"alla gloria di Dio"
will byers stan first human second

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
PUT YOUR BEARD IN MY MOUTH
KIROKAZE

shark vs the universe
official daine visual archive
One Nice Bug Per Day
he wasn't even looking at me and he found me
Game of Thrones Daily
d e v o n
Lint Roller? I Barely Know Her

titsay
Sade Olutola
Today's Document
ojovivo

izzy's playlists!
2025 on Tumblr: Trends That Defined the Year
Jules of Nature
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@rottensaint
"alla gloria di Dio"
have a shitty ms paint style definitely-not-haunted-house
Tokyo's anti flooding "cathedral"
Women in Film Challenge 2025: [64/52] The Ugly Stepsister, dir. Emilie Blichfeldt (Norway/Denmark/Romania/Poland/Sweden, 2025)
You’re changing your outside to fit what you know is on the inside. You are a brave one.
i'm gonna regret this forever.
666
no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood
Frankenstein (2025) dir. Guillermo del Toro
Actually I'm not done thinking about Frankenstein sorry
The fact that Harlander only saw Victor's science, his creation, as a means to preserving himself. His own name.
The fact that Victor had only thought so far as the creation itself, and not what comes after. That the perfection in his mind began and ended with the act of creation.
How men only see (pro)creation through the lens of carrying on their legacy.
And when told no, that the creature will not be Harlander and his legacy? He seeks to ruin it all. And when the creature seems too slow, too difficult, too painful for Victor to deal with? He tries to destroy him.
Because to them, if what is borne from that isn't a perfect vessel to carry on their name, if it does not serve them, then the only answer is violence.
To the Desert, Benjamin Alire Sáenz
It’s been awhile
Franz Kafka, 1912