Daphne Spencer with a Green Scarf - Stanley Spencer , 1953
British, 1891-1959
Oil on canvas, 45.5 x 35.5 cm
styofa doing anything
Jules of Nature
Sweet Seals For You, Always
we're not kids anymore.

JBB: An Artblog!
he wasn't even looking at me and he found me
🪼
Misplaced Lens Cap
taylor price
almost home
Game of Thrones Daily

pixel skylines
NASA

JVL
dirt enthusiast

❣ Chile in a Photography ❣
trying on a metaphor
h
todays bird

blake kathryn

seen from Latvia
seen from India

seen from United States

seen from Australia
seen from United States

seen from Türkiye

seen from Singapore
seen from Australia

seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from Australia

seen from Honduras

seen from Malaysia

seen from Japan
seen from Malaysia
seen from Canada
seen from Australia
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@rbor
Daphne Spencer with a Green Scarf - Stanley Spencer , 1953
British, 1891-1959
Oil on canvas, 45.5 x 35.5 cm
Gabriel Orozco, Galaxy Pot, 2002
Gabriel Orozco, Working Tables, 2000-2005
Gabriel Orozco, Working Tables, 2000-2005
Gabriel Orozco, Continental Chess Games, 2009
Close up of this guy. Second step down is/will be him trudging through a layer of icy snow.
#Dwyer Kilcollin #UCI MFA
Damián Ortega
Auto construccion (Auto Construction) - 2005
forty-five cast concrete elements
#nextarch by @_roomonfire #next_top_architects Aldo Rossi’s unfinished San Cataldo Cemetery in Modena, Italy, is considered one of the first and most important Postmodern buildings. Rossi once declared that “I cannot be Postmodern, as I have never been Modern,” yet his cemetery for Modena displays the strong colouring, bold form and historically referential detailing that became synonymous with the movement. At the centre of Rossi’s design is a cube-shaped ossuary for housing remains and a conical tower that marks a communal grave. Set within a courtyard on the outskirts of Modena, the ossuary is covered in terracotta-coloured render, while the perimeter buildings that enclose the courtyard feature steely blue roofs.
#nextarch by @hangarbicoccaofficial #next_top_architects Damián Ortega | “Zoom” | “Casino” at #HangarBicocca | open today from 11 am to 11 pm #LastmonthDamianOrtega
Philip Guston, Duo, 1961
Mark Rothko, Untitled, 1967, Acrylic on white wove paper mounted on masonite, 652 x 502 mm
KIRIPI KATEMBO
Rene Magritte
Banquet, 1955
Toba Khedoori, Untitled (Mountains), 2002
[Jean Dubuffet. Vegetation (Végétation). 1953]
Louise Bourgeois, He Disappeared into Complete Silence (Plate 8); First Edition, 1947.