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@refinedreflections
Oh, darlin' baby.. You got me thinkin' about y'a too much. Just want to wreck 'n' rule you all night long.
A sharp, fractured sound slips from Knock Out's intake before he can stop it, lust and desire swelling with alarming force beneath his polished armor and settling into a heavy heat between his legs. Gripping the pillow beneath his helm, Knock Out tugs it free to press firmly over his mouth a second too late, as if softness could smother the fact he is already falling apart.
Heat coils through Knock Out's frame in slow, destabilizing waves, each one seemingly tightening further at the words lingering like shadows. His cooling fans kick in sharply, too sharply, whining in a way that immediately betrays him.
It isn't just the words, it's that he said them.
Wheeljack.
He imagines that rough cadence, that unfiltered honesty, the way he closes distance and leaves no space for Knock Out to recover himself properly afterward. His optics flicker once, unsteady, the words stripping him bare, as though every carefully maintained part of him was built entirely to come apart in Wheeljack's presence. His body reacting as if the Wrecker is standing right there, too close, looking at him and leaving him exposed in a way he has never been able to prepare for.
Knock Out lies there rigidly for a moment, as though stillness might restore order. It does not. Every thought he tries to piece together collapses back to the same impossible center: Wheeljack's voice, Wheeljack's effect on him, the vivid, imagined weight and feeling his strength as he forces him relentlessly into the berth.
'You don't know what you do to me,' he realizes distantly, the thought feeling less like analysis and more like surrender.
His grip tightens briefly against the pillow before loosening again. Slowly, agonizingly, the other servo trails down his chassis. Knock Out shudders visibly as his talons tease against the beading wetness already slickening the seams of his codpiece. Submitting to the surrender, too far gone to keep pretending he hasn't been entirely undone, he allows the panels to shift and transform away.
Stifling a groan, he circles his talons over his anterior node, clinging to those menacing words ( wreck 'n' rule ), trying to build a rhythm, trying to chase the charge from his circuits in a desperate attempt to regain some semblance of clarity. But it's useless, his own touch a poor substitute.
It isn't his own servos he wants driving him to the brink of a crash; he wants him.
Nothing about him is functioning the way it should.
After a moment, Knock Out exvents shakily, allowing his servo to fall back to his side. He pulls the pillow away just enough to let cooler air cycle against his faceplate. Slowly, he lifts a servo unsteadily to his helm, talons pressing there like he can physically stop the fracture spreading through his composure.
Then, he activates his commlink. Waits for the call to connect.
"I can't stand this," he says, voice roughened, too honest to be anything but a breaking point.
He listens to the silence.
"...I need you, Jackie," he admits, quieter now, static breaking his voice. "P̵l̶e̵a̵s̴e̸.̴"
Just a darlin' lil' dream you are.
The words curl around his spark with unbearable ease, infinitely more devastating than the last.
Pressing the back of his servo against his mouth, Knock Out feels his armor platelets flutter as he fights down a surging charge threatening to spread everywhere at once. He can practically hear the rugged affection in that voice, casual and earnest in the way it slips beneath his plating before he has a chance to defend himself against it.
Slowly, Knock Out reclines further into the berth, thighs parting instinctively as his helm tilts back against the pillows. His optics shutter briefly, expression caught somewhere between exasperation and hopeless adoration.
"You're going to be the death of me," he murmurs under a vent.
What're some things you like bein' called in the berth, sweetspark?
The warmth that flashes through Knock Out's circuitry at the endearment is immediate and profoundly irritating.
Sweetspark. The name settles deep beneath his plating, warm and penetrative in a way that sends static prickling unevenly through his field. Dangerous.
Either someone ( Knock Out has his suspicions, can imagine a certain voice roughening around the edges ) is very confident, very determined to ruin him, or some catastrophic combination of both. A soft exvent slips from his intake as he reclines more fully across his bed, the polished silver of his talons tapping idly against a thigh as he considers the question with perhaps far more seriousness than he ought to.
The embarrassing truth is that he has thought about this before, far too often lately. About praise whispered low and intimate against his audials. About what it might feel like to be wanted with enough certainty that the possessiveness stopped sounding like teasing and started sounding genuine.
Knock Out blames the increasingly vivid dreams. The useless fantasizing.
Beneath the mask of his vanity, a slow smile curves across his face as he chooses to indulge the inquiry. "I tend to appreciate anything that sounds possessive when said with enough conviction," he admits.
Tilting his helm slightly, something mischievous flares through his optics. "'Mine' has a certain appeal to it."
The admission sends a pleasant little shiver down his spinal strut. Knock Out can already imagine the sort of tone he would want attached to the word: confident, certain, spoken like a claim rather than a question. "So do 'good girl,' 'brat,' 'kitten'..." The smile along his mouth softens into something warmer, more sincere. "...and 'beautiful.'"
That one affects him differently, not because it is particularly scandalous, but because being called beautiful requires a kind of attention he finds difficult to dismiss. It implies observation. Admiration. A lingering fondness capable of reducing him to a flustered, overheating mess far more efficiently than outright vulgarity ever could.
Another quiet pause follows before he adds, voice lower this time, "Especially when paired with praise."
His talons drag lightly against his thigh, slow enough to suggest he isn't entirely aware he is doing it. "Tell me how good I'm being for you. How good I make you feel."
The words leave him softer than intended and Knock Out immediately hates how honest they sound.
Yet, he continues anyway, optics half-lidded as a dangerous warmth settles over his frame. "Call me your baby, your doll, your princess..." his engine gives a faint purr, "...and you may find I'm willing to become yours far more completely than either of us anticipated."
How revealing does he want to be with this.
Go a lil' deeper.
Knock Out stills mid-motion, the popsicle still partway down his intake when the suggestion appears across his HUD. For a moment, he simply looks at it, then his expression softens into one of teasing amusement.
Though not entirely sure who is watching, Knock Out nudges the popsicle a little deeper, chilled energon melting along his lower lip before dribbling down his chin in a thin, shimmering line.
Slowly, he eases his helm back, tongue tracing along the underside of the popsicle before swirling lazily around the tip.
"Mm. Pity it isn't a bit bigger."
He moves to wipe the energon from his chin with a digit, licking it from his talon. "Then you might actually be able to see just how well I take it."
...Deepthroats a popsicle.
.....more
THE TEXAS CHAINSAW MASSACRE 2
//genuinely forget half the time 'spike' and 'valve' are the terms to use. KO would definitely call his parts 'dick' 'pussy' 'cunt' 'cock' 'bussy', tho.
Intricate, heavily detailed biolight patterning is a huge turn on for him. I imagine the biolight design peaking out from his arm is also carried over onto his array. He also has deep, navy blue painted on the reverse of his plating where he felt it aesthetically appropriate, just as a nod to Breakdown. He doesn't believe anyone will ever get that close to him to notice, so he's confident his secret is safe.
All Bulkhead has to do is vent in his direction and he's immediately soaking wet and hard.