Fashion Killa @rohdez96 - Tumblr Blog

They say death is hardest on the living. It’s tough to actually say goodbye. Sometimes it’s impossible. You never really stop feeling the loss. It’s what makes things so bittersweet. We leave little bits of ourselves behind, little reminders, a lifetime of memories, photos, trinkets, things to remember us by… even when we’re gone.

vanish

♡ click for 18+ broken hearts club ♡

earthdaily

love-personal

best-of-memes

Rich people showers

officialkeikoandgilly

Originally posted by weegems

labyrinth-runner

reblogging for that gif

immenseheadaches

i’m sorry i couldn’t help myself

naamahdarling

This really helped to make me less angry.

welele

Las pegas para duchas para ricos que te hacen sentir menos pobre

They say death is hardest on the living. It’s tough to actually say goodbye. Sometimes it’s impossible. You never really stop feeling the loss. It’s what makes things so bittersweet. We leave little bits of ourselves behind, little reminders, a lifetime of memories, photos, trinkets, things to remember us by… even when we’re gone.

kimheeaes

They say death is hardest on the living. It’s tough to actually say goodbye. Sometimes it’s impossible. You never really stop feeling the loss. It’s what makes things so bittersweet. We leave little bits of ourselves behind, little reminders, a lifetime of memories, photos, trinkets, things to remember us by… even when we’re gone.

culturenlifestyle

Artist Catherine Nelson Painstakingly Pieces Together Thousands of Images from Surreal Worlds

Artist Catherine Nelson uses her training as a painter and her expertise in cinematic visual effects to piece together stunning, illusory realms. With the use of a special photography technique, she blends these mediums for several months to create an individual photograph.

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surrealism

Bateau bleu by Dorothea Tanning, 1950. Lithograph printed in strong yellowish pink, pale yellow green, and deep yellowish brown. Gallery of Surrealism, New York City, NY.

Donald Kuspit quoted on Gallery of Surrealism’s page:

…In…Bateau Bleu, the female has become fully conscious, even hyper-alert, and stands upright, centered in the cave-like scene. Symbols – her attributes – abound, including a watch (time is suspended in the unconscious), an eye with two pupils (the inner eye sees more) and a nest of eggs (emblem of creativity – birth). But it is in the strange, abstract, unnameable yet carefully nuanced surface, at once organic and crystalline, and dense space, obscure and threatening, that the fantasy completes itself. Tanning shows herself a complete master of mystery, her black space is at once infinitely sublime and oppressively immediate. The female figure floats in its indeterminancy yet seems firmly planted on – indeed, rooted in – some imaginary ground. She is a Daphne in process of metamorphosis into the laurel tree, standing in the still eye of a hurricane of strange, turbulent, transformative forces. She remains herself – rationally represented – but also irrationally other. She is poised on the boundary between the unconscious and the conscious.