Bird (Andrea Arnold, 2024)

Kiana Khansmith
noise dept.
d e v o n
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if i look back, i am lost
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we're not kids anymore.
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
DEAR READER

⁂
Alisa U Zemlji Chuda

Origami Around

JVL
will byers stan first human second
occasionally subtle

Andulka

★
Cosmic Funnies
seen from Kenya
seen from Kosovo

seen from France
seen from United States
seen from Brazil

seen from United States
seen from Egypt

seen from South Korea
seen from United States

seen from Brazil

seen from Italy
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Germany

seen from United States

seen from T1

seen from Germany
@rhianbolton
Bird (Andrea Arnold, 2024)
i love fiber arts/textiles people.
“Dancing on many weddings” 20.5x21.5 in, textile art
See more on my BLOG
The Pillow Fort, Bunnie Reiss
I’m always trying to figure out ways to be an adult and a child at the same time. I wanted to make a super-sized pillow fort and was given a beautiful space to execute it. This fort was 40ft tall and made out of quilts that I had created from all my close friends old clothing. I wanted everything to feel extra personal, so I used every bit of the love and adoration I have for my community in this piece. I hung a couch upside down, lit everything from the inside, and made a soft, cuddly place for secret pacts and plans for the future.
Muriel Nezhnie Helfman (American, 1932-2002) - Untitled. Figural woven flat weave vertical wall hanging, colorful. 57"h. 18"w. source
Jenny Holzer, More people will be building places in their homes small refuges that are undectable except by sophisticated devices,Cashmere (in the colours gray, green and white), 130 x 97,5 cm., each colour edition 14, signed and numbered on certificate, 2003
Tweet
https://www.instagram.com/itsselynn/
that night, frog and toad were both happy
reunited ♥️
In Bed, The Kiss, 1892 - Henri de Toulouse-Lautrec
Quilt, velvet embroidered with wool, silk, and metallic threads, glass beads, Russian and the United States, 1898.
From Masterworks of the Jewish Museum.
a logistical NIGHTMARE
Christo
Portrait of Judith Lieb, 1969
MutualArt
id love to write something abt how similar the pre-raphaelite and 90s heroin chic eras are
how theyre both trying to capture “real life” but in the most contrived and glamorized way ever