
seen from Spain

seen from Poland

seen from Malaysia

seen from Australia
seen from United States

seen from United States

seen from United States
seen from United States
seen from France

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from Germany
seen from Ecuador
seen from United States
seen from Malaysia
@ramigali
Pokémon games intro → Gold/Silver
Gimme dat shit
Nero: I wonder if they're both okay down there.
Meanwhile in the underworld...
Dante:
Vergil:
I’ve Got Batman in My Basement Batman: The Animated Series
Shoot your shot.
Fuck my mom, Batman.
It’s real … ♡ Vergil ♡ I love you~ DEVIL MAY CRY 5 Special Edition announced.
Father & Son
tony soprano privacy rights activist
The Sopranos (season 1)
But it’s that scene between AJ and Livia that might be one of the centerpieces of the whole series. I’ve been saying here and there throughout the run of this series that one of the big themes of The Sopranos is the idea that people don’t change. And while I do think the show is tilted toward that viewpoint, many of you are right when you say that that’s not exactly right. It might be more accurate to say that the series believes this: All people have the capacity for change, but real change is so hard and involves so much trenchant self-examination that few people ever even attempt to do it. This scene might as well be the natural outgrowth of that idea, a marked contrast to what is, ultimately, a pretty funny episode.
As AJ tries to tell his grandma about what he’s learned from reading Nietzsche, she abruptly hijacks the conversation. That’s right, she says. Life is meaningless. You end up alone. You “die in your own arms.” It’s a fantastically grim view of what’s to come, of the life that stretches in front of AJ, and I love the way that the show presents this as if it’s basically true but also presents it as if Livia is completely wrong about how to approach this conundrum. The Sopranos, of course, is a very Catholic series, and it has something like a sense that faith and hope matter in some ways, but it also concludes that a lot of life is essentially empty and meaningless (and seen in that light, the Hollywood scenes take on deeper meanings). But rather than embrace Livia’s approach, the series seems to suggest that Melfi’s approach - one of connection and self-examination - is a better way to approach a meaningless life that inevitably ends in the cold embrace of the grave.
Someday soon, you’re gonna have families of your own and if you’re lucky, you’ll remember the little moments like this, that were good.
The Sopranos, created by David Chase Season 1 (January 10, 1999 – April 4, 1999)
Which Tony Soprano are you today?