"Fishing boat of Trieste". Egon Schiele. 1912

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"Fishing boat of Trieste". Egon Schiele. 1912
Wilhelmina Barns-Graham(British, 1912-2004)
Autumn Dusk 1978 Ink and watercolor on paper 7 1/2 x 5 5/8 inches via more
Credit: lulumoonowlb [IG]
Wilhelmina Barns-Graham(British, 1912-2004)
Surge 1978 mixed media on card H 22.7 x W 12.4 cm © Wilhelmina Barns-Graham Trust. via more
'Bush Medicine Leaves' by Indigenous Australian artist Gloria Petyarre, born in 1942 in Utopia, Northern Territory
RENÉ MAGRITTE
Souvenir de voyage
Olafur Eliasson
Meteorological circles, installation view, Long Museum, Shanghai, 2016.
Photo : Anders Sune Berg, © Olafur Eliasson, courtesy of the artist; Vitamin Creative Space, Guangzhou; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York
Willem de Kooning | Black and White | Whitney Museum of American Art
Japanese architect Tadao Ando
Alberto Giacometti por Ernst Scheidegger
Martin Puryear
Jean-Michel Basquiat
Untitled (Running Communist Man)
Itou Nisaburo (1910-1988) 伊藤仁三郎
Iris 菖蒲、1950’s
Photography in Turkey has a rich and storied history that spans more than a century, intertwining cultural heritage with technical innovation. The first cameras arrived in the Ottoman Empire in the mid-19th century, brought by European diplomats, traders, and travelers. One of the earliest known photographs of Istanbul dates back to 1843, taken by French photographer Joseph-Philibert Girault de Prangey. His daguerreotypes captured the splendor of Ottoman architecture, sparking local interest in the medium and laying the groundwork for photography in Turkey.
By the late 1800s, photography studios were established in Istanbul, often run by foreign photographers or members of Turkey's Armenian, Greek, and Jewish communities. The Abdullah Frères—an Armenian photography studio founded by the Abdullah brothers—became famous for their portraits of the Ottoman elite and the royal family. Their images documented the lives of sultans, officials, and foreign dignitaries, marking an era when photography became a respected art form in Ottoman society. The Abdullah Frères' work was prized not only for its artistic quality but also for its technical expertise, as they experimented with various methods and styles, often using hand-colored techniques to add depth and vibrancy to their portraits.
With the establishment of the Republic of Turkey in 1923, photography took on a new role as a means to capture and celebrate the nation's evolving identity. Mustafa Kemal Atatürk, the founder of modern Turkey, recognized photography’s power to promote cultural transformation and modernization. Photographs from this period show an emerging vision of Turkey, where Western-style clothing, industrial development, and women’s newfound roles in society were prominently featured. Photography served as a bridge between tradition and modernity, documenting the social reforms and aspirations of a young republic.
In the mid-20th century, Turkey saw the rise of influential Turkish photographers who brought a uniquely Turkish perspective to the medium. Ara Güler, often referred to as "The Eye of Istanbul," is perhaps the most renowned Turkish photographer of this era. Born in Istanbul in 1928, Güler’s black-and-white images of Istanbul’s streets, fishermen, and iconic landmarks captured the city’s soul during a period of rapid change. His work, rich in emotion and nuance, turned Istanbul into a universal symbol of nostalgia and resilience, earning him international acclaim. Güler's photographs went beyond mere documentation; they told stories, preserving the essence of Turkish culture at a time when modernity was transforming traditional ways of life.
Today, contemporary Turkish photographers like İlhan Maraşlı continue this legacy, blending artistry with an appreciation for Turkey’s natural and cultural landscapes. Maraşlı's work is celebrated for its simplicity and beauty, often focusing on the quiet, unadorned scenes of everyday life in Turkey. His images evoke a sense of tranquility and reverence for Turkey’s landscapes, villages, and people, embodying the philosophy that "simple is beautiful." This minimalist approach reflects a broader trend in modern photography, where moments of stillness and simplicity are valued as much as grandeur or drama.
In recent years, the digital revolution has further expanded the horizons of Turkish photography, making it accessible to new generations of artists. Social media platforms have allowed photographers to reach global audiences, showcasing Turkey’s rich heritage and diverse landscapes through vibrant imagery. As photography continues to evolve in Turkey, it remains a powerful means of expression and a testament to the country’s enduring creativity and cultural depth.
Historic Captured Eras