Reflected Splendour

[reflectedsplendour]

Sometimes I actually can’t.

[untrustyou]

19 - 19

Eduardo M. Márquez

[pitcyanide]

Pattern by William Morris.

[paradvx-deactivated20180412]

[homie--sapien-deactivated201605]

[the60sbazaar]

Ballet boys photographed in their Harlem dance studio (ph. Eve Arnold)

[horrorgorewhore]

[artruby]

Douglas Coupland, Pacific Trash Gyre series (2016) – on view at The Armory Show.

[reflectedsplendour]

I could murder you right now, and no one would ever know.

Queen of Earth (2015)

[tristamateer]

I’m sorry for what this has been, this dirty love-making, pulling you through the mud just to see you leave a stain on something. For the teeth never knocking against each other but always grabbing ahold of something. For the tired eyes and sore throats, chipped voices, bad lines. The begging and the leaving and the coming back to leave again. I’m sorry for the poems. All the shouting I did about your mouth.

“All Those Coffee Cup Metaphors My Editor Complained About” Trista Mateer  (via tristamateer)

[archimaps]

Inside the Vestibule of the Sorbonne, Paris

[martyreater]

Saint Sebastian, 17th century ivory.

[reflectedsplendour]

Chet Faker & Marcus Marr - The Trouble With Us

[untrustyou]

Michael George

[design-is-fine]

Matchbox Label Hanseaten Kaffee, 1967. Edeka, Germany. Via flickr

[ashsevan]

[mark-zane]

FASHION Mark Zane

[reflectedsplendour]

WANT.

[artruby]

Pace Art + Technology and teamLab present Living Digital Space and Future Parks: an immersive and large-scale, site-specific installation.