M A R S

Don’t depend too much on anyone in this world, because even your own shadow leaves you when you are in darkness.--Ibn Taymiyyah

[luckynein]

You are not a traitor to women. You did not “become the enemy”. You are not letting women down by being your gender. You do not have to “make up” for being a man. You don’t need to make yourself smaller and quieter. You didn’t “join” the patriarchy by transitioning.

[saranghwa-deactivated20190606]

new ask game: instead of telling me why you followed me, why haven’t you unfollowed me?

[somecutething]

[deliciouspirategod]

She’s the guardian of the beach. She protects it from the evil human minds cannot comprehend

[thefingerfuckingfemalefury]

THE SAND GUARDIAN

GUARDIAN OF ALL THE SAND

[sheyzeyyy]

POSEIDON QUIVERS BEFORE HER

[thefingerfuckingfemalefury]

Cat: (MEOWS ANGRILY AT THE SEA)

[lilithyanstuff]

@deadcatwithaflamethrower

[splatterfilm]

i did the thing THIS WAS FUN IM SORRY

[isometricperspective]

[aboutrwbygames-blog]

Class Zero

[remimiprimus]

I want to do my own eyebrows, however I don’t know where to start

like I make the dots in the appropriate places, but where do I start???????????

[hearts-hunger]

not to be positive on main but sometimes things really are ok. sometimes you really will be happy and safe and warm. sometimes you really will be giggly and blushy and full of love. sometimes the night is chilly and your home is cozy and your tea is perfectly steeped and your phone lights up with a message from someone you love. sometimes life really is quite lovely.

[greycity]

decade in a year: [8/366] the chaser (2012) by infinite — “Protect her, so she won’t forget me. I will go all the way to where my person is. My heart is like this, I only know one thing. So, even if it bends me and it hurts, I will love you.”

[heythatsmyleg]

[diddi-p]

this gets funnier with each passing year

[thenatsdorf]

Who needs a mouse when you have a desk weasel. [source]

[zahnegott-lives]

god hes so SMALL

[trolltwink]

@kaldicuct

[kaldicuct]

Dawww

[nunyabizni]

@supreme-leader-stoat

[parentless-suggestions]

Someday I will have my own place. My world won’t be confined to my room. I will stumble sleepily through the house in the morning, opening the blinds. I will sit out in the backyard and look at the stars. I will go out whenever I want to. I will survive long enough to have that.

[remimiprimus]

. 

[jinv]

peak devastation

[extremelycursedimages-moved]

[awholevarietyofstuff-deactivate]

What sort of goths are coming to this SubWay

[remimiprimus]

@gordon-pint can u confirm?

[vital-information]

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hayao Miyazaki

[tyviia]

Karnaca calls with a shining bay And high on the cliffs, the old trees sway