THE FLORIDA PROJECT (2017) dir. Sean Baker
Show & Tell

ellievsbear
Monterey Bay Aquarium
sheepfilms

tannertan36
official daine visual archive
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ojovivo
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS
PUT YOUR BEARD IN MY MOUTH

Andulka

★

❣ Chile in a Photography ❣
Cosmic Funnies
cherry valley forever
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Stranger Things
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
seen from United States

seen from Malaysia

seen from Malaysia
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@kieslowski
THE FLORIDA PROJECT (2017) dir. Sean Baker
“We dance alone. That’s why we only play electronic music.”
The Lobster (2015) dir. Yorgos Lanthimos
Kubrick in Colors: Red
2001: A Space Oddissey (1968)
A Clockwork Orange (1971)
Barry Lyndon (1975)
The Shining (1980)
Eyes Wide Shut (1999)
twin peaks (1990-91)
A Separation (Asghar Farhadi, 2011)
The importance of color, framing, and historical context in Asghar Farhadi’s A Separation.
A Separation (Asghar Farhadi; 2011)
Explore the importance of color, framing, and historical context with a new video essay.
Ex Machina (dir. Alex Garland, 2015)
Wanna fight?
Bitch, you know I don’t do downers, bitch. You know I’m an upper ho.
Tangerine (2015) dir. Sean Baker
It’s Always Sunny in Philadelphia (S2E5)
What is wrong is wrong, no matter who said it or where it’s written.
Only God Forgives (2013) dir. Nicolas Winding Refn
I love this scene.
“What are you gazing at? Do you suppose a girl is sitting here? That girl is lost! She has been drowned! She is lying, fathoms deep. Do you think she has arms and legs, with flesh and cloth upon them? Do you think she has hair? She has only bones, stripped white! She is as white as a page of paper! She is a book, from which the words have peeled and drifted!”
Kim Min-hee as Lady Hideko in The Handmaiden (2016).
If I were a thief I would already be reaching to caress it.
The Handmaiden (2016) dir. Park Chan-wook
Paprika: Satoshi Kon (2006)