Beauty and the Beast trailer: Disney’s live-action remake debuts first teaser
The tale as old as time looks new again!
Show & Tell

titsay
ojovivo
Fai_Ryy
I'd rather be in outer space 🛸

if i look back, i am lost

ellievsbear
he wasn't even looking at me and he found me

Andulka
No title available

oozey mess
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
NASA
h
The Bowery Presents
let's talk about Bridgerton tea, my ask is open

tannertan36

❣ Chile in a Photography ❣

gracie abrams
seen from United States
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from Türkiye

seen from United States

seen from Ecuador

seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from Venezuela

seen from Türkiye
seen from United States
seen from Albania
@ratedrforredhead
Beauty and the Beast trailer: Disney’s live-action remake debuts first teaser
The tale as old as time looks new again!
“Big Fish & Begonia” animated feature film by B&T Studios and Studio Mir (Legend of Korra) will be released on July in China.
Here’s your first look of valerian and the City of a Thousand Planets
Could Cara Delevingne be the next big action star?
“Chi-Raq’s larger-than-life aesthetics stoke the fires as only cinema can—and moreover, as only Spike Lee can.”
READ: WITH HIS ESSENTIAL NEW ANGER-COMEDY CHI-RAQ, SPIKE LEE RECAPTURES GREATNESS
Ratchet & Clank
The video game, now turned movie, has been popular since its release back in November 2002. This is definitely one to look out for next year.
Here’s the first image of Chris Pine as Steve Trevor in #WonderWoman.
Catch ‘My All American’ in Theaters Now
Texas traditions and Longhorn pride are now on movie screens across the country - My All American opens in theaters nationwide today.
From the writer of Rudy and Hoosiers, the movie tells the inspirational, true story of how two legendary Longhorns — defensive back Freddie Steinmark and Coach Darrell K Royal — lead our 1969 football team to a national title.
Learn more about the movie, and explore what the Forty Acres was like in 1969.
Support Indivisible!!
okay im about to make one of these posts because I REALLY WANT this game to get funded and I want people to know about it!!!
ITS CALLED INDIVISIBLE AND HERES WHY ITS COOL:
Female POC protagonist who isn’t overtly sexualized!!
Lots of references to sooo many different cultures’ mythology
Gorgeous artwork and 2D hand-drawn animation
THE MUSIC THO!!!!
The gameplay is great!!! A really awesome action-RPG fight system with Metroid/Castlevania-esque 2D platforming!
YOU CAN ALREADY DOWNLOAD THE DEMO FOR PC OR PS4!!!
It also has probably the most racially and physically diverse cast I’ve ever seen in a video game.
And theres a lot of physical diversity in the female characters too including a character with a physical disability:
As I’m making this post, their indiegogo campaign still needs about $1,000,000 to go!! They’ve already raised over 500,000 but if they don’t make the goal in 10 DAYS!!! this game won’t get made!!
If you have a PC, you can even play a prototype here!! (You can also get it on PS4!!) Please consider supporting this awesome game and if you can’t give any money at least signal boost this post!
Last Days in the Desert
I would like to preface this article by saying that I typically keep any blatant reference to my religious beliefs out of my posts here. Mostly because they are rarely relevant to media news or the films I write about. However, in the case of “Last Days in the Desert” I feel like my perspective, as a follower of Christ, cannot be removed from my viewing of it. As much as I might wish to be purely objective, no writer truly is; every author has a voice.
Rodrigo García’s voice in the film was very evident, making it stand out starkly to most “Jesus films.” At the Austin Film Festival, García stated that his intent with the film was to take a closer look into the internal struggles of the human Jesus. He specifically pointed out that in creating his “Yeshua” he was not concerned with the spiritual Jesus and did not intend his portrayal as such to offend in any way. At the core of the film García paints the picture of a Jesus who comes out of the wilderness, after fasting for forty days to get closer with God so he can start his ministry strongly, who is unsatisfied and feels lost and disconnected from his Father. This disconnect of father and son is fully explored when Jesus stumbles upon a broken family on the edge of the desert. Jordan Hoffman of the Guardian writes that the film “is a smart and beautiful meditation of fathers and sons (and the Father and Son).” As Yeshua works to help the father and son grow closer and find happiness, though their happiness’s are dependent on the failure of the others, he works through some of his own struggles trusting his own silent Father.
The most interesting and complex character of the whole film is really the Demon (also played by Ewan McGregor) who is constantly question Yeshua and trying to awaken him to his perception of God. The “temptations” stray very farm from the original text, and serve more to chip away at Yeshua’s faith that he truly is the son of God, or that God is even real. However, the true beauty of this character is his humanity. His voice is the same as so many who question if God is real, or those who see him as selfish and puppeteering. Towards the end of the film, in a heartfelt moment he offers Yeshua an out for the trauma they both know he is about to endure. “I can get you down,” he says out of the blue, sadness and concern on his face. Truly a very human moment coming from the “Father of Lies.”
Regardless of the accuracy of this adaptation, its beauty lies in the questions it asks, not answers. And while the narrative is very simple, the gorgeous cinematography, capturing the simple beauty of the Anza-Borrego Desert, creates an ethereal background that sets the mood and tone of the film. At the end of the day this is an art film, and it rightfully deserves its technical commendations. Using almost exclusively the natural light of the desert, every shot is either an expansive garden of colors or an ornate, intricate close up.
Even if you are not religious, the themes and questions raised by this film will resonate with you, as they are quintessentially human. This look into the “human Jesus” was an interesting play in the world of film, potentially alienating Christians and non-Christians, but I believe García has created a unique piece that can be appreciated by both factions.
The Guardian
For the rest of this article I will be digging deeper into my perspective of “Last Days in the Desert” strictly as a Christ follower. This is to my brothers and sisters, that they might not see this and brush it aside in an instant because it isn’t the truth of Jesus we know. If you are not a follower of Christ I invite you continue reading but if this isn’t your cup of tea feel free to continue perusing the internet in peace. However, if you do choose to keep reading, I would like to say that the following is not intended to offend, and if you have any problems with what I have written please write me so that we might discuss it fully.
Besides the obvious deviation from scripture in the very concept of this narrative, many of you will probably be very upset by García’s intention to make his Jesus purely a human one. It is essential to our faith that Jesus be fully God and fully man, but don’t let the white, utterly human “Jesus” scare you away or stir the righteous anger in your hearts. Yes, this is technically blasphemous, but more than anything this film paints a picture of the heart of humanity; eternally unsatisfied in the search for a seemingly silent God, finding only satan and mistaking his focus on us as concern or affinity, and looking through ourselves and the people around us to try and see the heart of God. This is the call of those around us who are lost and grappling with the idea of God.
There were several scenes in the film that really stuck out to me as voicing the questions so many have about God. García is quoted as saying that “the movie’s all about [his] own questions,” which comes to light so clearly in a conversation between Yeshua and the Demon. In the conversation* Yeshua asks the Demon what God’s face looks like, to which he replies that God does not have a face. The Demon goes on to explain how God is like a terrifying and selfish mass of existence that consumes you. It violently tears you apart, he essentially says, and then he stops himself before the next few words fall from his lips. Ewan’s performance leads audiences to realize that the Demon was about to talk about how loving that same embrace is. As if it were the most loved as he has ever felt, being in God’s presence. But he quickly cuts off the conversation when he realizes he no longer has control of it.
In this scene both Yeshua and the Demon bear García’s voice, asking what God is like and answering with what he thinks God might be. And while most of us would not agree with him, his perspective of who God is is invaluable to us. He has asked all the questions, now we need but answer them.
Many more could be said about this film, but for now I will leave you with this my brothers and sisters. Do not fear and attack things that may not align themselves with us 100%. Films like these are so important to how we communicate with the world around us, and if all we do is hate them for their inaccuracy then how can we reveal the truth to those around us who so desperately seek it? Go in God’s peace my beloved.
Christian Film Database
*I would just like to say that this is all paraphrased from my own memory, if I got part of this conversation wrong I am terribly sorry.
Last Days in the Desert - 2015, NR
An imagined chapter from Jesus' forty days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis.
Directed by - Rodrigo García Written by - Rodrigo García
Cast - Ewan McGregor, Cíaran Hinds, Tye Sheridan, Ayelet Zurer
IMDB - 6.6/10 Rotten Tomatoes - 93%
In an Entertainment Weekly exclusive, audiences get their first look into the world to Fantastic Beasts. The Potter-’prequel’-period-piece will be opening in theaters on November 18th, 2016.
Entertainment Weekly
Seeking Brave New Worlds - Star Trek Returns to the Small Screen
You heard it right, Star Trek with be returning to television screens, but mostly laptops, and tablets across America. Originally announced as a streaming only series from CBS, they have graciously decided to tease those of us who are not subscribed to their $5.99 online service by premiering the first episode on air as well.
Alex Kurtzman will be executive producing the series, and many are hopeful of his hand in the show as he wrote and produced both of the recent Reboot movies.
The last time Star Trek graced the small screen it was not received well, as it was seen to have deviated too far away from the original intentions of the show. Aware of this, the producers of this new series have promised to get back the the roots of the original Trek.
The brand-new Star Trek will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966.
While the show will be premiering in January of 2017, it is said to be entirely unconnected from Star Trek Beyond which will be released next summer.
StarTrek.com - The New York Times - The Daily Dot - Photo
Warcraft Trailer Tease
The official trailer is coming November 6, 2015.
Austenland (2013)
“I’m single, because, apparently the only good men are fictional.”
FX specialist ruins The Force Awakens trailer by adding Jar Jar Binks to every scene
For all of you out there who say the teaser a few months back and thought, “Where’s Jar Jar?” Finally someone has answered the call.
Digital Trends
Open-world dog survival game Home Free coming to PlayStation 4
Kevin Cancienne the developer working on Home Free has taken to the PlayStation blogs to announce that his upcoming game is heading to PS4.
The 14 Amazons (1972) (this is a sponsored post — for more info, click here!)
“There is no end to our vendetta and no revenge is enough for us.”
There’s a moment early in The 14 Amazons that tells us all we need to know about our protagonists, 14 women of the Yang clan. Struck by an enormous blow — the wartime deaths of all the family’s men save one underage boy — the many widows of the family face the possibility of their clan dying out. But they do not mourn. They do not hide. They grab spears, swear revenge, and head to war. The Yangs will not go out with a whimper.
And when a minister, the emperor’s right hand man, orders them to stop, not only do they refuse to do so, they arrest the minister instead. As they surround him, he shrieks that the penalty for imprisoning him is death. He only shuts up when the elderly clan matriarch steps forward, ornate dragon staff in hand.
She informs him that this staff was given to her by the last emperor. That it legally empowers her to beat down incompetent and corrupt officials. And that she is now in charge.
This 14-woman, 4-generation revenge epic had to be quite a treat for the audiences of the time. The 14 Amazons was the first filmic adaptation of China’s popular Yang clan stories. The Yangs were an actual historical family who were prominent circa 1000 CE. While many of their exploits are fictional — and the story of The 14 Amazons almost certainly falls into that camp — they are beloved mainstays of Chinese literature, film, and theater, and still get regular adaptations even today. Curiously, while many of the better-known Yang stories follow the family’s more famous male-centric history, this relatively obscure female-led story (even the male heir is played by a woman!) was seemingly the first to film.
Knowing the background of the Yang stories only enhances the movie itself, particularly the backstory of the main character, Mu Guiying. In introducing her as a demure wife and mother, the movie leaves out what the audience presumably already knew: that Guiying was an unstoppable asskicker before the movie even started. Her unreferenced origin story, a literary prequel to The 14 Amazons, reveals that she was the daughter of a bandit king, and that she’d forced her husband to marry her after defeating him in battle. As a peculiar form of courtship, she then took control of her husband’s armies and won a war for him, as a sort of dowry for their marriage. In short, Mu Guiying was the baddest lady in China.
And so when the bad guys kill her husband at the beginning of The 14 Amazons, the audience, already familiar with the Yang stories, knew things were about to get very, very ugly.
But make no mistake — this story isn’t an easy victory lap for our heroines. It’s a nasty, brutal, knock-down fight from beginning to end. While contemporary films like Come Drink With Me emphasized grace and style, The 14 Amazons goes for more savage bloodletting. While the gore on display is laughably fake - seriously, it’s not difficult to watch in the slightest - the base idea’s intensity still stands. The enemies are vicious, capable, and numerous. Victories are scratched out in blood.
Unfortunately, the filmmaking style, in covering the rough subject matter, occasionally gets a bit too rocky for its own good. It’s everything you’d expect from 1970s martial arts movies: lots of zoom lenses, choppy edits, and dodgy special effects. Nevertheless, it holds its own on a number of great sequences, particularly one in the middle where Mu Guiying fights an archer so skillfully that he just has to remark upon it.
Regardless of its flaws, The 14 Amazons is a rare species — an action movie team-up where the entire team is women. Although its story has been told many times since in many different Chinese media, it all started here, and it’s worth checking out.
The 14 Amazons can be found at www.itunes.com/shawbrothers and at www.hulu.com/companies/shaw-brothers
This post was brought to you by Celestial Pictures.
Official This Is?: When Non-Canonical Fan Art is Promoted by Lucasfilm
Master Yoda. That badass little green guy we all know and love. Even people who have never seen Star Wars know his name. However, not even the most devout of Star Wars aficionados could tell you the name of Yoda’s race. In “legend-izing” most of Yoda’s backstory there is now even less we can draw from to try and determine more about our favorite tiny green Jedi. However, this curse can be just as much of a blessing, giving fans a huge area of unknown to play about in. But what happens when things that are created within that unknown are showcased and supported by Lucasfilm?
For example, art-awakens.tumblr was created to house a Force Awakens fan art contest run by Lucasfilm. Their page consists of fan art for the new movie, ranging in many different styles and levels of expertise. However, this concept art of Yoda, created by Marco Teixeira, in particular stuck out to me, because unlike every other picture that was a homage to the future film by recreating images from the various other films and trailer, this picture was something that according to Lucasfilm doesn’t exist. Stuck in the blog equivalent of canonical purgatory, where does this promoted yet non-canonical piece fall?
In her blog post, Melanie Kohnen compares the strengths and weaknesses of official and fan produced transmedia. She goes about this by looking at official The Hunger Games ARG (Alternate Reality Game) and the fan produced Panem October. She argues that while the official ARG has more resources to pull from, and is a legitimate source, it is limited to what it can reveal (as to not dip into movie profits) and it “cannot stray too far from ‘canon.’”
“Working within these constraints leads to transmedia elements that focus on exploring places and settings rather than on expanding plot or characterizations” (Kohnen).
Fan produced work on the other hand is free to dabble in the world of possibility, as well as focusing in on characters and their relationships more. However “their creations are not officially sanctioned and often exist in a legal gray area, and they don’t usually have access to the resources that fuel official transmedia” (Kohnen).
“…These divergent sets of constraints in official and fan-produced transmedia enable new and largely complementary perspectives on the world of [the story]. This co-existence is less harmonious when fan productions appear too “official,”…” (Kohnen).
Which bring us back to the art-awakens tumblr and our non-canonical little friend. This tumblr in itself is a meshing of these two worlds. On one hand it is sanctioned and funded by Lucasfilm, but on the other it has been birthed from the minds of fans. Granted Lucasfilm does get to decide what goes up on the blog, but in choosing this particular piece they themselves have blurred the line of official and fan produced by making the fan produced (somewhat) official.
Kohnen, Melanie. “Creating a Spark: Official and Fan-Produced Transmedia for The Hunger Games.” Antenna RSS. N.p., 11 May 2012. Web.
Teixeira, Marco. The Young Jedi Master. Digital image. Artstation. N.p., 2014. Web.
Another blog post I did for my transmedia class.