TOM HOLLAND AND ZENDAYA in Spider-Man: Far From Home (2019) dir. Jon Watts
The Bowery Presents
occasionally subtle
"I'm Dorothy Gale from Kansas"

roma★
Cosimo Galluzzi
The Bright Sessions

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bliss lane
Phantogram Three
Claire Keane
I'd rather be in outer space 🛸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
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Product Placement
NASA
tumblr dot com
Fieri Frames

Origami Around

seen from Germany

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seen from Brazil

seen from United States
seen from United States

seen from United Kingdom
seen from France
seen from Vietnam
seen from United States

seen from Bangladesh

seen from Germany
seen from Türkiye

seen from United States

seen from India
seen from United States

seen from United States
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seen from United States
@riverkidd
TOM HOLLAND AND ZENDAYA in Spider-Man: Far From Home (2019) dir. Jon Watts
New York Times: Aaron Tveit was born to play Christian
me, sobbing: YOU’RE DOING AMAZING SWEETIE
Musicals are just two and a half hours of characters making progressively worse and worse decisions and, tbh, I think that’s why I relate so hard.
The penguins of Madagascar “smile and wave boys” shaped a generation
Moulin Rouge! (2001) dir. Baz Luhrmann
Nicole Kidman and Ewan McGregor often had to be sent out of the room during rehearsals for Moulin Rouge! because they were giggling too much.
LOVE ISLAND EP 5 - COUPLING UP | “Jasper stands there, cool as a cucumber.”
+ and - of getting into these fandoms
The Book of Mormon: you get absolute bops, but if they get stuck in your head, you can’t sing them out loud.
Dear Evan Hansen: you get incredibly catchy songs, but you can’t listen to any of them in public without crying.
Falsettos: you get oddly beautiful lyrics, but also get an inappropriate urge to sing whenever you hear the word “hepatitis.”
Hamilton: you are so ready for American history class, but you can’t remember anything unless you rap it.
Natasha, Pierre, and the Great Comet of 1812: you get a unique and beautifully written show, but when you forget the lyrics, you’re lost forever because nothing rhymes.
Les Misérables: you get a huge selection of likable characters to get emotionally invested in, but they all die in the end.
Newsies: you get a professionally-filmed movie, but now, whenever you open Netflix, you literally can’t watch anything else.
Next to Normal: you get Alice Ripley and Aaron Tveit, but every time someone says their name is Gabriel, you get a terrible urge to respond, “Hi, Dad.”
Rent: you get a masterclass in songwriting and storytelling, but you become physically incapable of hearing the phrase “Who died?” without jumping on a table.
Spring Awakening: you get a high-impact and deeply relevant story, but when adults ask you what it’s about, you have no idea how to explain.
Tuck Everlasting: you get an unforgettable show, but you hit the bottom of the tag within ten minutes.
Waitress: you get to know so many underappreciated actresses, but every time you get attached to a Jenna, she leaves.
[Peter sneaking through the window]
Tony, turning around in his chair and flicking the light on: You want to tell me where you’ve been all night?
Peter: I-I was with Cap.
Steve, turning in his chair: You wanna try that again?
You don’t know him. He’s from Brooklyn.
mj’s always there to fix up peter and talk to him after battles ❤️
Cap-Captain? Big fan. I’m Spider-Man.
Aaron Tveit, Karen Olivo, and Danny Burstein present an award onstage during the 2019 Tony Awards at Radio City Music Hall on June 9, 2019 in New York City.