mom pick me up i’m scared. people are hating on lily evans
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@rfty67
mom pick me up i’m scared. people are hating on lily evans
because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
.... and people ask us why masking is so difficult.
7th year Jily, eye fucking hanging around in the common room after a Gryffindor’s match.
[instagram @potterbyblvnk]
I know we’re all aware of how amazing @blvnk-art is, but I’ve gotten to the point where I can’t imagine James as anyone other than their James. He hits harder than Lily for me, for reasons I don’t understand.
literally where in the world are people getting “sirius only cares about his friends / his chosen few and no one else”. this is fanon. there is nothing in canon to indicate this. canon sirius as an adult is nice to molly weasley and comforts her about percy despite their differences. of course, adult sirius is very different from teen sirius, but young sirius as an eleven year old moves over for lily at the sorting despite having just met her (and made fun of her!). and given his breaking away from his family, i think he’s very open to getting to know other people to hear different perspectives, especially muggleborns. sirius cares about people a lot and that is fundamental to his character.
also, how could i forget - MADAME ROSMERTA!
The way he had tea on everyone in the cave showed he cared about more than just his inner circle (even if that was just observational).
There's something very Victorian about Rowling's characters, and I actually think a Victorian reader would understand them a little more than we do -- and expect less from them. The characters are not just Victorian in who they are but in the social positions they represent. The Dursleys are a satire on middle-class airs that could have been pulled straight from the pages of Punch. As the warm-hearted matron of a large brood, Mrs. Weasley embodies all the solidity of an idealized working class. And Lily is a model for all gentlemen's wives, the household angel who brings out the best in her husband. Almost all of Rowling's characters could be straight out of a Dickens novel -- Harry too, of course, who's just the latest in a long line of noble orphans (I imagine that Victorian readers would never expect Harry to be anything but noble. Orphan or not, he is, after all, the son of a gentleman.)
In terms of social mores, the mores of the wizarding world seem to mirror those of Victorian times. Everyone is just exactly what they're supposed to be, and no one ventures outside of that or even thinks of doing so. It's unimaginable. In a lot of Dickens' stories, characters who try to move up the social hierarchy are either portrayed as ridiculous or wind up in some tragic circumstance. Rowling isn't writing with any sort of moral instruction in mind, so she doesn't bother with these scenarios, but it's obvious from the scenarios we do see that the wizarding world is far less socially fluid than our own. It's always made me wonder why anyone would want to stay in the wizarding world at all. Why would anyone, especially someone with supernatural abilites, want to stay in a world that seems as rigidly defined as the wizarding world does?
via Oselle & Sistermagpie's discussion in this archive thread discussing whether Rowling's female characters are 'cardboard cutouts', from 2007
Eileen Prince
I'm relentlessly curious about how a witch from Slytherin, a house that values cunning and ambition on paper, and bloodlines/nobility in its culture, ended up living in a muggle slum.
Unfortunately for me, she's a barely mentioned character written by an author who consistently fails to portray female characters with depth or dimension. The women in Harry Potter are portrayed as either maternal or villains, or, in Ginny Weasley's case, as redeemed by their masculine traits (because Rowling's Thatcher era feminism dictates that equality for women = emulating patriarchal ideas of manhood). About as much as you can expect from an author who's as unable to acknowledge the personhood of trans women as she is to write women as actual people. This leaves a lot of room for interpreting or delving into what Eileen Prince's life may have looked like, and how that would have affected her son's development.
There are three direct mentions of Eileen in the text :
“The picture showed a skinny girl of around fifteen. She was not pretty; she looked simultaneously cross and sullen, with heavy brows and a long, pallid face. Underneath the photograph was the caption: Eileen Prince, Captain of the Hogwarts Gobstones Team.”
HBP Ch. 25
“I was going through the rest of the old Prophets and there was a tiny announcement about Eileen Prince marrying a man called Tobias Snape, and then later an announcement saying that she’d given birth to a" “ — murderer,” spat Harry.
HBP ch. 30
“Harry looked around: he was on platform nine and three-quarters, and Snape stood beside him, slightly hunched, next to a thin, sallow-faced, sour-looking woman who greatly resembled him.”
DH Ch. 33
(Shoutout to Harry James Potter, who didn't recognize Eileen's fifth year photo despite her resemblance to Snape, the teacher whose classroom he got his used Potions book from. Shoutout also to Harry James Potter who didn't connect the dots between the Prince's handwriting and Snape's, a teacher who regularly wrote instructions on the board. "I needed to make the plot work, ok?" - JK Rowling, probably.)
Other relevant excerpts:
“Snape staggered - his wand flew upwards, away from Harry - and suddenly Harry’s mind was teeming with memories that were not his: a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner ”
OoTP Ch. 26
“Harry delved into his trunk and pulled out his copy of Advanced Potion-Making before getting into bed. There he turned its pages, searching, until he finally found, at the front of the book, the date that it had been published. It was nearly fifty years old.”
HBP Ch. 16
Supplemental material re: Gobstones from JK Rowling:
"...it remains a minority sport within the wizarding world, and does not enjoy a very ‘cool’ reputation, something its devotees tend to resent. Gobstones is most popular among very young wizards and witches, but they generally ‘grow out’ of the game, becoming more interested in Quidditch as they grow older. ... Gobstones enjoys limited popularity at Hogwarts, ranking low among recreational activities, way behind Quidditch and even Wizarding Chess." [There's an additional sentence on the Harry Potter wiki's Gobstones page: "...it is also known as 'the thinking wizard's Quidditch.'"]
A few conclusions can be drawn from what little information we're given about Eileen:
She's described as "cross and sullen" around the age of 15, and as "sallow-faced, sour-looking" when she's older.
She's captain of the Gobstones club around her fifth year, so she likely marched to the beat of her own drum - given that Gobstones isn't particularly popular - and owns it proudly enough to take, or even seek out, a leadership role.
The sport is described as "the thinking wizard's Quidditch" which would imply Eileen was more interested in intellectual challenges and was clever (and can be paralleled with a young Severus' comment about "if you'd rather be brawny than brainy" to James Potter when they first meet on the Hogwarts Express).
Her marriage and the birth of her son are both announced in the paper, which might mean the family she came from was of some importance or note, or perhaps something else... but we'll get to that.
If we assume that Severus' secondhand copy of Advanced Potion Making was originally Eileen's (reasonable, though there is no textual evidence) then its publication date is likely around the time she was a sixth year, given that this particular text was specific to students beginning to prep for N.E.W.T. exams. Harry begins his sixth year in 1996 when the book is "nearly fifty years old," so we can assume Eileen was 16 years old sometime not long after 1946. Severus was born in 1960, which would mean Eileen was in her mid-late 20s at the time.
Her marriage was dysfunctional at best, abusive at worst. As per a Pottermore post that is still up on WizardingWorld.com: "...the desperately lonely and unhappy childhood [Severus] had with a harsh father who didn’t hold back when it came to the whip." Based on this, we can assume Tobias was abusive, and given Eileen's cowering as he shouted at her, she presumably feared him.
From these bits of information emerges the image of a woman who either had a surly personality, or at the very least was guarded, though perhaps just formal. There isn't really any difference in how her face is set when she's in an everyday setting like King's Cross, or when she's having her picture taken for the Gobstones Club. It's possible she was a stern, unsmiling person, but it's also possible - given that her wedding and child were announced in the paper - that she came from a family of some standing and was raised to conduct herself with hallmarks of British class, such as dignity and unaffectedness. After all, there are several wizarding families - such as the Potters - who are wealthy purebloods with social standing but are not part of the Sacred 28. Additionally, the Gobstones Club portrait would have been taken around the mid-1940s, when portraits were formal and their subjects did not often smile, and given that we see only a snippet of Eileen, we don't have enough information that she was unhappy or sour. It's also important to remember that we see her portrait and Snape's memory of her through Harry's perspective and, like his perception of Snape himself, this may convey Harry's biases.
We also know from the text that Snape had a house in a deserted part of Cokeworth, a fictional Midlands town that presumably had a collapsed milling industry, at the end of a street called Spinner's End. There's a great thread that goes into details about the kind of 2 up 2 down house it would have been, and we can assume that this is Snape's family home given that we know he and Lily grew up in Cokeworth. For all intents and purposes, the conclusion we can draw from this being the Snape family's home in the 60s is that they were working class and cripplingly poor. Most estates like this had been cleared by the 60s, and no longer exist today.
This begs the question: how did a witch from a possibly well-off family end up in an abusive marriage in an irrelevant slum?
Buckle up kids, we're leaving the world of textual references and veering into deep meta territory now. I won't label any of this as head canon because I'm not set on these interpretations, and am just drawing conclusions from the text, but some of it may be a bit loose even for meta.
If Eileen was 16 years old not long after 1946, then she would have finished school in the late 40s, possibly even 1950. While some people (including past me) posit the theory that Tobias may have been injured in WWII and his injuries debilitated him, forcing him to go on the dole and affecting his mental health, I'm increasingly skeptical of this theory. It would make more sense if Eileen had known him before he was drafted/enlisted and had committed to a relationship with him, which would then have changed when he came back from the war and was altered. If we assume Eileen's age based on the idea that it was her own copy of Advanced Potion Making Severus used, then she would still have been at school during WWII (which makes an interesting parallel with Severus' own experience of spending the bulk of the first wizarding war against Voldemort as a student at school).
I do think, however, that there's merit in the theory that Tobias suffered some kind of altering injury and that he wasn't necessarily abusive before Eileen committed herself to him. It makes little sense for a Slytherin graduate who was confident and self-posessed enough to be the face of an unpopular club to be drawn to a partner so abusive his shouts caused her to cower and who whipped his child freely. If, however, he was a charming, happy man when they met who suffered a life-altering injury, the trauma of which left him a shell of his former self, then someone like Eileen might stick around for the sake of the parts of his old self she can still see in him.
It's interesting that she didn't seem to use her magic to protect herself or her son, or even to dress her son in clothing that fit, but we know from the text that depression can cause a wizard's powers to wane:
“...it is also possible that her unrequited love and the attendant despair sapped her of her powers; that can happen”
HBP Ch. 13 (Dumbledore talking about Merope Gaunt)
The fact that the Snapes retained the house in Spinner's End seems to indicate that they continued to live there even when the local industry dried up and the slum was cleared as workers were moved to other parts of the country where they were needed (presumably what happened given *gestures at British history*). The most likely explanation for this would be that Tobias wasn't able to work, and perhaps did suffer an injury, only it was at work, and not during the war. This would mean the family lived on the dole (ie. welfare) and also that he would have spent a lot more time at home. It would also explain his anger and frustration that led to abusive behavior (which isn't to say that disabled people are abusive by any means, but it would have been emasculating for a man who considered himself the breadwinner in the 60s, and chronic pain coupled with limited abilities would give anyone a short fuse).
Moreover, this living situation seems to indicate that there is no additional support coming from anywhere. Where is Eileen's family? Why were they not helping? There's no indication in the text that there is any connection with them at all. We can infer from Snape's memories that, as a child, he learned what he knew about the magical world from his mother. This implies that she talked to him about it a fair amount, and his conviction that he and Lily were going to Hogwarts well before they got their letters also implies that Eileen expected him to go there and was set on her son having a magical education, despite how little she seemed to use her own powers.
Severus knows a lot about the wizarding world as a child, including that prisoners are sent to Azkaban and that it's guarded by Dementors, Hogwarts' house structure and what to expect when he and Lily get there, and about the Statute of Secrecy and the laws around it. When Lily asks him if it makes a difference being Muggleborn, Severus hesitates before replying no, presumably because he's aware of pureblood bias being a part of wizarding culture.
Perhaps that's the reason Eileen's family doesn't seem to be in the picture. My own theory is that Eileen hadn't planned to commit herself to Tobias long-term, and Severus was an accidental outcome of an innocent tryst in which a young Eileen, an educated witch from a well to do pureblood family, was having fun slumming it with a working class muggle and ended up pregnant. While we don't know the wizarding world's attitude around pregnancy and abortion, we do know it's a conservative and classist society that parallels muggle British culture fairly closely, and that the late 50s/early 60s were a time when an out of wedlock baby would have been considered a disgrace.
Add to that the anti-muggle bias of a pureblood family and it sounds like Eileen was disowned her for her mistake (and don't @ me, but even though I know that not all Slytherins are purebloods, it does seem to be a persistent cultural value of the house reaching back to Salazar Slytherin himself, so Eileen's being sorted into it can reasonably be taken as an indication of her blood status). Perhaps the marriage and birth announcements in the Daily Prophet were put in by Eileen herself, if she was a woman from a family where this was customary. It may have been her way of letting her family know of the events, or even of asserting herself and even deliberately defying them, announcing to the whole wizarding world that a Prince married and had a child with a muggle. It makes sense that the girl who wasn't just in the Gobstones club, but became captain, would also say to herself, why shouldn't I have my marriage announced in the paper like everyone else in the family?
It's worth noting that mid-late 20s is pretty young to have a baby in the wizarding world, where the life expectancy and child bearing years are much longer than they are for a muggle. According to the Harry Potter wiki:
"Wizard life expectancy in Britain reached an average 137¾ years in the mid-1990s, according to the Ministry of Divine Health ... Wizards in general have a much longer life expectancy than Muggles, usually living two or three times as long as their non magical counterparts, some living even longer than that depending on circumstances. In addition, seeing as James Potter's parents had him "late in life,” witches likely have significantly longer childbearing years than Muggle women."
Although we see several characters in Severus' generation getting married and having kids not long after leaving school, there's a mention in the text that a lot of people were doing this during Voldemort's reign, as the fear he inspired made people more eager to get a move on with life since they thought they might die any day (I think Mrs. Weasley says this but I can't find the quote, @ me if you do). It's clear this wasn't the norm in the wizarding world. Eileen was a Slytherin, a house that values cunning, ambition, and strong wizarding heritage. Something must have gone very wrong in Eileen's life for her to end up having a child so young and living in a muggle slum.
And so it's possible Eileen Prince found herself pregnant and alone, having been disowned by her family to save face in light of her disgrace, and dependent on the only person she was still close to, the father of her child. It's the kind of storyline that Rowling would write, and it would parallel fairly closely the story of Voldemort's mother, thus adding another to the long list of similarities between Voldemort and Snape.
Lorrie Kim makes an interesting point when she talks about how Snape has a strong reaction to other people having a love life or romantic experiences (the context being Rowling's intention of his love for Lily being romantic and unrequited), but doesn't react particularly strongly to mothers sacrificing themselves for their children, whereas Voldemort does. Her insight, and I think it's a reasonable one, is that Severus accepts the idea of mothers making sacrifices for their children, whether it's Lily giving her life for Harry or Narcissa risking all she did to ask for his help in protecting Draco, because his own mother protected him from his father as much as she could.
There's a lot of room for interpretation on what Eileen's relationship with her son looked like, and what it says about her own state. She may have prioritized not angering Tobias to protect Severus, who as a child might have perceived her actions as a form of rejection. At the same time, she seems to have prepared him thoroughly for life in the magical world, perhaps in the hope that he would find his place in it and escape home. Perhaps she missed it and told him so much about it so she could live through her own memories.
The only time we see her argue with Tobias, in Severus' memory, she's cowering as he shouts. We know from JK Rowling that Tobias used corporal punishment liberally, which implies Eileen didn't stop him despite her magical abilities. We also see in the text, however, that while at school Severus stood up for himself against bullies and fought back, and that he was an exceptionally clever and powerful wizard. As an adult he was brave enough to face Dumbledore when he betrayed Voldemort, and later fought against Voldemort right under his nose (or lack thereof). So it stands to reason that at some point Severus began to stand up against Tobias too.
How much of that was Eileen's influence, or the result of Severus seeing her acceptance of her fate and rejecting it for himself, is hard to say. As for what happened to Tobias and Eileen that their house was Severus' by the mid-90s and they were nowhere in sight, I don't think there's enough information in the text to infer.
Not sure why it's a new trend among fic readers to assume if the fic has not been posted within the week it's inappropriate to comment on it, like the fic has to be hot out of the oven to give feedback for.
I got a comment on a fic that is less than a year old and it was mostly an apology for being a comment on an "old fic" and how late they were in commenting.
Just comment on the fic. Doesn't matter how old it is.
Fandom is not social media.
Fandom is not trends.
Fandom is a cross between a library and having a slumber party with your friends.
"Old" means nothing to fic.
"what if they fucked" WRONG. what if they ruined each other's lives irreparably. what if there was nothing left but a smoldering heap. what if everything that brought them together twisted and corroded and ripped them apart. and then they fucked.
New/Old promotional stills of Ellie Darcey-Alden (young Lily Evans Potter) and Benedict Clarke (young Severus Snape) in Harry Potter and the Deathly Hallows: Part 2 (2011)
Photo by Jaap Buitendijk © 2011 Warner Bros. Pictures
Source: Revenson, Jody. Harry Potter: The Character Vault. First Ed. New York, NY: Harper Design, 2015. Print. p. 151.
Photos by J.D. Night Ghobhadi
Full resolution images on Flickr here and here
Those who think that wisdom and whimsy are mutually exclusive have neither. It's vitally important to do the right thing when the consequences are dire, and to do a whole bunch of utterly frivolous silly dumb shit when it doesn't matter what you do.
Often, the wise thing must be disguised as silly frivolous dumb shit in order to actually work
one of the most boring lessons I’ve learned is that when a task feels overwhelming, you just have to start doing it. Even if you’re not sure how to do 90% of it, look for one small component that seems close and start there. Sometimes it’s reading one article on the topic, or searching one related term, or literally just googling how to do the task. Do anything other than thinking about it. The process of working on a thing inherently makes it less scary.
hey guys you know a work can have challenging & disturbing & weird themes without it actually being a kink that the writers have, right? I know we all like to use that “the author’s barely disguised fetish” meme but i truly need y’all to understand that some things are just recurring themes & motifs in a body of work without it being sexual for the writers or anyone involved in the creation of art. It’s important to me that y’all know this.
An Archive of Our Own, a project of the Organization for Transformative Works
The result of listening to Taylor Swift’s “Folklore” on repeat, an unhealthy obsession with Harry Potter, and the fact that the name “James” was already in the lyrics. Loosely based on “betty,” “august,” and “cardigan,” but it’s jily. Muggle AU, modern setting.
His eyes snap to her as though she’s standing beneath a spotlight. Her hair is loose, tumbling in soft waves beyond her shoulders. She’s wearing a yellow dress the color of sunshine. Her green eyes are sparkling, the twinkling lights above her reflecting in them like starlight. She’s beautiful. And she’s wrapped up in Benjy Fenwick’s arms.
chapter nine: the party (again)
Rated E
In just under an hour, they’ll be at Petunia’s engagement party, where James will be expected to step into the role of Lily’s boyfriend. It isn’t a wholly unfamiliar act — their entire friendship began with him playing a similar part, after all — but that feels like something from another lifetime, back when the stakes were lighter and the lines more familiar.
This time, James doesn’t know the script. Hand-holding? Pet names? An arm around her waist? A quick kiss on the cheek if some doting aunt coos over them? Where, exactly, is the line between convincing and inappropriate?
And worse — how much of his own longing can he safely bury beneath the facade of performance before it starts to show through the cracks?
read on ao3!
oh to get wine drunk with your childhood best friend