The Bechdel Test
Alison Bechdelâs original 1985 Dykes To Watch Out For strip that became known as âThe Bechdel Test.â
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The Bechdel Test
Alison Bechdelâs original 1985 Dykes To Watch Out For strip that became known as âThe Bechdel Test.â
point and shoot camera, âdreamlandâ margate, uk.
Daniel Boone recounted in his diary that after he and his men had destroyed one particular indian village, one little boy was still alive, though badly wounded and burned. 'The little boy was not even crying', Dan wrote. He said that when he returned to the village the next day, he and his men retrieved potatoes from the cellar, and the potatoes were perfectly cooked with the grease of burned indians. Later, the historians denied that we had potatoes or cellars, or even that we existed; it was just 'wilderness' that Dan'I and the guys conquered.
The Mystery of the Two Islands: The True Story of How Cuban Communists Gained Control of Trump Tower 1986, Jimmie Durham
Le MusĂ©e du Jouet (The Toy Museum), Brussels, Belgium.Â
"the oppression of women knows no ethnic nor racial boundaries, true, but that does not mean it is identical within those boundaries.â
 - audre lorde, âan open letter to mary dalyâ
free PDF here.
Survival Tactics, Â 2014, Mixed Media
 Rebecca Lindsay - Addy,
 Made during IdeasFromElse[W]hereÂ
Writing reads:
I've been thinkingÂ
how we built ourselvesÂ
up from the shattered
bones. A 'tedious'Â
ongoing war no
books were written
about. I've carried
slivers of it likeÂ
scars, like armour.
And people willÂ
feed you their lines
as if they were
bandages, as if
you can be re-
written, after years
of desk indented
wrists, tied to the only
spot you felt able
to exist in. Survival
is a constant,
(sometimes), a con-
stant decision.
Recovering from
the wreckage,
but people will
try and drag you
down with history
unaware they are
even carrying it,
carelessly breaking
your reassembledÂ
back with it.Â
"Iâm black. Now, letâs deal with the social fact and the fact of my stating it together."
Adrian Piper
My Calling Card (No.2)
ink and cardstock
1986-90
Free PDF Books on race, gender, sexuality, class, and culture
Found from various places online:
The Pedagogy of the Oppressed by Paulo Freire
Angela Y. Davis - Are Prisons Obsolete?
Angela Y. Davis - Race, Women, and Class
The Communist Manifesto - Marx and Engels
Sister Outsider: Essays and Speeches by Audre Lorde
Three Guineas by Virginia Woolf
Critical Race Theory: An Introduction by Richard Delgado and Jean Stefancic
The Black Image in the White Mind: Media and Race in America- Robert M. Entman and Andrew Rojecki
Ainât I a Woman: Black Women and Feminism - bell hooks
Feminism is for Everybody - bell hooks
outlaw culture - bell hooks
Faces at the Bottom of the Well - Derrick Bell
Sex, Power, and Consent - Anastasia Powell
I am Your Sister - Audre Lorde
Patricia Hill Collins - Black Feminist Thought
Gender Trouble - Judith Butler
Four books by Frantz Fanon
Their Eyes Were Watching God - Zora Neale Hurston
Medical Apartheid - Harriet Washington
Fear of a Queer Planet: Queer Politics and Social Theory - edited by Michael Warner
Colonialism/Postcolonialism - Ania Loomba
Discipline and Punish - Michel Foucault
The Gloria Anzaldua Reader
Capitalist Realism: Is There No Alternative? by Mark Fisher
This Bridge Called by Back: Writings by Radical Women of Color by CherrĂe Moraga & Gloria AnzaldĂșa
What is Cultural Studies? - John Storey
Cultural Theory and Popular Culture - John Storey
The Disability Studies Reader
Michel Foucault - Interviews and Other Writings
Michel Foucault - The History of Sexuality, Vol. 1, Vol. 2, Vol. 3Â
Michel Foucault - The Archeology of Knowledge
 This blog also has a lot more.
(Sorry they arenât organized very well.)
On the 26th at the Walthamstow Garden Party in Lloyds Park I performed as a #PeddlerOfIdeas for a twitter/instragram performance, with Sally Labern from the The Drawing Shed, in place of her usual collaborator Bobby Lloyd.Â
Dressed all in black, (Wearing items printed with 'PEDDLER OF IDEAS') armed with sharpies and carboard, we explored the event, engaging and coaxing visitors to share their ideas with us (anoymous or not!) from the inane, jolly, to the more serious and political. Under not only our own hashtag but also #WalthamstowGardenParty meaning in between images of people enjoying cider and cakes and the like, people could also stumble across a wealth of ideas! Great fun.
the ideas went out via.:
The Drawing Shed's twitter and Sally Labern's Instagram
My Twitter and My instagramÂ
(Cindy Sherman, Untitled #397, 2000. Chromogenic color print; 91.4x61cm)
When I ask what new ideas or emotions he thinks the film offers, he admits, "I don't know. I was just interested in telling the truth by visualising it. Visualisation of this narrative hasn't been done like this before, and I think that's the thing. I mean, some images have never been seen before. I needed to see them. It's very important. I think that's why cinema's so powerful.
Steve McQueen, speaking about '12 Years A Slave' in The Guardian
Moyra Davey, Trust Me (detail), 2011
Documenting something daily always feels like madness to me. But here I go...
American newspapers just seizing the opportunity to have a little fun with slavery. Totally accidental and/or harmless. In other news: microaggressions are common verbal, behavioral, and environmental indignities, whether intentional or unintentional, that communicate hostile or negative slights to marginalized groups. (via Donovon X Ramsey)
What do you think? Catchy headlines or microaggressions?Â
The last two I could write off as just lazy editing
The first two? Motherfuckers playing games
All of them are intended to demean. You could shorten the film title to â12 Yearsâ just as easily and actually more descriptively, but throwing the word âSlaveâ around with âmasterâ and pictures of Lupita Nyongâo is a way of re-emphasizing how US society views Black people.
TEN REASONS WHY TEENAGE WOMEN ARE AMAZING for Zanna
1. Even our grammar is criminal. We like, have imperfections, speak a finite language, but omg, that language is just as valid as an English professorâs literary jargon but through the outpouring of daily interactions and âgirl talkâ we like, mess up. Maybe we have pauses. Maybe we stutter. Maybe weâre afraid of what we have to say of the power hiding behind our own tongue and the fear of disappointment that comes after
Shut down and cordoned off our language is a troublemaker doesnât quite fit the picture0frame of women speaking delicately, quietly no passion just gentle thought.Â
I tear down "please refrain from using the word "like"" stickers from my school hallways because assimilation is just another step towards repression and language evolves. We evolved with it.
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And whyâs Janis Joplinâs life read as a downward spiral into self-destruction? Everything she did is filtered through her death. Roger Gilbert-Lecomte, Kurt Cobain, Jimi Hendrix, River Phoenix all suicided too but we see their deaths as aftermaths of lives that went too far. But let a girl choose death - Janis Joplin, Simone Weil - and death becomes her definition, the outcome of her âproblems.â To be female still means being trapped within the purely psychological. No matter how dispassionate or large a vision of the world a woman formulates, whenever it includes her own experience and emotion, the telescopeâs turned back on her. Because emotionâs just so terrifying the world refuses to believe that it can be pursued as discipline, as form. Dear Dick, I want to make the world more interesting than my problems. Therefore, I have to make my problems social.
Chris Kraus, I Love Dick, p196 (via angstravaganza)