aftersun (2022) dir. charlotte wells
Not today Justin
No title available
$LAYYYTER
wallacepolsom

祝日 / Permanent Vacation

Love Begins
we're not kids anymore.
RMH
🪼
cherry valley forever
noise dept.
No title available

★

Kiana Khansmith
Jules of Nature
todays bird
Claire Keane
Misplaced Lens Cap
occasionally subtle
Peter Solarz

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@robertppattinson
aftersun (2022) dir. charlotte wells
Aftersun (2022) dir. Charlotte Wells
Artist Spotlight: Swangzehl
unloading the dishwasher liveblog !
plate
plate
cup
bowls
diferent. cup
18k GOLD VICTORIAN FAMILY OF PIGS PENDANT
Me
I think at a certain stage it becomes less about skill and it’s more about being open. Open? Yeah, to the world, to yourself, to other people. You know, most of the incredible things that I’ve eaten haven’t been because the skill level is exceptionally high or there’s loads of mad fancy techniques. It’s because it’s been really inspired.
THE BEAR 2.04: Honeydew
The World of Interiors, February 1992. Photo - James Mortimer
drag queen called Sissy Puss whose sole act is pushing a boulder on and off the stage
[looks for you in everything] [finds you there]
“It is not enough to weep for our lost landscapes; we have to put our hands in the earth to make ourselves whole again. Even a wounded world is feeding us. Even a wounded world holds us, giving us moments of wonder and joy. I choose joy over despair. Not because I have my head in the sand, but because joy is what the earth gives me daily and I must return the gift.”
— Robin Wall Kimmerer, from Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants (Milkweed Editions, 2020)
Keanu Reeves on the set of ‘The Matrix’ 1998
sorry for liking when women got blood all over em but i'm a feminist