RODAVRESBO

[arturpastor]

Série “Banho Santo, São Bartolomeu do Mar, Esposende”. 24 Agosto 1953.

[sprint95]

plat 2014 (j)

[arturpastor]

Série “Retratos”. Décadas de 50/60. 

[arturpastor]

Série “Retratos”. Décadas de 50/60. 

[kitschgirl65]

“She Believed She Could, So She Did….”

At the foot of the water tower, Rouen (Quartier des Sapins) 1971 by Jean Gaumy

[architectureofdoom]

Our Lady of Sorrows church, H.P.J. de Vries, Amsterdam, 1958-60

[rodavresbo-blog]

[arturpastor]

Série “Geometrias e composições”. Capela da Nossa Senhora da Guia, Vila do Conde. Décadas de 50/60.

[rodavresbo-blog]

[archaeoart]

The Giza pyramids, the pyramid of Khenetkawes, and the head of the Great Sphinx, Egypt, circa 1865.

[rodavresbo-blog]

Quatre nuits d’un reveur, Robert Bresson, 1971.

[rodavresbo-blog]

Quatre nuits d’un reveur, Robert Bresson, 1971.

[authoroftheaccident]

“Eric Rohmer - He used to say that Cinema’s an art of limits. If you go beyond a certain limit it’s no longer a film, it’s no longer Cinema. These limits, he called it reality. He didn’t call it “realism”, he called it reality. So I think what I was in need for or was searching for, and I’m talking about limitations, these people, the neighbourhood and everything else, is not doing what I used to do in normal productions or films that I did and I still see my colleagues doing, which is: escaping from reality like the vampire from the sun. Every filmmaker tries to escape reality like the cross. And you should confront some sort of reality. Real reality, not fake, fantasized or projected. I have no other way because I am so with these people, in these places, with this kind of budget, with my own limitations, my own obsessions. Its pure reality, its nothing else.”

- Pedro Costa, Directors Dialogue

[yasminchoni-deactivated20160304]

[rodavresbo-blog]

High Sierra, 1941, Raoul Walsh.

[rodavresbo-blog]

The Steel Helmet, 1951, Samuel Fuller.

[rodavresbo-blog]

High Sierra, 1941, Raoul Walsh.