We all had the same reaction hearing Charlie sing didn’t we?
✨ it's Charlie's laugh for me ✨
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@reidssmiile
We all had the same reaction hearing Charlie sing didn’t we?
✨ it's Charlie's laugh for me ✨
~Masterlist~
“What the hell did you think was going to happen Charlie?” You shook your head at your boyfriend who sat in between you and Owen on the plane.
“I didn’t think they would want to check me.” He put his hands up in defense.
“Why the hell wouldn’t they check you for possession of weapons?” You furrowed your brows.
“It was a pocket knife!”
“No!” You shook your head. “That’s considered a weapon, Charlie!” You exclaimed, face palming. “Did you really think they’d just let a crazy crackhead pass with a pocket knife in his sweats?”
“Well when you say it out loud…” Charlie chuckled.
“That was hilarious.” Owen chuckled at your bickering.
Keep reading
I need a part 2 pleaseee
helpful tips for writing
so a lot of nonnies have been asking me to help them by sharing my tips and a lil advice when it comes to writing, so here it is!
psa: i am not a professional writer. what works for me will not work for everyone. how i write, and how i express myself through a scene may be entirely different than what you do. that's ok, but i just wanted to share what works for me. enjoy!
feel free to reblog, add on to this or whatever. please read all the way through if you don't mind!
writing angst/emotional scenes
honestly, this was probably one of the hardest things to write. to be able to capture and properly project an emotion or feeling into a scene is something it took me a while to get used to.
something i do to help, is try to imagine myself in that scene. what the characters would he feeling, how they would express themselves/react to a certain phrase/action. maybe a description of the area around them. really try to set the mood for whatever feeling is being added into a scene.
i would also try to keep dialogue either very abrupt or rambly depending on what you're trying to convey. frantic cries or maybe soft mumbles that caused an abrupt pause in the room. either emotional numbness, deadpanning looks or even nervous, sobbing, and audibly upset conversations.
i would try to stray away from describing the room or the characters a lot. it's going to help place the setting and stabilize the emotional aspect, but you don't want it to stall the scene or make it feel scratchy in a way. you want it to flow, but have it be dramatic as well. it's all about finding a good balance.
fluffy/romantic scenes
everyone i know is a little bitch for cute and adorable scenes, so these fics are definitely very popular amongst fandoms of any kind.
fluffy concepts are cute, but have fun with it! no one wants to read the same "they smiled at eachother and fell asleep" bullshit everytime. make it unique! give your characters the soft moments in between the tickle fights and the playful banter.
romantic fics are so goddamn amazing. giving your stories a plot line and a dynamic between the characters is so important, i can't stress it enough. the vocabulary especially. express their feelings of pining and heartbreak through words that will strike a cord in the reader. make them feel what their feeling. write the hell of out of a scene if you feel that it's too important just to skim over. write a paragraph explaining the immense feeling of absolute dread having the reader see them with someone else. give them a rollercoaster ride.
if you're writing a fic that inevitably ends in heartbreak, foreshadowing is always great. at least warn the people before you go breaking their hearts. i guess this could also apply to the angst section, but just make it yours. make a scene that sticks with you and makes you feel like you're heart's breaking in half too. make it feel like their world is torn apart. or maybe don't. make it feel numb, nothing at all. express the absolute emptiness they feel afterwards and even during the scene. make it frantic, slow, fast, easy, quick; whatever fits the narrative you're working with.
series/multiple parts
god, slowburn is fucking amazing, but only if you do it right. when they're fast and rushing into it before they even know what they have together is also amazing. but only if you can play out the feelings and adrenaline rush correctly.
slowburn. it's a bitch but we all read it anyways, and here's why: it's the absolute pining and want and need for each other that we all crave in some way or another. the feeling of being so completely immersed in someone to the point of breaking and spilling everything you have into the open is such an amazing concept to write about.
so i would suggest to write the tension. make the reader feel the air between them lighting up but never feeling like you can do anything about it. make it feel almost hopeless in a way. write the frustration and the anger in their movements. the built up pension coursing through their bodies; make it feel like as though it's a half of their heart missing and they need it because they've never had it before.
rushing into things. young love, i'm pretty sure? completely disregarding everything just to be with that one person, over everything else. feeling on top of the world before they even know what the world is. it's a beautiful peace of life, and also very heartbreaking.
most in-real-life instances such as these often end in heartbreak and dispair, a tragic loss of a flame that burned out too soon. writing this is very interesting, only because the initial spark of meeting is the stressing point.
the electricity that sparked their hearts and chest into overdrive from a simple touch burned into their heads that they were in love. the rush and adrenaline ride of the high was the best part. then they crash and burn.
its an interesting dynamic and its one a lot of writers spin in their own way. if you wanna make it last though, find a different starting point along the way. maybe a young, gracious warmth fluttered through their chests, or maybe it was nothing but a smile that absolutely melted your thought process.
beating writers block
honestly, i've never found a single thing in this whole world that always gets me out of my writers block. it's never easy, and it's always different things that provoke it.
sometimes i'll just take an off day for myself, and i'll completely detach myself from the writing. i wont think about it, i wont talk about it, and i wont even open my laptop to look at it.
i'll do a spa day, i'll get my nails done, put on a facemask and watch stupid lesbian romcoms all day. the choice is yours, really.
and i'll read. god i'll read a lot. when i read beautiful work, especially poems, i instantly feel a pulling in my chest to do the same thing, so that maybe i can make someone else feel as inspired as i am right now. it's an amazing feeling, and if you don't do this i would highly recommend it.
sometimes i'll watch the movies/tv shows i'm writing about, depending on your fandom or whatever. i'll look for new concepts, little details to explore and that often helps me find tranquility in my work.
i eat, cook, and sleep a lot during these times. i mostly write at night, so being able to have a nine hour night of sleep is quite the shocker to wake up too. i feel refreshed, and often times it helps me as a boost to my creativity.
all in all, i would try to find whatever works for you. it's important that you realize not everything that i do will work, or even help ypu in the slightest, and vice versa.
take care of yourselves, and happy writing y'all!
girls, am i right?
i just had a stroke of actual genius
reids reaction to being propositioned by a sex worker in front of his work dad is the best scene in all of 15 seasons actually
I did a thing
julie and the phantoms: favourite luke lines
Imagine a buzzfeed unsolved and harry potter cross over where Shane is the chosen one and does not believe in magic.
"Hey there death eaters, it's me, ya boy"
"FUCK YOU VOLDEMORT"
"I'm dancing in your forest. It's my forest now! If you want me out you're gonna have to kill me"
THE SOUND WHEN HE FELL HELP I CANT BREATHE
He really said " aight imma head out "
[1x17 / 15x9] aka fifteen years later and still unable to use chopsticks, reid finally got his fork
october 12, 1970
reid and morgan’s reactions when penelope was talking about alex blake and alex was right behind her are SENDING me
Spencer Reid: Literally just thinking
emily prentiss + sideways belt buckles™ pt. 1
Matthew Gray Gubler in quarantine (via Make-A-Wish)
it’s fine everything is fine he’s just so fucking cute and i’m going to cry
i adore (one) man