CRADLE OF THE LARYNX.
AU Β¦ SLAY THE PRINCESS β ACT 1. CROOKED TEETH AND A HUMAN MOUTH.
THEY TELL STORIES ABOUT YOU. Β Β Β Β Β ahβno, more precisely: they tell stories about your people. only those in the village know what is true, but you walk past each new chapter and folktale as if though you were a part of them. children hold their breath as you pass them by, afraid that you'll pluck their teeth to wear like jewelry. fungal wards dig their way out of wet earth, halos like rings that the humans say will take them there to that place you know. always, alwaysβto the place you know.
will you take them there?
black-eyed, mouths bursting with thorns and something that they call loveβwill you take them there?
ah, beckons another one that you find, their nails drawn to the earth.
will you take them there?
PRINCESS: will you take me there?
IT IS DAY ONE, AND YOU ARE ALONE IN THE BRIAR. no one would come with you. no one is as bold. no one is as adventurous. no one is as stupid, say the elders, but they do not stop you. there's a story here too, and fae stories are far scarier than human ones. so, walk this path and see what lies between you and the princess at the top of that tower. she will lie. she will beg. she will plead.
she will do everything that she can to make sure that you let her go, but you'll need to kill her once you see her. you'll need to unhear once she speaks.
you'll need a weapon.
NARRATOR: so, which one do you choose?
FIND ONE IN NATURE
TAKE FROM THE FALLEN
I DON'T NEED ONE
TUTORIAL: welcome, @rozyrne to my clown show! feel free to narrate around the set-up, around your feelings and interests and decisions. remember! there's no wrong decisions even if the narrator makes it sound like there is.
I'VE HEARD ABOUT THE HUMANS' FAVORITE STORIES.β β©β they especially like ones where they're locked up. high up, far, far up and away where the world axis inverts and water suspends, dripping down from above. where they're under the mercy of something much stronger than them, caged with their hands tied, their tongues tied, their eyes bound and facing the ground. they call them dragons sometimes ; they call them minotaur others: bulls and birds and beasts all great and misshapen.
if you ask me, i think humans have always wanted to touch more than themselves. why else would they tell these stories over and over again? the other thing changes, but always the human is the same. always the human is the same, and they are subject to the other thing that is not human. it is the same way that the flower subjects itself to the lash of wind and rain that it needs to grow.
this is why they come to the forest too. why they come to the north. braving the freeze and the storm and the mountain, asking for gifts and for blessings, asking to be captive, asking to be captivated.
i'm thinking of this today because there is one human exactly like this at the top of this tower. long, long steps. a crystalline arm. at the very top, it reaches just like i said: for the place where the water flows down from nothing. she's asked for me, so i've come ; she did not ask for me by name, nor by her tears, nor the blood which she's spilled. but all the same, she's asked for meββthe rivers have told me so, the water beneath the ground has told me so, its voice whispering through all the life that it feeds, whispering from the mouths of mushroom caps, from the stems of flowers, the eyes of trees ; telling me that she wants the same thing that every human who tells these stories has wanted.
i won't be her captor today.
are you, narrator? are you captor, or human?
then you should know that the fallen here are her doing, the blood that wets the soilββwhose water, too, speaks ; water of the blood of the fallenββwas let by her sword, freed to run fresh, destructive, unseelie.
she's not half-bad for a fae already, without my help. the nature calls, offers me its weapons. my nature calls, urging my forward. but i, too, want to touch more than myself: the banal and the plain, the simple and the structured. when i reach for an axe carved from the hand of a great tree, shed by a man like leaves in his last moments, i know that it has returned its full life cycle to me: root, tree, through the human artifice, and back to its germination. it has touched a world outside.
the first steps of the tower swallow me like moon that has lost its color.
i, too, will touch a world outside. with this axe made by human hand, the princess and i will complete both our wishes: fae, human, and a conduit.
i will take her, but not to where she asks to go.

















