Some of me https://www.instagram.com/p/CGY_wy8FtoM/?igshid=19pmvzr1j98mi
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Janaina Medeiros
macklin celebrini has autism

❣ Chile in a Photography ❣
almost home

JBB: An Artblog!

Andulka
AnasAbdin

tannertan36
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Peter Solarz
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Sweet Seals For You, Always
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Kaledo Art

Discoholic 🪩
ojovivo
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Today's Document
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@rogerescudeiro
Some of me https://www.instagram.com/p/CGY_wy8FtoM/?igshid=19pmvzr1j98mi
Chegou brinquedo novo da @tagimaoficial obrigado a @musictech_official e ao @mercadolivre pela entrega bem antes do prometido!!! Valeeeeuuu #tagima #tagimabrasil #tagimaoneclassic https://www.instagram.com/p/CGLEIwnlZ5k/?igshid=cnbz265w0x38
Video novo no ar!!! Dessa vez Legião! Espero que gostem!!! Se curtirem, deixe seu like e compartilhe!! Video completo no canal https://youtu.be/f3ENDlUbomg #legiaourbana #sera #cover #coversong #legiãocover https://www.instagram.com/p/B9cm88ElZCI/?igshid=1vo3r5n0nwbo5
Mais um dia de ensaio foi pra conta ontem!! Foi top!!! Vamo que vamo!!! #musicroom #cover #emtschoolofrock #rocknroll (em EM&T Escola de Música e Tecnologia) https://www.instagram.com/p/B9UFkUWF_fN/?igshid=1cjewpxo1ad14
Things are Queer (1973) by Duane Michals
This piece by Duane Michals comprises nine photographs, each one a detail of the one that follows. The first shot shows a bog-standard bathroom. Then the camera pulls back to reveal what is either an oversized man, or an undersized bathroom: the man’s foot is the size of the lavatory-bowl. During the ensuing sequence, it emerges that the photograph of the man in the tiny bathroom is itself a picture in a book being read by another man in an alley. Then it turns out that the man reading the book in the alley is also a picture of a picture in a frame which is hanging on a wall. The final twist in this circuitous tale is the revelation that this picture of the man reading the book in the alley is itself a picture hanging on the original bathroom wall. Things are Queer neatly challenges the viewer’s assumptions about the photographic version of reality. The sequence taken as a whole has a cheeky intrigue - at no point can we actually identify the perspective of the camera, the reality of each shot is superseded by the next.