Dirk Bogarde and James Fox in The Servant (1963)

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occasionally subtle

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Sweet Seals For You, Always
YOU ARE THE REASON
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@reblogenfolie
Dirk Bogarde and James Fox in The Servant (1963)
amis fans…. i will give you ONE (1!!!) grantaire. do not get used to it
A Night of Knowing Nothing (2021) dir. Payal Kapadia
victim (1961) dir. basil dearden
Victim (1961) dir. Basil Dearden
“I stopped seeing him because I wanted him. Do you understand? Because I wanted him!”
“If it was love, why should I want to stamp it out?”
I hate this movie (by that I mean I love it so much I can’t stand it)
leo tolstoy really managed to kill two birds with one stone when he said that not only did sonya never look happier than when she was dressed as a man, which is,,,,, definitely cisgender behavior, but also nikolai saw her dressed as a man and suddenly all his doubts were gone and it was just crystal clear to him that he must marry her, which is,,, definitely heterosexual behavior.
My brother is quite madly in love, he’s quite madly in love with you, my dear…
Denée Benton and Amber Gray in Natasha, Pierre and the Great Comet of 1812//Mary Crawford and Fanny Price in Mansfield Park by Darya Shnykina
a personal favourite bit of dialogue
If you’re cold he’s cold. Give him your communist hat (and everything else).
My first DE playthrough's entire tribunal scene was characterised by catastrophic dice luck. Despite replaying it soon after, this stuck in my mind
very late to the meme, it's been done before but. here. turn on the sound pls
23 / 08 / 2024 🪩🤨
Jean reckons with The Psionic Eyebrow for the first time
“This very process of controlling another person's will was a pleasure, a habit and a necessity for Dolokhov, for it was only in the rare moments of his fits of violence and cruelty that Dolokhov forgot himself, otherwise he was always a cool and calculating man who loved more than anything else to despise people and force them to act according to his own will. He had controlled Rostov in this way, and now he controlled Anatole, among so many others, sometimes merely amusing himself with this control to no particular purpose, as if he were simply keeping his hand in.”
“I know for certain that people should not desire anything, there is nothing to strive for.” He watched a flock of sparrows fly from the fence to the common, and smiled: “But anyway, what can people decide? Everything follows the same ancient laws that made that sparrow fall behind the others and catch up later. So what is it that I want? What? To die? To be killed tomorrow? Not to exist - for all this to exist, but without me?” He vividly pictured his own absence from this life with this wicker fence (he had broken off a stick) and the smoke of the cauldrons, and a cold shiver ran down his spine.
The staging of Pierre & Anatole is giving me uncouth ideas
To be fair both of those attitudes are socially acceptable so I guess we both win