Daphne Spencer with a Green Scarf - Stanley Spencer , 1953
British, 1891-1959
Oil on canvas, 45.5 x 35.5 cm
Xuebing Du
Cosimo Galluzzi
Keni
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
🪼
"I'm Dorothy Gale from Kansas"
taylor price
TVSTRANGERTHINGS
No title available
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second

oozey mess

Origami Around
Game of Thrones Daily
Lint Roller? I Barely Know Her
Today's Document

No title available
occasionally subtle

seen from Netherlands
seen from Türkiye
seen from Ireland

seen from United States

seen from France
seen from Netherlands
seen from United States
seen from Türkiye
seen from United States

seen from United States
seen from Malaysia

seen from Türkiye

seen from Malaysia
seen from Malaysia
seen from Ukraine
seen from France

seen from Singapore

seen from Malaysia
seen from Türkiye

seen from United States
@rbor
Daphne Spencer with a Green Scarf - Stanley Spencer , 1953
British, 1891-1959
Oil on canvas, 45.5 x 35.5 cm
Gabriel Orozco, Galaxy Pot, 2002
Gabriel Orozco, Working Tables, 2000-2005
Gabriel Orozco, Working Tables, 2000-2005
Gabriel Orozco, Continental Chess Games, 2009
Close up of this guy. Second step down is/will be him trudging through a layer of icy snow.
#Dwyer Kilcollin #UCI MFA
Damián Ortega
Auto construccion (Auto Construction) - 2005
forty-five cast concrete elements
#nextarch by @_roomonfire #next_top_architects Aldo Rossi’s unfinished San Cataldo Cemetery in Modena, Italy, is considered one of the first and most important Postmodern buildings. Rossi once declared that “I cannot be Postmodern, as I have never been Modern,” yet his cemetery for Modena displays the strong colouring, bold form and historically referential detailing that became synonymous with the movement. At the centre of Rossi’s design is a cube-shaped ossuary for housing remains and a conical tower that marks a communal grave. Set within a courtyard on the outskirts of Modena, the ossuary is covered in terracotta-coloured render, while the perimeter buildings that enclose the courtyard feature steely blue roofs.
#nextarch by @hangarbicoccaofficial #next_top_architects Damián Ortega | “Zoom” | “Casino” at #HangarBicocca | open today from 11 am to 11 pm #LastmonthDamianOrtega
Philip Guston, Duo, 1961
Mark Rothko, Untitled, 1967, Acrylic on white wove paper mounted on masonite, 652 x 502 mm
KIRIPI KATEMBO
Rene Magritte
Banquet, 1955
Toba Khedoori, Untitled (Mountains), 2002
[Jean Dubuffet. Vegetation (Végétation). 1953]
Louise Bourgeois, He Disappeared into Complete Silence (Plate 8); First Edition, 1947.