Pretty Good

❣ Chile in a Photography ❣
$LAYYYTER
TVSTRANGERTHINGS
One Nice Bug Per Day

Discoholic 🪩
todays bird

★

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open

Love Begins
EXPECTATIONS

PR's Tumblrdome
The Bowery Presents
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.
No title available
Xuebing Du

pixel skylines

Origami Around
seen from United States
seen from United States
seen from United States
seen from Argentina
seen from United States

seen from Malaysia
seen from India
seen from United States
seen from Italy
seen from United States
seen from United States

seen from United States
seen from Kenya

seen from Brazil

seen from United States
seen from Palestinian Territories
seen from Morocco

seen from Pakistan
seen from Australia
seen from Bangladesh
@rockist
Pretty Good
Frontal crest (maedate), mid-Edo period, 18th century, lacquer, gold, horsehair. Photograph by Brad Flowers © The Ann and Gabriel Barbier-Mueller Museum, Dallas. Courtesy Museum of Fine Arts, Boston
Pick two.
Pain-proof, Daehyun Kim
Otto Dix, Masks as ruins, 1946
(via: biblioklept)
Francisco de Goya - The Bewitched Man
Robin de Lavis
Fischli and Weiss. Untitled (F/W 2/13), The Right Way, Three Sisters, Rat and Bear, Airport, Romance Love etc. 1984-1997.
2nd postcard of 5 from my upcoming pack ~ . ~
London drawings
Jun Togawa
Annie Wu
Richard McGuire: “Here” (2000 version)
This little-known, color version of “Here” was published in a special edition of Strapazin #59, which also acted as a catalog for the "Bubbles ‘n’ Boxes ‘n’ Beyond" exhibition (June 1st to August 19th 2000).
The exhibition (which I was lucky to attend) showcased the work of 14 artists, including a 3-D version of McGuire’s “Here” with a revolving mobile of panels distributed in a room.
Xia Xiao Wan