Just fyi, I'm not coming here anymore. Feel free to unfollow.

izzy's playlists!
sheepfilms

titsay

shark vs the universe
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
No title available

No title available

roma★
🪼
Cosimo Galluzzi

⁂
Lint Roller? I Barely Know Her
taylor price
One Nice Bug Per Day

tannertan36
cherry valley forever
YOU ARE THE REASON
Sweet Seals For You, Always
Keni

seen from United States
seen from Germany

seen from Türkiye

seen from Malaysia
seen from Italy
seen from Denmark

seen from Malaysia
seen from Hong Kong SAR China
seen from France

seen from Türkiye
seen from United States

seen from Türkiye

seen from Belgium

seen from United States

seen from Poland
seen from United States

seen from United States
seen from United States
seen from Italy

seen from France
@rinalism
Just fyi, I'm not coming here anymore. Feel free to unfollow.
back by unpopular demand: me
Richard Armitage by Sarah Dunn X and personal mag. download.
A fear submitted by andthenwemetthelocals for deep-dark-fears.
when someone gives you directions but you go the wrong way
I am totally playing a half-man, half-horse cleric in my next D&D game, so I can tell people my title is the Centaur for Disease Control.
Chum by hisaya katagami
Will Graham - season one
bucky barnes is a fictional character and after this movie i still feel personally responsible and guilty for his suffering. how could i let this happen to you. bucky how could i let this happen to you. this is my fault im so sorry
This will make a lot more sense to people who have seen the movie.
Into the Woods + text posts
part 2
(part 1)
[…]If Snowpiercer had merely told the tale of an oppressed working class rising up to seize power from an evil overlord, it would already have been an improvement over most of the political messages in mainstream cinema. There are all sorts of nice touches in its portrayal of a declining capitalism that can maintain its ideological legitimacy even when it literally has no more bullets in its guns. But the story Bong tells goes beyond that. It’s about the limitations of a revolution which merely takes over the existing social machinery rather than attempting to transcend it. And it’s all the more effective because the heart of that critique comes as a late surprise, from a character we might not expect. […]All too often, explicitly political art fails as both art and politics. Socialists shouldn’t put up with half-assed imitations of popular genres, nor with political messages denuded of anything but the lowest common denominator. What makes Snowpiercer satisfying is that it commits neither error. It’s an engrossing and stylish movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for English-speaking audiences that badly need them.
Smash the Engine by Peter Frase | Jacobin Magazine (via numenorss)
I’m the cunt you married. The only time you liked yourself was when you were trying to be someone this cunt might like. I’m not a quitter, I’m that cunt. I killed for you; who else can say that?