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@reybabar
There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain.
Central, Hong Kong 2017
soy bonita
que se sepa
Wanchai, Hong Kong 2015
aldoiram.tumblr.com
Central, Hong Kong 2016
Tai Koo, Hong Kong 2016
Claude Fayette Bragdon
Matthew Trygve Tung - Henniker Point, graphite and gouache on paper, 30x40", 2012
Subscribe to The Architectural Review for £1/$1.5 a week
Katrien De Blauwer; from the series ‘Without’
Albarrán Cabrera “The Mouth of Krishna”
Japan, 2013. #243. Pigments, gampi paper and gold leaf.
Brett Weston
Tin roofs, Mexico
gelatin silver print
1926
Veneza
Tiny Intricate Treehouses for Houseplants
Los Angeles–based artist Jedediah Corwyn Voltz is a prop-maker for TV and film by day who has a charming side business making tiny treehouses for potted bonsai trees, cacti, and succulents.
“Building miniatures for stop motion always leaves me with a huge bin of scrap balsa, basswood, various fabrics, etc. and I found myself making little fantasy constructions out of that stuff during my downtime,” Voltz told The Slate in an email. “Those little scrap forts led to me building some more serious ones in little diorama settings, and last year I built my first living treehouse.”
The tiny treehouses will be on display (and for sale) at L.A.’s Virgil Normal starting April 23. Voltz is available for commissions in L.A. and is developing DIY miniature treehouse-making kits that he hopes to make available next year. Check out more of his work here.
Images and text via gifs via
“Me gustaría que hubiera lugares estables, inmóviles, intangibles, intocados y casi intocables, inmutables, arraigados; lugares que fueran referencias, puntos de partida, principios: Mi país natal, la cuna de mi familia, la casa donde habría nacido, el árbol que habría visto crecer (que mi padre habría plantado el día de mi nacimiento), el desván de mi infancia lleno de recuerdos intactos… Tales lugares no existen, y como no existen el espacio se vuelve pregunta, deja de ser evidencia, deja de estar incorporado, deja de estar apropiado. El espacio es una duda: continuamente necesito marcarlo, designarlo; nunca es mío, nunca me es dado, tengo que conquistarlo”.
Georges Perec, Especies de espacios
"I wish there were stable, unmoving, intangible, untouched and almost untouchable, immutable, rooted places; places that were references, starting points, beginnings: My homeland, the cradle of my family, the house where I would have been born, the tree that I would have seen grow (which my father would have planted on the day of my birth), the attic of my childhood, full of memories still intact... Such places do not exist, and as they do not exist, space becomes a question, it stops being evidence, it ceases to be included, it is no longer appropriate. Space is a doubt: I continually need to mark it out, designate it; it is never mine, it is never given to me, I have to conquer it."
Georges Perec, Species of spaces