Hello, I'm Ahmed, 23 years old. I was studying computer science at the Islamic University in Gaza before the war. I aspired to build a brigh
Hello friends, I thank you very much for your continuous support, but right now I am in urgent need of you and your help. We are now in the holy month of Ramadan, which requires a lot of expenses, and there has been a significant rise in prices.
I also need to pursue my dream after losing everything. I need your support greatly—I need more than $1,500 to pay my university fees so I can receive my certificate and apply for scholarships.
You can find the images below the post.
Therefore, I am in great need of your help. I support my family, and at the same time, I am trying to achieve myself and continue my education.
My niece is unconscious in the ICU due to severe anemia, which has led to blood loss, weakened breathing, and loss of responsiveness. I will not forgive anyone who ignores my post and continues scrolling without sharing it.
I stand by her side, watching the machines breathe life into her. I feel like I'm losing her little by little, and I'm powerless to stop it. Is there anyone who can help me save her?
The moment we have all been waiting for in space/odyssey au! The reunion~ muehehhehhehehhehhhehe~
Norton has like zero memories before waking up like this. Even hearing his name doesn't ring much of a bell. But 'a golden woman' has been in his mind ever since he regained consciousness ;;
He doesn't know what he is feeling or has been feeling out there all alone he just knows that it aches ;; Alice will help him put the right word to this ache, that she is curing for him. Curing his loneliness ;;
(he can change size and this is the default size cause anything bigger like his actual fallen star self would be impossible to draw with regular sized alice lol)
I saw someone with a little miss nightingale pet/companion and I SQUEAKED and went to draw this as soon as I could 👀cause OBVIOUSLY my mind went to Miss Nightingale/Alice going into this form to help keep the babe safe when he has to go survivor mode LOL
An analysis of Ganji's Portrait, what it means, what it implies, and a little on shadows in IDV Portraits.
Like the Percy Letter, this portrait was offered to me by my little bird, so the size and quality is the best I can offer.
The Clues
Moonlight pours over him as stands between silver radiance and shadow. Across from him lingers the dream of home. On this side, he has nowhere to return to.
Ganji's motivation for arriving at Oletus Manor was to obtain a new identity and return home (Ganji Character Video, Tenth Deduction). Previously, when he had tried to escape under his own identity, he had been apprehended. Additional, given the implication he killed Duke Elgin, it would be exceptionally difficult to smuggle himself out without being noticed. He needs another way and Oletus Manor offered it.
His brow is often furrowed, his lips pressed into a thin line, as if an anger he cannot release burns within his chest.
Ganji is seen as an angry character by the other participants, due to having mania and impulse control struggles (possibly adhd, autism, both, or something else), but it's also a denial of righteous anger, the context of anger. Ganji was a gift, an object, a "companion," a tool to be used for praise or for spice (or "spice." Delphi?), and when he wasn't that, he was a threat (Ganji First Letter).
Ganji's anger was policed when it became obvious. When he had be arrested under a dubious allegation, then detained on Duke Elgin's request, Ganji's pyrophobia resulted in him being thrown in the dungeon. The guards were unable to handle mental distress. The writer advised sedation to control him, but Ganji escaped, at the cost of medical records highlighting his homesickness, and what few reminders of home he had. Ganji was medicalized, his homesickness, his fear, his mania a burden for his captors. It could be anything but something justified (Ganji Second Letter).
This anger is associated with fire. Fire was what Ganji used against Duke Elgin and the Duchess who kept him from home, except Elgin's son whom he spared. Fire was what would kill Ganji when yet again he was something to be contained, uncontextualized. Encouraged by the Manor Staff, but that is not the same as causing it.
Worn bright by use, the bat carries the weight of sweat and passing years. Far from home, it is the only thing he can cling to.
Ganji's bat is both the reason why he's far from home but a reminder of how he could return, too. Ganji was taken from India because of his skill in cricket, a trophy of the civilizing effort of Britain. Ganji, of course, resisted this. By any means necessary.
But it didn't get him home, it only brought him to Oletus Manor. He lost every other piece of home, such as his communications to his mother, his proof that his suffering was real. It is an anchor for him, a way to retain his stability even as Delphi worsened his fears (Ganji Third Letter). If Ganji were to get a Hunter Swap, it's likely he would retain his bat as his weapon due to its significance to him.
He is taught with strain, like a beast forever poised to strike, yet also like a man wrestling the flames that would consume him from within.
The "beast" refers to how Ganji portrays his relationship to cricket against the British Empire in his Character Video. Ganji is portrayed as a ram while the Empire (and Duke Elgin) are represented with a wolf. Because sport was used as a symbol of civilization and imperial supremacy, beating a colonizer at the sport they introduced was an act of resistance, signifying that the colonized were more civilized than the colonizer. Ganji's complicated relationship with cricket, one of both internal and external struggle, ties to the history of cricket in India.
This ties into a greater theme of injustice or aristocracy being associated with wolves in IDV. Emil was severely abused to fight in a dog ring and, even afterward, was never entirely not treated like an animal due to systemic ableism, so IDENTITY Swap is a werewolf. Frederick is portrayed as a werewolf and potentially the "rising star" of the eugenicist Kreiburg project, until he leaves out disgust for the Kreiburg method. Dogma, who is framed by Philippe to be an aberrant killer due to her gigantism, is portrayed as a wolf. When something is wrong, both the victims and the perpetrators can be wolves.
The flames of Ganji's anger both call back to his complicated relationship with fire, his past, but also his fate, to be burned himself, murdered by Annie and Ganji. They call to a divergence between the internal and external self, too...
A corner of the paper is charred black, and the writing is hard to make out. What remains suggests it was once a medical report.
This harkens back to Ganji's Second Letter, where he had a medical report detailing the cause of his "impulse control disorder": he was desperate to go home. Ganji's mental illness, like almost every mental illness, was worsened by a stressful situation, which Ganji was trapped in. He would be trapped in it again in Game 3-1, where context was deliberately removed by the Manor Staff to see what would happen.
Like the other. Game 3-1 is heavily comparable to Game 9, where every character could understand each other, yet they didn't, which aided in the efforts of one participant to kill the others. For Game 3-1, part of the cause was the confirmed (or implied) autism of each of the characters, part of it was the letter communication system tampered with by the Manor Staff, and part of it were unconscious biases like xenophobia, sexism, and ableism. Anything that could have averted this, could've added communication, context, such as medical records, had to have been burned by both Manor Staff and the cruel hand of fate. The audience deciphers the ashes.
A Message
Ganji Gupta once treated every swing as a defiance of fate. But when the promised shore of his ideals dissolved in fire, he could not change the path of even a single ball. Even now, he stands beneath the moon, bat in hand, gazing forward as though waiting for one more chance to return home, to the land where he could finally rest without fear.
Ganji had fought so hard to escape his face, only to watch it burn away, an uncontrollable wildfire. Still, he watches and waits to attempt to defy again. We see the relationship between fire and the ultimate attempt to change one's fate, as we have seen with previous characters such as Matthias, Frederick, Florian, Sangria, and more. Something that interests ms is the continued use of present tense to refer to Ganji. On one hand, even with the implied "Manor Realm" post-game, no one barring Orpheus is implied to have survived Oletus Manor, even some characters with confirmed eliminations who have present tense portraits. On the other hand, some characters who were eliminated have portraits in past tense. So, what is going on there?
The most notable thing to bring up is that Ganji's Shadow depicts him as burning alive, either from the fire within himself, or from his murder via Annie and Aesop. But it could represent something else...
Could this mean Ganji's going to get a Hunter Swap?
Possibly.
There has been a theory since the first character portraits in 2023 that the shadows of character portraits predict whether they have a swap. So far, the majority of characters with ID Swaps have unusual shadows, with their Survivor in the foreground and Hunter in the background. Characters with unique shadows such as Joseph, Robbie, Vera, Burke, Ann, and others are predicted to have ID Swaps under this lens.
But, with the confirmation Galatea is obtaining a Survivor Identity, we see that the "shadow theory" is partially broken. Galatea doesn't have a shadow in her Portrait and is instead sculpting her younger self. Some other characters with abnormal shadows, such as Joseph Desaulniers, have shadows that reflect a truth about them, but not necessarily a truth that'll be reflected as a playable character. Joseph, for example, has his pre-Photo Ritual self as his shadow. Given his video showing how he arrived at Oletus, I doubt we will receive his pre-Ritual self as a playable IDENTITY (Joseph Character Video).
So instead, I think we need to look at shadows from the idea that they could be a sign. They could also reveal something else. Something like the fate of a character, such as Kreacher's scarecrow, or something about their true nature, like Antonio's demon horns. In cases of characters with imminent events (Mike) or already-revealed IDENTITY Swaps (Joker, Luchino, FG, QB) or both (Emil), they most likely represent the IDENTITY Swaps, but Galatea shows a character without a true shadow can obtain an ID Swap. Combined with characters receiving a Second Portrait for their 10th birthdays and it's possible some characters will receive Swaps after their initial portraits.
There has also been debate as to whether Annie will receive a Hunter Swap, but this doesn't disqualify Hunter Ganji. So far, non-Da Capo games have followed a "Two Swap" rule, with one Survivor and one Hunter. Weeping Clown and Hullabaloo, Herztier and Survivor Galatea. Considering there are no Hunters in Game 3-1, there would have to be two Hunter Swaps instead of a Survivor-Hunter Swap. Aesop's surprisingly comfortable with his identity issues and Victor seemingly lacks the character arc to create an ID Swap.
While rewrites to Ganji's Third Letter have made to soften their relationship (look at Weibo responses on his 3rd birthday and before), Ganji and Annie's relationship is adversarial, worsened by issues between themselves such as Annie's fear of men, systemic biases, their drugging with Delphi, and sabotage created by the Manor Staff. Something I've noticed with the previous two and upcoming "Side Story" Swaps is that they feature characters on "opposite sides" of the story. Mike seeking justice, Joker the hidden culprit. Galatea the corruptor of Helena and ally of Roy Kafe, Emil implied to know more than anyone assumed of him, perhaps even deliberately sacrificing himself (alongside being trapped in the statue, still alive, by Helena). Oletus is like a play. Ganji and Annie could potentially fit this dynamic, since, even though there were manipulators like Aesop (or Roy in Game 0), it's about the dynamic. Joker was Mike's foster brother, in a way. Galatea and Emil two pets of two different, twisted love stories. The two could fit.
However, it would be the first time in a Side Story where both IDENTITY Swaps are eliminated before the end. Mike and Joker eliminate themselves at the end of the game, while Emil is seemingly killed midway (given Galatea's Second Letter, there's a worse alternative), while Gala lasts to the end, likely to meet her demise from the Manor Staff's hands (potentially Helena or Roy instead, but Roy is possibly Manor Staff). If this pattern were to continue, the ID Swaps for Game 3-1 must include either Victor or Aesop.
